In Friendship's Guise by Wm. Murray Graydon

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Nevill had no words to reply. He seized the money with a trembling hand,
and crammed it into his pocket. Then he slunk away into the darkness and
disappeared.

On the following day a new sensation thrilled the public, and it may be
imagined with what surprise Sir Lucius Chesney and Jack Vernon--who had
especial cause to be interested in the revelation--read the papers. The
story was complete, for Mr. Shadrach, the Jew who managed business for
the firm of Benjamin and Company, took fright and made a full confession.
The _Globe_, after treating at length of the arrest and subsequent
suicide of Stephen Foster, continued its account as follows:

"The history of the two Rembrandts forms one of the most curious and
unique episodes in criminal annals, and not the least remarkable feature
of the story is the manner in which it is pieced together by the
statement of Stephen Foster and the confession of Noah Hawker. When Lamb
and Drummond purchased the original Rembrandt from the collection of the
late Martin Von Whele, and exhibited it in London, Stephen Foster and
his confederate, Victor Nevill, laid clever plans to steal the picture.
They knew that a duplicate Rembrandt, an admirable copy, was in the
possession of Mr. John Vernon, the well-known artist, who was lately
accused wrongfully of murder. By a cunning ruse Foster stole the
duplicate, and on the night of the robbery he exchanged it for the real
picture, while Nevill engaged the watchman in conversation in the Crown
Court public-house. But two other men, Noah Hawker and a companion
called the Spider, had designs on the same picture. Hawker, while
prowling about, saw Stephen Foster emerge from Crown Court, but thought
nothing of that circumstance until long afterward. So he and the Spider
stole the false Rembrandt which Foster had substituted, believing it to
be the real one.

"Hawker and his companion went abroad, and when they tried to dispose of
their prize in Munich they learned that it was of little value. They
sold it, however, for a trifling sum, and the dealer who bought it
disposed of it as an original to Sir Lucius Chesney. On his return to
England, hearing for the first time of the robbery, Sir Lucius took the
painting to Lamb and Drummond and discovered how he had been tricked.
Meanwhile Hawker and his companion quarreled and separated. Both had
been under suspicion since a short time after the theft of the
Rembrandt, and when the Spider was arrested in Belgium, for a crime
committed in that country, he made some statements in regard to the Lamb
and Drummond affair. Hawker, coming back to London, fell into the hands
of the police. He had before this suspected Stephen Foster's crime, and
when he found how strong the case was against himself, he told all that
he knew. Scotland Yard took the matter up, and quickly discovered more
evidence, which warranted them in arresting Foster yesterday. They found
the original Rembrandt in his safe, and the unfortunate man, after
writing a complete confession, committed suicide. His fellow-criminal,
Victor Nevill, must have received timely warning. The police have not
succeeded in apprehending him, and it is believed that he crossed to the
Continent last night."

It was not until the middle of the day that the papers printed the
complete story. Sir Lucius and Jack had a long talk about that and
other matters, and in the afternoon they went together to the house at
Strand-on-the-Green, and left messages of sympathy for Miss Foster; she
was too prostrated to see any person, Mrs. Sedgewick informed them.
Three days later, after the burial of Stephen Foster, Jack returned
alone. He found the house closed, and a neighbor told him that Madge
and Mrs. Sedgewick had gone away and left no address.

It was a bitter disappointment, and it proved the last straw to the
burden of Jack's troubles. For a week he tried vainly to trace the girl,
and then, at the earnest request of Sir Lucius, he went down to Priory
Court. There fever gripped him, and he fell seriously ill.

CHAPTER XXXIII.

CONCLUSION.

For weeks Jack hovered between life and death, and when the crisis was
finally passed, and he found himself well on the road to convalescence,
the new year was a month old. His first thoughts were of Madge, whose
disappearance was still a mystery; he learned this from Jimmie, who came
down to Priory Court more than once to see his friend. He had decided to
spend the winter in England, and since Jack's illness he had been trying
to find the girl.

By medical advice the patient was sent off to Torquay, in Devonshire, to
recuperate, and Sir Lucius, who was anxious to restore his nephew to
perfect health again, accompanied him. Jimmie remained in London,
determined to prosecute his search for Madge more vigorously than ever.
Sir Lucius, who, of course, knew the whole story, himself begged Jimmie
to spare no pains.

In the mild climate of Devon the days dragged along monotonously, and
Jimmie's letters spoke only of failure. But Jack grew stronger and
stouter, and in looks, at least, he was quite like his old self, with a
fine bronze on his cheeks, when he returned with Sir Lucius to Priory
Court in March. It was the close of the month, and many a nine days'
wonder had replaced in the public interest the tragic death of Stephen
Foster, the exposure of Benjamin and Company's nefarious transactions,
and the solved mystery of the two Rembrandts. The world easily forgets,
but not so with the actors concerned.

Jack had been at Priory Court two days, and was expecting a visit from
Jimmie, when the latter wired to him to come up to town at once if he
was able. Sir Lucius was not at home; he was riding over some distant
property he had recently bought. So Jack left a note for him, drove to
the station, and caught a London train. He reached Victoria station at
noon, and the cab that whirled him to the Albany seemed to crawl. Jimmie
greeted him gladly, with a ring of deep emotion in his mellow voice.

"By Jove, old fellow," he cried, "you are looking splendidly fit!"

"Have you succeeded?" Jack demanded, impatiently.

"Yes, I have found her," Jimmie replied. "It was by a mere fluke. I went
to a solicitor on some business, and it turned out that he was acting
for Miss Foster--you see her father left a good bit of money. He was
close-mouthed at first, but when I partly explained how matters stood,
he told me that the girl and her old servant, Mrs. Sedgewick, went off
to a quiet place in the country--"

"And he gave you the address?"

"Yes; here it is!"

Jack took the piece of paper, and when he glanced at it his face
flushed. He wrung his friend's hand silently, looking the gratitude that
he could not utter, and then he made a bolt for the door.

"I'm off," he said, hoarsely. "God bless you, Jimmie--I'll never forget
this!"

"Sure you feel fit enough?"

"Quite; don't worry about that."

"Well, good luck to you, old man!"

Jack shouted good-by, and made for Piccadilly. He sprang into the first
cab that came along, and he reached Waterloo just in time to catch a
Shepperton train. He longed to be at his destination, and alternate
hopes and fears beset him, as he watched the landscape flit by. He drew
a deep breath when he found himself on the platform of the rustic little
station. It was a beautiful spring-like day, warm and sunny, with birds
making merry song and the air sweet and fragrant. He started off at a
rapid pace along the hedge-bordered road, and, traversing the length of
the quaint old village street, he stopped finally at a cottage on the
farther outskirts. It was a pretty, retired place, lying near the
ancient church-tower, and isolated by a walled garden full of trees and
shrubbery.

Jack's heart was beating wildly as he opened the gate. He walked up the
graveled path, between the rows of tall green boxwood, and suddenly a
vision rose before him. It was Madge herself, as lovely and fair as the
springtime, in a white frock with a pathetic touch of black at the
throat and waist. She approached slowly, then lifted her eyes and saw
him. And on the mad impulse of the moment he sprang forward and seized
her. He held her tight against his heart, as though he intended never to
release her.

"At last, darling!" he whispered passionately. "At last I have found
you! Cruel one, why did you hide so long? Can you forgive me, Madge? Can
you bring back the past?--the happiness that was yours and mine in the
old days?"

At first the girl lay mutely in his arms, quivering like a fragile
flower with emotions that he could not read. Then she tried to break
from his embrace, looking at him with a flushed and tear-stained face.

"Let me go!" she pleaded. "Oh, Jack, why did you come? It was wrong of
you! I have tried to forget--you know that the past is dead!"

"Hush! I love you, Madge, with a love that can never die. I won't lose
you again. Be merciful! Don't send me away! Is the shadow of the
past--the heavy punishment that fell upon me for boyish follies--to
blast your life and mine? Have I not suffered enough?"

The girl slipped from his arms and confronted him sadly.

"It is not that," she said. "I am unworthy of you, Jack. What is your
disgrace to mine? Would you marry the daughter of a man who--"

"Are you to blame for your father's sins?" Jack interrupted. "Let the
dead rest! He would have wished you to be happy. You are mine, mine!
Nothing shall part us, unless--But I won't believe that. Tell me, Madge,
that you love me--that your feelings have not changed."

"I do love you, Jack, with all my heart, but--"

He stopped her lips with a kiss, and drew her to his arms again.

"There is no but," he whispered. "The shadows are gone, and the world is
bright. Dearest, you will be my wife?"

He read his answer in her eloquent eyes, in the passion of the lips that
met his. A joy too deep for words filled his heart, and he felt himself
amply compensated for all that he had suffered.

* * * * *

The marriage took place in June, at old Shepperton church, and Jimmie
was best man. Sir Lucius Chesney witnessed the quiet ceremony, and then
considerately went off to Paris for a fortnight, while the happy pair
traveled down to Priory Court, to spend their honeymoon in the ancestral
mansion that would some day be their own. And, later, Jack took his wife
abroad, intending to do the Continent thoroughly before buckling down
in London to his art; he could not be persuaded to relinquish that, in
spite of the sad memories that attached to it.

Jimmie took a sudden longing for his native heath, and returned to New
York; but it is more than likely that he will spend a part of each year
in England, as so many Americans are eager to do. Madge does not forget
her father, unworthy though he was of such a daughter; and to Jack the
memory of Diane is untempered by bitter feelings; for he knows that she
repented at the last. The Honorable Bertie Raven has learned his hard
lesson, and his present conduct gives reasonable assurance that he will
run a straight course in the future, thanks to the friend who saved him.
Noah Hawker is doing five years "hard," and Victor Nevill is an outcast
and an exile in Australia, eking out a wretched existence on a small
income that Sir Lucius kindly allows him.

As for the two Rembrandts, the original, of course, reverted to Lamb and
Drummond. The duplicate hangs in the gallery at Priory Court, and Sir
Lucius prizes it highly because it was the main link in the chain of
circumstances that gave him a nephew worthy of his honored name.

THE END.

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