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The Mahabharata of Krishna Dwaipayana Vyasa, Volume 2 by or: Kisari Mohan Ganguli

o >> or: Kisari Mohan Ganguli >> The Mahabharata of Krishna Dwaipayana Vyasa, Volume 2






SECTION VI

Vaisampayana said, "And while Yudhishthira was on his way to the
delightful city of Virata, he began to praise mentally the Divine Durga,
the Supreme Goddess of the Universe, born on the womb of Yasoda, and fond
of the boons bestowed on her by Narayana, sprung from the race of cowherd
Nanda, and the giver of prosperity, the enhancer (of the glory) of (the
worshipper's) family, the terrifier of Kansa, and the destroyer of
Asuras,--and saluted the Goddess--her who ascended the skies when dashed
(by Kansa) on a stony platform, who is the sister of Vasudeva, one who is
always decked in celestial garlands and attired in celestial robes,--who
is armed with scimitar and shield, and always rescues the worshipper sunk
in sin, like a cow in the mire, who in the hours of distress calls upon
that eternal giver of blessings for relieving him of their burdens. And
the king, desirous with his brothers of obtaining a sight of the Goddess,
invoked her and began to praise her by reciting various names derived
from (approved) hymns. And Yudhishthira said, 'Salutations to thee, O
giver of boons. O thou that art identical with Krishna, O maiden, O thou
that hast observed the vow of Brahmacharya, O thou of body bright as the
newly-risen Sun, O thou efface beautiful as the full moon. Salutations to
thee, O thou of four hands and four faces, O thou of fair round hips and
deep bosom, O thou that wearest bangles made of emeralds and sapphires, O
thou that bearest excellent bracelets on thy upper arm. Thou shinest, O
Goddess, as Padma, the consort of Narayana. O thou that rangest the
etherial regions, thy true form and thy Brahmacharya are both of the
purest kind. Sable as the black clouds, thy face is beautiful as that of
Sankarshana. Thou bearest two large arms long as a couple of poles raised
in honour of Indra. In thy (six) other arms thou bearest a vessel, a
lotus, a bell, a noose, a bow, a large discus, and various other weapons.
Thou art the only female in the universe that possesses! the attribute of
purity. Thou art decked with a pair of well-made ears graced with
excellent rings. O Goddess, thou shinest with a face that challengeth the
moon in beauty. With an excellent diadem and beautiful braid with robes
made of the bodies of snakes, and with also the brilliant girdle round
thy hips, thou shinest like the Mandara mountain encircled with snakes.
Thou shinest also with peacock-plumes standing erect on thy head, and
thou hast sanctified the celestial regions by adopting the vow of
perpetual maiden-hood. It is for this, O thou that hast slain the
Mahishasura, [9] that thou art praised and worshipped by the gods for the
protection of the three worlds. O thou foremost of all deities, extend to
me thy grace, show me thy mercy, and be thou the source of blessings to
me. Thou art Jaya and Vijaya, and it is thou that givest victory in
battle. Grant me victory, O Goddess, and give me boons also at this hour
of distress. Thy eternal abode is on Vindhya--that foremost of mountains.
O Kali, O Kali, thou art the great Kali, ever fond of wine and meat and
animal sacrifice. Capable of going everywhere at will, and bestowing
boons on thy devotees, thou art ever followed in thy journeys by Brahma
and the other gods. By them that call upon thee for the relief of their
burdens, and by them also that bow to thee at daybreak on Earth, there is
nothing that cannot be attained in respect either of offspring or wealth.
And because thou rescuest people from difficulties whether when they are
afflicted in the wilderness or sinking in the great ocean, it is for this
that thou art called Durga[10] by all. Thou art the sole refuge of men
when attacked by robbers or while afflicted in crossing streams and seas
or in wilderness and; forests. Those men that remember thee are never
prostrated, O great Goddess. Thou art Fame, thou art Prosperity, thou art
Steadiness, thou art Success; thou art the Wife, thou art men's
Offspring, thou art Knowledge, and thou art the Intellect. Thou art the
two Twilights, the Night Sleep, Light--both solar and lunar, Beauty,
Forgiveness, Mercy, and every other thing. Thou dispellest, worshipped by
the devotees their fetters, ignorance, loss of children and loss of
wealth, disease, death, and fear. I, who have been deprived of my
kingdom, seek thy protection. And as I bow to thee with bended head, O
Supreme Goddess, grant me protection, O thou of eyes like lotus leaves.
And be thou as boon-giving Truth unto us that are acting according to
Truth. And, O Durga, kind as thou art unto all that seek thy protection,
and affectionate unto all thy devotees, grant me protection!'"

Vaisampayana continued, "Thus praised by the son of Pandu, the Goddess
showed herself unto him. And approaching the king, she addressed him in
these words, 'O mighty armed king, listen, O Lord, to these words of
mine. Having vanquished and slain the ranks of the Kauravas through my
grace, victory in battle will soon be thine. Thou shalt again lord it
over the entire Earth, having made thy dominions destitute of thorns.
And, O king, thou shalt also, with thy brothers, obtain great happiness.
And through my grace, joy and health will be thine. And they also in the
world who will recite my attributes and achievements will be freed from
their sins, and gratified. I will bestow upon them kingdom, long life,
beauty of person, and offspring. And they, O king, who will invoke me,
after thy manner, in exile or in the city, in the midst of battle or of
dangers from foes, in forests or in inaccessible deserts, in seas or
mountain fastnesses, there is nothing that they will not obtain in this
world. And ye sons of Pandu, he will achieve success in every business of
his that will listen to, or himself recite with devotion, this excellent
hymn. And through my grace neither the Kuru's spies, nor those that dwell
in the country of the Matsyas, will succeed in recognising you all as
long as ye reside in Virata's city!' And having said these words unto
Yudhishthira, that chastiser of foes, and having arranged for the
protection of the sons of Pandu, the Goddess disappeared there and then."



SECTION VII

Vaisampayana said, "Then tying up in his cloth dice made of gold and set
with lapis lazuli, and holding them below his arm-pit, king
Yudhishthira,--that illustrious lord of men--that high-souled perpetuator
of the Kuru race, regarded by kings, irrepressible in might, and like
unto a snake of virulent poison,--that bull among men, endued with
strength and beauty and prowess, and possessed of greatness, and
resembling in form a celestial though now like unto the sun enveloped in
dense clouds, or fire covered with ashes, first made his appearance when
the famous king Virata was seated in his court. And beholding with his
followers that son of Pandu in his court, looking like the moon hid in
clouds and possessed of a face beautiful as the full moon, king Virata
addressed his counsellors and the twice-born ones and the charioteers and
the Vaisyas and others, saying, "Enquire ye who it is, so like a king
that looketh on my court for the first time. He cannot be a Brahmana.
Methinks he is a man of men, and a lord of earth. He hath neither slaves,
nor cars, nor elephants with him, yet he shineth like the very Indra. The
marks on his person indicate him to be one whose coronal locks have
undergone the sacred investiture. Even this is my belief. He approacheth
me without any hesitation, even as an elephant in rut approacheth an
assemblage of lotuses!'

"And as the king was indulging in these thoughts, that bull among men,
Yudhishthira, came before Virata and addressed him, saying, 'O great
king, know me for a Brahmana who, having lost his all hath come to thee
for the means of subsistence. I desire, O sinless one, to live here
beside thee acting under thy commands,[11] O lord. The king then,
well-pleased, replied unto him saying, 'Thou art welcome. Do thou then
accept the appointment thou seekest!' And having appointed the lion among
kings in the post he had prayed for, king Virata addressed him with a
glad heart, saying, 'O child, I ask thee from affection, from the
dominions of what king dost thou come hither? Tell me also truly what is
thy name and family, and what thou hast a knowledge of.'"

Yudhishthira said, "My name is Kanka, and I am a Brahmana belonging to
the family known by the name of Vaiyaghra. I am skilled in casting dice,
and formerly I was a friend of Yudhishthira."

Virata replied, "I will grant thee whatever boon thou mayst desire. Do
thou rule the Matsyas.--I shall remain in submission to thee. Even
cunning gamblers are liked by me. Thou, on the other hand, art like a
god, and deservest a kingdom."

Yudhishthira said, "My first prayer, O lord of earth, is that I may not
be involved in any dispute (on account of dice) with low people. Further,
a person defeated by me (at dice) shall not be permitted to retain the
wealth (won by me). Let this boon be granted to me through thy grace."

Virata replied, "I shall certainly slay him who may happen to displease
thee, and should be one of the twice-born ones, I shall banish him from
my dominions. Let the assembled subjects listen! Kanka is as much lord of
this realm as I myself, Thou (Kanka) shalt be my friend and shalt ride
the same vehicles as I. And there shall also be at thy disposal apparel
in plenty, and various kinds of viands and drinks. And thou shalt look
into my affairs, both internal and external. And for thee all my doors
shall be open. When men out of employ or of strained circumstances will
apply to thee, do thou at all hours bring their words unto me, and I will
surely give them whatever they desire. No fear shall be thine as long as
thou residest with me."

Vaisampayana said, "Having thus obtained an interview with Virata's king,
and received from him boons, that heroic bull among men, began to live
happily, highly regarded by all. Nor could any one discover him as he
lived there."



SECTION VIII

Vaisampayana said, "Then another endued with the dreadful strength and
blazing in beauty, approached king Virata, with the playful gait of the
lion. And holding in hand a cooking ladle and a spoon, as also an
unsheathed sword of sable hue and without a spot on the blade, he came in
the guise of a cook illumining all around him by his splendour like the
sun discovering the whole world. And attired in black and possessed of
the strength of the king of mountains, he approached the king of the
Matsyas and stood before him. And beholding that king-like person before
him, Virata addressed his assembled subjects saying, 'Who is that youth,
that bull among men, with shoulders broad like those of a lion, and so
exceedingly beautiful? That person, never seen before, is like the sun.
Revolving the matter in my mind, I cannot ascertain who he is, nor can I
with even serious thoughts guess the intention of that bull among men (in
coming here). Beholding him, it seems to me that he is either the king of
the Gandharvas, or Purandara himself. Do ye ascertain who it is that
standeth before my eyes. Let him have quickly what he seeks.' Thus
commanded by king Virata, his swift-footed messengers went up to the son
of Kunti and informed that younger brother of Yudhishthira of everything
the king had said. Then the high-souled son of Pandu, approaching Virata,
addressed him in words that were not unsuited to his object, saying, 'O
foremost of kings, I am a cook, Vallava by name. I am skilled in dressing
dishes. Do thou employ me in the kitchen!'"

Virata said, "I do not believe, O Vallava, that cooking is thy office.
Thou resemblest the deity of a thousand eyes; and in grace and beauty and
prowess, thou shinest among these all as a king!"

Bhima replied, "O king of kings, I am thy cook and servant in the first
place. It is not curries only of which I have knowledge, O monarch,
although king Yudhishthira always used in days gone by to taste my
dishes. O lord of earth, I am also a wrestler. Nor is there one that is
equal to me in strength. And engaging in fight with lions and elephants,
I shall, O sinless one, always contribute to thy entertainment."

Virata said, "I will even grant thee boons. Thou wilt do what thou
wishest, as thou describest thyself skilled in it. I do not, however,
think, that this office is worthy of thee, for thou deservest this
(entire) earth girt round by the sea. But do as thou likest. Be thou the
superintendent of my kitchen, and thou art placed at the head of those
who have been appointed there before by me."

Vaisampayana continued, "Thus appointed in the kitchen, Bhima soon became
the favourite of king Virata. And, O king, he continued to live there
unrecognised by the other servants of Virata as also by other people!"



SECTION IX

Vaisampayana said, "Binding her black, soft, fine, long and faultless
tresses with crisped ends into a knotted braid, Draupadi of black eyes
and sweet smiles, throwing it upon her right shoulders, concealed it by
her cloth. And she wore a single piece of a black and dirty though costly
cloth. And dressing herself as a Sairindhri, she began to wander hither
and thither in seeming affliction. And beholding her wandering, men and
women came to her hastily and addressed her, saying, 'Who are you? And
what do you seek?' And she replied, 'I am a king's Sairindhri. I desire
to serve any one that will maintain me.' But beholding her beauty and
dress, and hearing also her speech that was so sweet, the people could
not take her for a maid-servant in search of subsistence. And it came to
pass that while looking this way and that from the terrace, Virata's
beloved queen, daughter of the king of Kekaya, saw Draupadi. And
beholding her forlorn and clad in a single piece of cloth, the queen
addressed her saying, 'O beautiful one, who are you, and what do you
seek?' Thereupon, Draupadi answered her, saying, 'O foremost of queen, I
am Sairindhri. I will serve anybody that will maintain me.' Then Sudeshna
said, 'What you say (regarding your profession) can never be compatible
with so much beauty. (On the contrary) you might well be the mistress of
servants both, male and female. Your heels are not prominent, and your
thighs touch each other. And your intelligence is great, and your navel
deep, and your words solemn. And your great toes, and bust and hips, and
back and sides, and toe-nails, and palms are all well-developed. And your
palms, soles, and face are ruddy. And your speech is sweet even as the
voice of the swan. And your hair is beautiful, and your bust shapely, and
you are possessed of the highest grace. And your hips and bust are plump.
And like a Kashmerean mare you are furnished with every auspicious mark.
And your eye-lashes are (beautiful) bent, and your nether-lip is like the
ruddy ground. And your waist is slender, and your neck bears lines that
resemble those of the conch. And your veins are scarcely visible. Indeed,
your countenance is like the full moon, and your eyes resemble the leaves
of the autumnal lotus, and your body is fragrant as the lotus itself.
Verily, in beauty you resemble Sri herself, whose seat is the autumnal
lotus. Tell me, O beautiful damsel, who thou art. Thou canst never be a
maidservant. Art thou a Yakshi, a Goddess, a Gandharvi, or an Apsara? Art
thou the daughter of a celestial, or art thou a female Naga? Art thou the
guardian goddess of some city, a Vidyadhari, or a Kinnari,--or art thou
Rohini herself? Or art thou Alamvusha, or Misrakesi, Pundarika, or
Malini, or the queen of Indra, or of Varuna? Or, art thou the spouse of
Viswakarma, or of the creative Lord himself? Of these goddesses who art
renowned in the celestial regions, who art thou, O graceful one?'

"Draupadi replied, 'O auspicious lady, I am neither a goddess nor a
Gandharvi, nor a Yakshi, nor a Rakshasi. I am a maid-servant of the
Sairindhri class. I tell thee this truly. I know to dress the hair to
pound (fragrant substances) for preparing unguents, and also to make
beautiful and variegated garlands. O beauteous lady, of jasmines and
lotuses and blue lilies and Champakas. Formerly I served Krishna's
favourite queen Satyabhama, and also Draupadi, the wife of the Pandavas
and the foremost beauty of the Kuru race. I wander about alone, earning
good food and dress; and as long as I get these, I continue to live in
the place where they are obtainable. Draupadi herself called me Malini
(maker of garlands).'

"Hearing this, Sudeshna said, 'I would keep thee upon my head itself, if
the doubt did not cross my mind that the king himself would be attracted
towards thee with his whole heart. Attracted by thy beauty, the females
of the royal household and my maids are looking at thee. What male person
then is there that can resist thy attraction? Surely, O thou of
well-rounded hips, O damsel of exquisite charms, beholding thy form of
superhuman beauty, king Virata is sure to forsake me, and will turn to
thee with his whole heart. O thou of faultless limbs, O thou that art
endued with large eyes casting quick glances, he upon whom thou wilt look
with desire is sure to be stricken. O thou of sweet smiles, O thou that
possessest a faultless form, he that will behold thee constantly, will
surely catch the flame. Even as a person that climbs up a tree for
compassing his own destruction, even as the crab conceives for her own
ruin, I may, O thou of sweet smiles, bring destruction upon myself by
harbouring thee.'

"Draupadi replied, 'O fair lady, neither Virata nor any other person will
be able to have me, for my five youthful husbands, who are Gandharvas and
sons of a Gandharva king of exceeding power, always protect me. None can
do me a wrong. It is the wish of my Gandharva husbands that I should
serve only such persons as will not give me to touch food already
partaken of by another, or tell me to wash their feet. Any man that
attempts to have me like any common woman, meeteth with death that very
night. No one can succeed in having me, for, O beautiful lady, O thou of
sweet smiles, those beloved Gandharvas, possessed of great energy and
mighty strength always protect me secretly.'

"Sudeshna said, 'O thou that bringest delight to the heart, if it is as
thou sayest, I will take thee into my household. Thou shalt not have to
touch food that hath been partaken of by another, or to wash another's
feet.'

"Vaisampayana continued, 'Thus addressed by Virata's wife, O Janamejaya,
Krishna (Draupadi) ever devoted to her lords, began to live in that city.
Nor could anyone ascertain who in reality she was!'"



SECTION X

"Vaisampayana said, 'Then clad in a cowherd's dress, and speaking the
dialect of cowherds, Sahadeva came to the cowpen of Virata's city. And
beholding that bull among men, who was shining in splendour, the king was
struck with amazement. And he directed his men to summon Sahadeva. And
when the latter came, the king addressed him, saying, 'To whom dost thou
belong? And whence dost thou come? And what work dost thou seek? I have
never seen thee before. O bull among men, tell me truly about thee.'

'Having come before the king that afflicter of foes, Sahadeva answered in
accents deep as the roar of the cloud, 'I am a Vaisya, Arishtanemi by
name. I was employed as a cowherd in the service of those bulls of the
Kuru race, the sons of Pandu. O foremost of men, I intend now to live
beside thee, for I do not know where those lions among kings, the sons of
Pritha, are. I cannot live without service, and, O king, I do not like to
enter into the service of anyone else save thee.'

"Hearing these words, Virata said, 'Thou must either be a Brahmana or a
Kshatriya. Thou lookest as if thou wert the lord of the entire earth
surrounded by the sea. Tell me truly, O thou that mowest down thy foes.
The office of a Vaisya is not fit for thee. Tell me from the dominions of
what king thou comest, and what thou knowest, and in what capacity thou
wouldst remain with us, and also what pay thou wouldst accept.'

"Sahadeva answered, 'Yudhishthira, the eldest of the five sons of Pandu,
had one division of kine numbering eight hundred and ten thousand, and
another, ten thousand, and another, again, twenty thousand, and so on. I
was employed in keeping those cattle. People used to call me Tantripala.
I know the present, the past, and the future of all kine living within
ten Yojanas, and whose tale has been taken. My merits were known to that
illustrious one, and the Kuru king Yudhishthira was well-pleased with me.
I am also acquainted with the means which aid kine in multiplying within
a short time, and by which they may enjoy immunity from disease. Also
these arts are known to me. I can also single out bulls having auspicious
marks for which they are worshipped by men, and by smelling whose urine,
the barren may conceive.'

"Virata said, 'I have a hundred thousand kine divided into distinct
herds. All those together with their keepers, I place in thy charge.
Henceforth my beasts will be in thy keep.'

"Vaisampayana continued, 'Then, O king, undiscovered by that monarch,
that lord of men, Sahadeva, maintained by Virata, began to live happily.
Nor did anyone else (besides his brothers) recognise him.'"



SECTION XI

"Vaisampayana said, 'Next appeared at the gate of the ramparts another
person of enormous size and exquisite beauty decked in the ornaments of
women, and wearing large ear-rings and beautiful conch-bracelets overlaid
with gold. And that mighty-armed individual with long and abundant hair
floating about his neck, resembled an elephant in gait. And shaking the
very earth with his tread, he approached Virata and stood in his court.
And beholding the son of the great Indra, shining with exquisite lustre
and having the gait of a mighty elephant,--that grinder of foes having
his true form concealed in disguise, entering the council-hall and
advancing towards the monarch, the king addressed all his courtiers,
saying, 'Whence doth this person come? I have never heard of him before.'
And when the men present spoke of the newcomer as one unknown to them,
the king wonderingly said, 'Possessed of great strength, thou art like
unto a celestial, and young and of darkish hue, thou resemblest the
leader of a herd of elephants. Wearing conch-bracelets overlaid with
gold, a braid, and ear-rings, thou shinest yet like one amongst those
that riding on chariots wander about equipped with mail and bow and
arrows and decked with garlands and fine hair. I am old and desirous of
relinquishing my burden. Be thou like my son, or rule thou like myself
all the Matsyas. It seemeth to me that such a person as thou can never be
of the neuter sex.'

"Arjuna said, 'I sing, dance, and play on instruments. I am proficient in
dance and skilled in song. O lord of men, assign me unto (the princess)
Uttara. I shall be dancing-master to the royal maiden. As to how I have
come by this form, what will it avail thee to hear the account which will
only augment my pain? Know me, O king of men, to be Vrihannala, a son or
daughter without father or mother.'

"Virata said, 'O Vrihannala, I give thee what thou desirest. Instruct my
daughter, and those like her, in dancing. To me, however, this office
seemeth unworthy of thee. Thou deserves! (the dominion of) the entire
earth girt round by the ocean.'

"Vaisampayana continued, 'The king of the Matsyas then tested Vrihannala
in dancing, music, and other fine arts, and consulting with his various
ministers forthwith caused him to be examined by women. And learning that
this impotency was of a permanent nature, he sent him to the maiden's
apartments. And there the mighty Arjuna began giving lessons in singing
and instrumental music to the daughter of Virata, her friends, and her
waiting-maids, and soon won their good graces. And in this manner the
self-possessed Arjuna lived there in disguise, partaking of pleasures in
their company, and unknown to the people within or without the palace.'"



SECTION XII

"Vaisampayana said, 'After a while, another powerful son of Pandu was
seen making towards king Virata in haste. And as he advanced, he seemed
to everyone like solar orb emerged from the clouds. And he began to
observe the horses around. And seeing this, the king of the Matsyas said
to his followers, 'I wonder whence this man, possessed of the effulgence
of a celestial, cometh. He looks intently at my steeds. Verily, he must
be proficient in horse-lore. Let him be ushered into my presence quickly.
He is a warrior and looks like a god!' And that destroyer of foes then
went up to the king and accosted him, saying, 'Victory to thee, O king,
and blest be ye.' As a trainer of horses, I have always been highly
esteemed by kings. I will be a clever keeper of thy horses.'

"Virata said, 'I will give thee vehicles, wealth, and spacious quarters.
Thou shalt be the manager of my horses. But first tell me whence thou
comest, who thou art, and how also thou happenest to come here. Tell us
also all the arts thou art master of.' Nakula replied, 'O mower of
enemies, know that Yudhishthira is the eldest brother of the five sons of
Pandu. I was formerly employed by him to keep his horses. I am acquainted
with the temper of steeds, and know perfectly the art of breaking them. I
know also how to correct vicious horses, and all the methods of treating
their diseases. No animal in my hands becometh weak or ill. Not to speak
of horses, even mares in my hands will never be found to be vicious.
People called me Granthika by name and so did Yudhishthira, the son of
Pandu.'

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We do not know the women's names, but their voices are quite distinct. All are pregnant. But while the first woman awaits the birth of her baby with a moon-like serenity, the other two are not so lucky. One, whose previous pregnancies have failed to go to term, is experiencing a heartbreaking late miscarriage; the other is a young student whose accidental pregnancy will end in her child being put up for adoption.

Sylvia Plath's only play was never intended for the stage, being broadcast instead on BBC radio in August 1962. Less than six months later, Plath killed herself, but not before the burst of astonishing creative energy that produced her extraordinary, terrifying Ariel poems.

Anyone who knows Plath's poetry will see the connection between Three Women and Plath's subsequent poems, particularly in the way she talks about the agony of childbirth, the rush of love for this tiny alien being, and both the wonder and wounded rawness of motherhood. It is a beautiful piece, full of startling imagery that draws you in through the sheer intensity of its femaleness, and because it so precisely articulates the emotions that are often thought but seldom voiced by women - certainly not in the early 1960s - about men, motherhood and our relationship to our bodies.

It's been 20 years since there has been an attempt at a professional stage version and - in a theatre world that happily accepts the poetic offerings of Sarah Kane and Debbie Tucker Green, or the staged possibilities of The Waves, one of Plath's own inspirations for the piece, I see no reason why it shouldn't be brought to life. Sadly, it doesn't breathe here, in a production by Robert Shaw that is clearly a labour of love, but which never finds a way to give the internal a physical reality. Plath's poetry, like most babies, is more robust than it appears - and won't break if treated with a little less reverence and considerably more grit.

Instead, what we are offered is tinkling piano music, mournful mood lighting, an innocuous pale setting, as well as three perfectly good but indisputably ladylike performances that capture none of the wounded redness of Plath's poetry, and do her the disservice of making her sound bleached and somewhat prissy. It's a pity. What might have been a wonder ends up a mere curiosity.

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