In Friendship's Guise by Wm. Murray Graydon

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In Friendship's Guise

BY WM. MURRAY GRAYDON

AUTHOR OF "The Cryptogram," etc.

1899

CONTENTS.

CHAPTER.

I.--The Duplicate Rembrandt

II.--Five Years Afterwards

III.--An Old Friend

IV.--Number 320 Wardour Street

V.--A Mysterious Discussion

VI.--A Visitor from Paris

VII.--Love's Young Dream

VIII.--An Attraction in Pall Mall

IX.--Uncle and Nephew

X.--A London Sensation

XI.--A Mysterious Discovery

XII.--A Cowardly Communication

XIII.--The Tempter

XIV.--The Dinner at Richmond

XV.--From the Dead

XVI.--The Last Card

XVII.--Two Passengers from Calais

XVIII.--Home Again

XIX.--A Shock for Sir Lucius

XX.--At a Night Club

XXI.--A Quick Decision

XXII.--Another Chance

XXIII.--On the Track

XXIV.--A Fateful Decision

XXV.--A Fruitless Errand

XXVI.--A Thunderbolt from the Blue

XXVII.--An Amateur Detective

XXVIII.--A Discovery

XXIX.--The Vicar of Dunwold

XXX.--Run to Earth

XXXI.--Noah Hawker's Disclosure

XXXII.--How the Day Ended

XXXIII.--Conclusion

IN FRIENDSHIP'S GUISE.

CHAPTER I.

THE DUPLICATE REMBRANDT.

The day began well. The breakfast rolls were crisper than usual, the
butter was sweeter, and never had Diane's slender white hands poured out
more delicious coffee. Jack Clare was in the highest spirits as he
embraced his wife and sallied forth into the Boulevard St. Germain, with
a flat, square parcel wrapped in brown paper under his arm. From the
window of the entresol Diane waved a coquettish farewell.

"Remember, in an hour," she called down to him. "I shall be ready by
then, Jack, and waiting. We will lunch at Bignon's--"

"And drive in the Bois, and wind up with a jolly evening," he
interrupted, throwing a kiss. "I will hasten back, dear one. Be sure
that you put on your prettiest frock, and the jacket with the ermine
trimming."

It was a clear and frosty January morning, in the year 1892, and the
streets of Paris were dry and glistening. There was intoxication in the
very air, and Jack felt thoroughly in harmony with the fine weather.
What mattered it that he had but a few francs in his pocket--that the
quarterly remittance from his mother, who dreaded the Channel passage
and was devoted to her foggy London, would not be due for a fortnight?
The parcel under his arm meant, without doubt, a check for a nice sum.
He and Diane would spend it merrily, and until the morrow at least his
fellow-workers at Julian's Academy would miss him from his accustomed
place.

Bright-eyed grisettes flung coy looks at the young artist as he strode
along, admiring his well-knit figure, his handsome boyish features
chiseled as finely as a cameo, the crisp brown hair with a slight
tendency to curl, his velvet jacket and flowing tie. Jack nodded and
smiled at a familiar face now and then, or paused briefly to greet a
male acquaintance; for the Latin Quarter had been his little world for
three years, and he was well-known in it from the Boulevard St. Michel
to the quays of the Seine. He snapped his fingers at a mounted
cuirassier in scarlet and silver who galloped by him on the Point Royal,
and whistled a few bars of "The British Grenadiers" as he passed the
red-trowsered, meek-faced, under-sized soldiers who shouldered their
heavy muskets in the courts of the Louvre. The memory of Diane's
laughing countenance, as she leaned from the window, haunted him in the
Avenue de l'Opera.

"She's a good little girl, except when she's in a temper," he said to
himself, "and I love her every bit as much as I did when we were married
a year ago. Perhaps I was a fool, but I don't regret it. She was as
straight as a die, with a will of her own, and it was either lose her
altogether or do the right thing. I couldn't bear to part with her, and
I wasn't blackguard enough to try to deceive her. I'm afraid there will
be a row some day, though, when the Mater learns the truth. What would
she say if she knew that Diane Merode, one of the most popular and
fascinating dancers of the Folies Bergere, was now Mrs. John Clare?"

It was not a cheerful thought, but Jack's momentary depression vanished
as he stopped before the imposing facade of the Hotel Netherlands, in
the vicinity of the Opera. He entered boldly and inquired for Monsieur
Martin Von Whele. The gentleman was gone, a polite garcon explained. He
had received a telegram during the night to say that his wife was very
ill, and he had left Paris by the first train.

The happiness faded from Jack's eyes.

"Gone--gone back to Amsterdam?" he exclaimed incredulously.

"Yes, to his own country, monsieur."

"And he left no message for me--no letter?"

"Indeed, no, monsieur; he departed in great haste."

An appeal to a superior official of the hotel met with the same
response, and Jack turned away. He wandered slowly down the gay street,
the parcel hanging listlessly under his left arm, and his right hand
jingling the few coins in his pocket. His journey over the river, begun
so hopefully, had ended in a bitter disappointment.

Martin Von Whele was a retired merchant, a rich native of Amsterdam, and
his private collection of paintings was well known throughout Europe. He
had come to Paris a month before to attend a private sale, and had there
purchased, at a bargain, an exceedingly fine Rembrandt that had but
recently been unearthed from a hiding-place of centuries. He determined
to have a copy made for his country house in Holland, and chance brought
him in contact with Jack Clare, who at the time was reproducing for an
art patron a landscape in the Luxembourg Gallery--a sort of thing that
he was not too proud to undertake when he was getting short of money.
Monsieur Von Whele liked the young Englishman's work and came to an
agreement with him. Jack copied the Rembrandt at the Hotel Netherlands,
going there at odd hours, and made a perfect duplicate of it--a
dangerous one, as the Hollander laughingly suggested. Jack applied the
finishing touches at his studio, and artfully gave the canvas an
appearance of age. He was to receive the promised payment when he
delivered the painting at the Hotel Netherlands, and he had confidently
expected it. But, as has been seen, Martin Von Whele had gone home in
haste, leaving no letter or message. For the present there was no
likelihood of getting a cheque from him.

The brightness of the day aggravated Jack's disappointment as he walked
back to the little street just off the Boulevard St. Germain. He tried
to look cheerful as he mounted the stairs and threw the duplicate
Rembrandt into a corner of the studio, behind a stack of unfinished
sketches. Diane entered from the bedroom, ravishingly dressed for the
street in a costume that well set off her perfect figure. She was a
picture of beauty with her ivory complexion, her mass of dark brown
hair, and the wonderfully large and deep eyes that had been one of her
chief charms at the Folies Bergere.

"Good boy!" she cried. "You did not keep me waiting long. But you look
as glum as a bear. What is the matter?"

Jack explained briefly, in an appealing voice.

"I'm awfully sorry for your sake, dear," he added. "We are down to our
last twenty-franc piece, but in another fortnight--"

"Then you won't take me?"

"How can I? Don't be unreasonable."

"You promised, Jack. And see, I am all ready. I won't stay at home!"

"Is it my fault, Diane? Can I help it that Von Whele has left Paris?"

"You can help it that you have no money. Oh, I wish I had not given up
the stage!"

Diane stamped one little foot, and angry tears rose to her eyes. She
tore off her hat and jacket and dashed them to the floor. She threw
herself on a couch.

"You deceived me!" she cried bitterly. "You promised that I should want
for nothing--that you would always have plenty of money. And this is how
you keep your word! You are selfish, unkind! I hate you!"

She continued to reproach him, growing more and more angry. Words of
the lowest Parisian argot, picked up from her companions of the Folies
Bergere, fell from her lovely lips--words that brought a blush of shame,
a look of horror and repulsion, to Jack's face.

"Diane," he said pleadingly, as he bent over the couch.

Her mood changed as quickly, and she suddenly clasped her arms around
his neck.

"Forgive me, Jack," she whispered.

"I always do," he sighed.

"And, please, please get some money--now."

"You know that I can't."

"Yes, you can. You have lots of friends--they won't refuse you."

"But I hate to ask them. Of course, Jimmie Drexell would gladly loan me
a few pounds--"

"Then go to him," pleaded Diane, as she hung on his neck and stopped his
protests with a shower of kisses. "Go and get the money, Jack, dear--you
can pay it back when your remittance comes. And we will have such a
jolly day! I am sure you don't want to work."

Jack hesitated, and finally gave in; it was hard for him to resist a
woman's tears and entreaties--least of all when that woman was his
fascinating little wife. A moment later he was in the street, walking
rapidly toward the studio of his American friend and fellow-artist,
Jimmie Drexell.

"How Diane twists me around her finger!" he reflected ruefully. "I hate
these rows, and they have been more frequent of late. When she is in a
temper, and lets loose with her tongue, she is utterly repulsive. But I
forget everything when she melts into tears, and then I am her willing
slave again. I wonder sometimes if she truly loves me, or if her
affection depends on plenty of money and pleasure. Hang it all! Why
is a man ever fool enough to get married?"

* * * * *

On a corner of the Boulevard St. Michel and a cross street there is a
brasserie beloved of artists and art students, and slightly more popular
with them than similar institutions of the same ilk in the Latin
Quarter. Here, one hazy October evening, nine months after Mr. Von
Whele's hurried departure from Paris, might have been found Jack Clare.
Tete-a-tete with him, across the little marble-topped table, was his
friend Victor Nevill, whom he had known in earlier days in England, and
whose acquaintance he had recently renewed in gay Paris. Nevill was an
Oxford graduate, and a wild and dissipated young man of Jack's age; he
was handsome and patrician-looking, a hail-fellow-well-met and a
favorite with women, but a close observer of character would have
proclaimed him to be selfish and heartless. He had lately come into
a large sum of money, and was spending it recklessly.

The long, low-ceilinged room was dim with tobacco smoke, noisy with
ribald jests and laughter. Here and there the waitresses, girls
coquettishly dressed, tripped with bottles and syphons, foaming bocks,
and glasses of brandy or liqueurs. The customers of the brasserie were
a mixed lot of women and men, the latter comprising' numerous
nationalities, and all drawn to Paris by the wiles of the Goddess of
Art. Topical songs of the day succeeded one another rapidly. A group of
long-haired, polyglot students hung around the piano, while others
played on violins or guitars, which they had brought to contribute to
the evening's enjoyment. At intervals, when there was a lull, the click
of billiard balls came from an adjoining apartment. Out on the
boulevard, under the glaring lights, the tide of revelers and
pleasure-seekers flowed unceasingly.

"I consider this a night wasted," said Jack. "I would rather have gone
to the Casino, for a change."

"It didn't much matter where we went, as long as we spent our last
evening together," Victor Nevill replied. "You know I leave for Rome
to-morrow. I fancy it will be a good move, for I have been going the
pace too fast in Paris."

"So have I," said Jack, wearily. "I'm not as lucky as you, with a pot of
money to draw on. I intend to turn over a new leaf, old chap, and you'll
find me reformed when you come back. I've been a fool, Nevill. When my
mother died last February I came into 30,000 francs, and for the last
five months I have been scattering my inheritance recklessly. Very
little of it is left now."

"But you have been working?"

"Yes, in a sort of a way. But you can imagine how it goes when a fellow
turns night into day."

"It's time you pulled up," said Nevill, "before you go stone broke. You
owe that much to your wife."

He spoke with a slight sneer which escaped his companion.

"I like that," Jack muttered bitterly. "Diane has spent two francs to
my one--or helped me to spend them."

"Such is the rosy path of marriage," Nevill remarked lightly.

"Shut up!" said Jack.

He laughed as he drained his glass of cognac, and then settled back in
his seat with a moody expression. His thoughts were not pleasant ones.
Since the early part of the year he and his wife had been gradually
drifting apart, and even when they were together at theatres or
luxurious cafes, spending money like water, there had been a restraint
between them. Of late Diane's fits of temper had become more frequent,
and only yielded to a handful of gold or notes. Jack had sought his own
amusements and left her much alone--more than was good for her, he now
reflected uneasily. Yet he had the utmost confidence in her still, and
not a shadow of suspicion had crossed his mind. He believed that his
honor was safe in her care.

"I have wished a thousand times that I had never married," he said to
himself, "but it is too late for that now. I must make the best of it.
I still love Diane, and I don't believe she has ceased to care for me.
Poor little girl! Perhaps she feels my neglect, and is too proud to own
it. I was ready enough to cut work and spend money. Yes, it has been my
fault. I'll go to her to-night and tell her that. I'll ask her to move
back to our old lodgings, where we were so happy. And then I'll turn
over that new leaf--"

"What's wrong with you, my boy?" broke in Victor Nevill. "Have you been
dreaming?"

"I am going home," said Jack, rising. "It will be a pleasant surprise
for Diane."

Nevill looked at him curiously, then laughed. He took out his watch.

"Have another drink," he urged. "We part to-night--who knows when we
will meet again? And it is only half-past eleven."

"One more," Jack assented, sitting down again.

Brandy was ordered, and Victor Nevill kept up a rapid conversation, and
an interesting one. From time to time he glanced covertly at his watch,
and it might have been supposed that he was purposely detaining his
companion. More brandy was placed on the table, and Jack frequently
lifted the glass to his lips. With a cigar between his teeth, with
flushed cheeks and sparkling eyes, he laughed as merrily as any in the
room. But he did not drink too much, and the hand that he finally held
out to Nevill was perfectly steady.

"I must be off now," he said. "It is long past midnight. Good-by, old
chap, and bon voyage."

"Good-by, my dear fellow. Take care of yourself."

It was an undemonstrative parting, such as English-men are addicted to.
Jack sauntered out to the boulevard, and turned his steps homeward. His
thoughts were all of Diane, and he was not to be cajoled by a couple of
grisettes who made advances. He nodded to a friendly gendarme, and
crossed the street to avoid a frolicksome party of students, who were
bawling at the top of their voices the chorus of the latest topical song
by Paulus, the Beranger of the day--

"Nous en avons pour tous les gouts."

Victor Nevill heard the refrain as he left the brasserie and looked
warily about. He stepped into a cab, gave the driver hurried
instructions, and was whirled away at a rattling pace toward the Seine.

"He will never suspect me," he muttered complacently, as he lit a
cigar.

With head erect, and coat buttoned tightly over his breast, Jack went on
through the enticing streets of Paris. He had moved from his former
lodgings to a house that fronted on the Boulevard St. Germain. Here he
had the entresol, which he had furnished lavishly to please his wife. He
let himself in with a key, mounted the stairs, and opened the studio
door. A lamp was burning dimly, and the silence struck a chill to his
heart.

"Diane," he called.

There was no reply. He advanced a few feet, and caught sight of a letter
pinned to the frame of an easel. He turned up the lamp, opened the
envelope, and read the contents:

"Dear Jack:--

"Good-by forever. You will never see me again. Forgive me and try to
forget. It is better that we should part, as I could not endure a life of
poverty. I love you no longer, and I am sure that you have tired of me. I
am going with one who has taken your place in my heart--one who can
gratify my every wish. It will be useless to seek for me. Again,
farewell. DIANE."

The letter fell from Jack's hand, and he trampled it under foot. He
reeled into the dainty bedroom, and his burning eyes noted the signs of
confusion and flight--the open and empty drawers, the despoiled dressing
table, the discarded clothing strewn on the floor.

"Gone!" he cried hoarsely. "Gone at the bidding of some
scoundrel--perhaps a trusted friend and comrade! God help my betrayer
when the day of reckoning comes! But I am well rid of her. She was
heartless and mercenary. She never could have loved me--she has left me
because she knew that my money was nearly spent. But I love her still. I
can't tear her out of my heart. Diane, my wife, come back! Come back!"

His voice rang through the empty, deserted rooms. He threw himself on
the bed, and tore the lace coverings with his finger nails. He wept
bitter tears, strong man though he was, while out on the boulevard the
laughter of the midnight revelers mocked at his grief.

Finally he rose; he laughed harshly.

"Damn her, she would have dragged me down to her own level," he
muttered. "It is for the best. I am a free man once more."

CHAPTER II.

FIVE YEARS AFTERWARDS.

Jack Vernon looked discontentedly at the big canvas on the easel, and
with a shrug of the shoulders he turned his back on it. He dropped his
palette and flung his sheaf of brushes into an open drawer.

"I am not fit for anything to-day," he said petulantly. "I was up too
late last night. No, most decidedly, I am not in the mood for work."

He sauntered to the huge end window of the studio, and looked out over
the charming stretch of Ravenscourt Park. It was an ideal morning toward
the close of April, 1897--such a morning as one finds at its best in the
western suburbs of mighty London. The trees were in fresh leaf and bud,
the crocuses were blooming in the well-kept beds, and the grass was a
sheet of glittering emeralds. The singing of birds vied with the jangle
of tram-bells out on the high-road.

"A pull on the river will take the laziness out of me," thought Jack, as
he yawned and extended his arms. "What glorious weather! It would be a
shame to stop indoors."

A mental picture of the silvery Thames, green-wooded and sunny, proved
too strong an allurement to resist. Jack did not know that Destiny,
watchful of opportunity, had taken this beguiling shape to lead him to
a turning-point of his life--to steer him into the thick of troubled and
restless waters, of gray clouds and threatening storms. He discarded
his paint-smeared blouse--he had worn one since his Paris days--and,
getting quickly into white flannel and a river hat, he lit a briar pipe
and went forth whistling to meet his fate.

He was fond of walking, and he knew every foot of old Chiswick by heart.
He struck across the high-road, down a street of trim villas to a more
squalid neighborhood, and came out by the lower end of Chiswick Mall,
sacred to memories of the past. He lingered for a moment by the stately
house immortalized by Thackeray in Vanity Fair, and pictured Amelia
Sedley rolling out of the gates in her father's carriage, while Becky
Sharpe hurled the offending dictionary at the scandalized Miss
Pinkerton. Tempted by the signboard of the Red Lion, and by the
red-sailed wherries clustered between the dock and the eyot, he stopped
to quaff a foaming pewter on a bench outside the old inn.

A little later he had threaded the quaint passage behind Chiswick
Church, left the sonorous hammering of Thorneycroft's behind him, and
was stepping briskly along Burlington Lane, with the high wall of
Devonshire House on his right, and on his left, far over hedges and
orchards, the riverside houses of Barnes. He was almost sorry when he
reached Maynard's boat-house, where he kept a couple of light and
serviceable craft; but the dimpled bosom of the Thames, sparkling in the
sunlight, woke a fresh enthusiasm in his heart, and made him long to
transfer the picture to canvas.

"Even a Turner could not do it half justice," he reflected.

It was indeed a scene to defy any artist, but there were some bold enough
to attempt it. As Jack pulled up the river he saw, here and there, a
fellow-craftsman ensconced in a shady nook with easel and camp-chair. His
vigorous strokes sent him rapidly by Strand-on-the-Green, that secluded
bit of a village which so few Londoners have taken the trouble to search
out. A narrow paved quay, fringed with stately elm trees, separated the
old-fashioned, many-colored houses from the reedy shore, where at high
tide low great black barges, which apparently go nowhere, lie moored in
picturesque array.

It was all familiar to Jack, but he never tired of this stretch of the
Thames. He dived under Kew Bridge, shot by Kew Gardens and ancient
Brentford, and turned around off Isleworth. He rowed leisurely back,
dropping the oars now and again to light his pipe.

"There's nothing like this to brace a fellow up," he said to himself, as
he drew near Maynard's. "I should miss the river if I took a studio in
town. I'll have a bit of lunch at the Red Lion, and then go home and do
an afternoon's work."

A churning, thumping noise, which he had disregarded before, suddenly
swelled louder and warned him of possible danger. He was about off the
middle of Strand-on-the-Green, and, glancing around, he saw one of the
big Thames excursion steamers, laden with passengers, ploughing
up-stream within fifty yards of him, but at a safe distance to his
right. The same glimpse revealed a pretty picture midway between himself
and the vessel--a young girl approaching in a light Canadian canoe. She
could not have been more than twenty, and the striking beauty of her
face was due to those charms of expression and feature which are
indefinable. A crimson Tam-o'-Shanter was perched jauntily on her golden
hair, and a blue Zouave jacket, fitting loosely over her blouse, gave
full play to the grace and skill with which she handled the paddle.

Jack was indifferent to women, and wont to boast that none could
enslave him, but the sight of this fair young English maiden, if it did
not weaken the citadel of his heart, at least made that organ beat a
trifle faster. He shot one look of bold admiration, then turned and bent
to the oars.

"I don't know when I have seen so lovely a face," he thought. "I wonder
who she is."

The steamer glided by, and the next moment Jack was nearly opposite to
the canoe. What happened then was swift and unexpected. Above the splash
of the revolving paddles he heard hoarse shouts and warning cries. He
saw green waves approaching, flung up in the wake of the passing vessel.
As he dropped the oars and leapt anxiously to his feet the frail canoe,
unfitted to encounter such a peril, was clutched and lifted broadside by
the foaming swell. Over it went instantly, and there was a flash of red
and blue as the girl was flung headfirst into the river.

As quickly Jack clasped his hands and dived from his boat. He came to
the top and swam forward with desperate strokes. He saw the upturned
canoe, the floating paddle, the half-submerged Tam-o'-Shanter. Then a
mass of dripping golden hair cleft the surface, only to sink at once.

But Jack had marked the spot, and, taking a full breath, he dived. To
the onlookers the interval seemed painfully long, and a hundred cheering
voices rent the air as the young artist rose to view, keeping himself
afloat with one arm, while the other supported the girl. She was
conscious, but badly scared and disposed to struggle.

"Be quite still," Jack said, sharply. "You are in no danger--I will save
you if you trust me."

The girl obeyed, looking into Jack's eyes with a calmer expression. The
steamer had stopped, and half a dozen row-boats were approaching from
different directions. A grizzled waterman and his companion picked up
the two and pulled them across to Strand-on-the-Green. Others followed
towing Jack's boat and the canoe, and the big steamer proceeded on her
way to Kew Pier.

The Black Bull, close by the railway bridge, received the drenched
couple, and the watermen were delighted by the gift of a sovereign. A
motherly woman took the half-dazed girl upstairs, and Jack was led into
the oak-panelled parlor of the old inn by the landlord, who promptly
poured him out a little brandy, and then insisted on his having a change
of clothing.

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