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Selections from Wordsworth and Tennyson by William Wordsworth and Alfred Lord Tennyson

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Thou shouldst have seemed a treasure-house divine
Of peaceful years; a chronicle of heaven;--
Of all the sunbeams that did ever shine
The very sweetest had to thee been given.

A Picture had it been of lasting ease, 25
Elysian quiet, without toil or strife;
No motion but the moving tide, a breeze,
Or merely silent Nature's breathing life.

Such, in the fond illusion of my heart,
Such Picture would I at that time have made: 30
And seen the soul of truth in every part,
A steadfast peace that might not be betrayed.

So once it would have been,--'tis so no more;
I have submitted to a new control:
A power is gone, which nothing can restore; 35
A deep distress hath humanized my Soul.

Not for a moment could I now behold
A smiling sea, and be what I have been:
The feeling of my loss will ne'er be old;
This, which I know, I speak with mind serene. 40

Then, Beaumont, Friend! who would have been the Friend,
If he had lived, of Him whom I deplore,
This work of thine I blame not, but commend;
This sea in anger, and that dismal shore.

O 'tis a passionate Work!--yet wise and well, 45
Well chosen is the spirit that is here;
That Hulk which labors in the deadly swell,
This rueful sky, this pageantry of fear!

And this huge Castle, standing here sublime,
I love to see the look with which it braves, 50
Cased in the unfeeling armor of old time,
The lightning, the fierce wind, and trampling waves.

Farewell, farewell the heart that lives alone,
Housed in a dream, at distance from the Kind!
Such happiness, wherever it be known, 55
Is to be pitied: for 'tis surely blind.

But welcome fortitude, and patient cheer,
And frequent sights of what is to be borne!
Such sights, or worse, as are before me here.--
Not without hope we suffer and we mourn. 60


2. FOUR SUMMER WEEKS. In 1794 Wordsworth spent part of a summer vacation
at the house of his cousin, Mr. Barker, at Rampside, a village near Peele
Castle.

6-7. Shelley has twice imitated these lines. Compare:--

Within the surface of Time's fleeting river
Its wrinkled Image lies, as then it lay
Immovably unquiet, and for ever
It trembles, but it cannot pass away.
_Ode to Liberty_, vi.

also the following:

Within the surface of the fleeting river
The wrinkled image of the city lay,
Immovably unquiet, and for ever
It trembles, but it never fades away.
_Evening_.

9-10. The calm was so complete that it did not seem a transient mood of
the sea, a passing sleep.

13-16. Compare with the above original reading of 1807 (restored after
1827) the lines which Wordsworth substituted in 1820 and 1827.

Ah! THEN, if mine had been the Painter's hand,
To express what then I saw; and add a gleam,
The lustre, known to neither sea nor land,
But borrowed from the youthful Poet's dream.

35-36. A POWER IS GONE--SOUL. The reference is to the death at sea of
his brother Captain John Wordsworth. The poet can no longer see things
wholly idealized. His brother's death has revealed to him, however, the
ennobling virtue of grief. Thus a personal loss is converted into human
gain. Note especially in this connection l. 35 and ll. 53-60.

54. FROM THE KIND. From our fellow-beings.




"IT IS NOT TO BE THOUGHT OF"

It is not to be thought of that the Flood
Of British freedom, which to the open sea
Of the world's praise from dark antiquity
Hath flowed, 'with pomp of waters, unwithstood,'
Roused though it be full often to a mood 5
Which spurns the check of salutary bands,
That this most famous Stream in bogs and sands
Should perish, and to evil and to good
Be lost forever. In our halls is hung
Armoury of the invincible Knights of old: 10
We must be free or die, who speak the tongue
That Shakespeare spake; the faith and morals hold
Which Milton held.--In everything we are sprung
Of Earth's first blood, have titles manifold.


4. 'WITH POMP OF WATERS, UNWITHSTOOD.' This is quoted from Daniel's
_Civil War_, Bk. ii, stanza 7.




WRITTEN IN LONDON, SEPTEMBER, 1802

O Friend! I know not which way I must look
For comfort, being, as I am, oppressed,
To think that now our life is only dressed
For show; mean handiwork of craftsman, cook,
Or groom!--We must run glittering like a brook 5
In the open sunshine, or we are unblessed:
The wealthiest man among us is the best:
No grandeur now in nature or in book
Delights us. Rapine, avarice, expense,
This is idolatry; and these we adore: 10
Plain living and high thinking are no more:
The homely beauty of the good old cause
Is gone; our peace, our fearful innocence,
And pure religion breathing household laws.




LONDON, 1802

Milton! thou should'st be living at this hour:
England hath need of thee: she is a fen
Of stagnant waters; altar, sword, and pen,
Fireside, the heroic wealth of hall and bower,
Have forfeited their ancient English dower 5
Of inward happiness. We are selfish men;
Oh! raise us up, return to us again;
And give us manners, virtue, freedom, power.
Thy soul was like a Star, and dwelt apart:
Thou hadst a voice whose sound was like the sea: 10
Pure as the naked heavens, majestic, free,
So didst thou travel on life's common way,
In cheerful godliness; and yet thy heart
The lowliest duties on herself did lay.




"DARK AND MORE DARK THE SHADES OF EVENING FELL"

Dark and more dark the shades of evening fell;
The wished-for point was reached--but at an hour
When little could be gained from that rich dower
Of Prospect, whereof many thousands tell.
Yet did the glowing west with marvellous power 5
Salute us; there stood Indian citadel,
Temple of Greece, and minster with its tower
Substantially expressed--a place for bell
Or clock to toll from! Many a tempting isle,
With groves that never were imagined, lay 10
'Mid seas how steadfast! objects all for the eye
Of silent rapture, but we felt the while
We should forget them; they are of the sky
And from our earthly memory fade away.




"SURPRISED BY JOY--IMPATIENT AS THE WIND"

Surprised by joy--impatient as the wind
I turned to share the transport--Oh! with whom
But Thee, deep buried in the silent tomb,
That spot which no vicissitude can find?
Love, faithful love, recalled thee to my mind-- 5
But how could I forget thee? Through what power,
Even for the least division of an hour,
Have I been so beguiled as to be blind
To my most grievous loss?--That thought's return
Was the worst pang that sorrow ever bore, 10
Save one, one only, when I stood forlorn,
Knowing my heart's best treasure was no more;
That neither present time, nor years unborn
Could to my sight that heavenly face restore.




"HAIL, TWILIGHT, SOVEREIGN OF ONE PEACEFUL HOUR"

Hail, Twilight, sovereign of one peaceful hour!
Not dull art Thou as undiscerning Night;
But studious only to remove from sight
Day's mutable distinctions.--Ancient Power!
Thus did the waters gleam, the mountains lower, 5
To the rude Briton, when, in wolf-skin vest
Here roving wild, he laid him down to rest
On the bare rock, or through a leafy bower
Looked ere his eyes were closed. By him was seen
The self-same Vision which we now behold, 10
At thy meek bidding, shadowy Power! brought forth
These mighty barriers, and the gulf between;
The flood, the stars,--a spectacle as old
As the beginning of the heavens and earth!




"I THOUGHT OF THEE, MY PARTNER AND MY GUIDE"

I thought of Thee, my partner and my guide,
As being past away.--Vain sympathies!
For, backward, Duddon, as I cast my eyes,
I see what was, and is, and will abide;
Still glides the Stream, and shall for ever glide; 5
The Form remains, the Function never dies,
While we, the brave, the mighty, and the wise,
We Men, who in our morn of youth defied
The elements, must vanish;--be it so!
Enough, if something from our hands have power 10
To live, and act, and serve the future hour;
And if, as toward the silent tomb we go,
Through love, through hope, and faith's transcendent dower,
We feel that we are greater than we know.




"SUCH AGE, HOW BEAUTIFUL!"

Such age, how beautiful! O Lady bright,
Whose mortal lineaments seem all refined
By favouring Nature and a saintly Mind
To something purer and more exquisite
Than flesh and blood; whene'er thou meet'est my sight, 5
When I behold thy blanched unwithered cheek,
Thy temples fringed with locks of gleaming white,
And head that droops because the soul is meek,
Thee with the welcome Snowdrop I compare;
That child of winter, prompting thoughts that climb 10
From desolation toward the genial prime;
Or with the Moon conquering earth's misty air,
And filling more and more with crystal light
As pensive Evening deepens into night.




TENNYSON


OENONE

There lies a vale in Ida, lovelier
Than all the valleys of Ionian hills.
The swimming vapour slopes athwart the glen,
Puts forth an arm, and creeps from pine to pine
And loiters, slowly drawn. On either hand 5
The lawns and meadow-ledges midway down
Hang rich in flowers, and far below them roars
The long brook falling thro' the clov'n ravine
In cataract after cataract to the sea.
Behind the valley topmost Gargarus 10
Stands up and takes the morning: but in front
The gorges, opening wide apart, reveal
Troas and Ilion's column'd citadel,
The crown of Troas.

Hither came at noon
Mournful Oenone, wandering forlorn 15
Of Paris, once her playmate on the hills.
Her cheek had lost the rose, and round her neck
Floated her hair or seem'd to float in rest.
She, leaning on a fragment twined with vine,
Sang to the stillness, till the mountain-shade 20
Sloped downward to her seat from the upper cliff

"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
For now the noonday quiet holds the hill:
The grasshopper is silent in the grass: 25
The lizard, with his shadow on the stone,
Rests like a shadow, and the winds are dead
The purple flower droops: the golden bee
Is lily-cradled: I alone awake.
My eyes are full of tears, my heart of love, 30
My heart is breaking, and my eyes are dim,
And I am all aweary of my life.

"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
Hear me, O Earth; hear me, O Hills, O Caves 35
That house the cold crowned snake! O mountain brooks,
I am the daughter of a River-God,
Hear me, for I will speak, and build up all
My sorrow with my song, as yonder walls
Rose slowly to a music slowly breathed, 40
A cloud that gather'd shape: for it may be
That, while I speak of it, a little while
My heart may wander from its deeper woe.

"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die. 45
I waited underneath the dawning hills,
Aloft the mountain lawn was dewy-dark,
And dewy-dark aloft the mountain pine:
Beautiful Paris, evil-hearted Paris,
Leading a jet-black goat white-horn'd, white-hooved, 50
Came up from reedy Simols all alone.

"O mother Ida, harken ere I die.
Far-off the torrent call'd me from the cleft:
Far up the solitary morning smote
The streaks of virgin snow. With down-dropt eyes 55
I sat alone: white-breasted like a star
Fronting the dawn he moved; a leopard skin
Droop'd from his shoulder, but his sunny hair
Cluster'd about his temples like a God's;
And his cheek brighten'd as the foam-bow brightens 60
When the wind blows the foam, and all my heart
Went forth to embrace him coming ere he came.

"Dear mother Ida, harken ere I die.
He smiled, and opening out his milk-white palm
Disclosed a fruit of pure Hesperian gold, 65
That smelt ambrosially, and while I look'd
And listen'd, the full-flowing river of speech
Came down upon my heart.
"'My own Oenone,
Beautiful-brow'd Oenone, my own soul,
Behold this fruit, whose gleaming rind ingrav'n 70
"For the most fair," would seem to award it thine
As lovelier than whatever Oread haunt
The knolls of Ida, loveliest in all grace
Of movement, and the charm of married brows.

"Dear mother Ida, harken ere I die. 75
He prest the blossom of his lips to mine,
And added 'This was cast upon the board,
When all the full-faced presence of the Gods
Ranged in the halls of Peleus; whereupon
Rose feud, with question unto whom 'twere due: 80
But light-foot Iris brought it yester-eve,
Delivering that to me, by common voice
Elected umpire, Here comes to-day,
Pallas and Aphrodite, claiming each
This meed of fairest. Thou, within the cave 85
Behind yon whispering tuft of oldest pine,
Mayst well behold them unbeheld, unheard
Hear all, and see thy Paris judge of Gods.'

"Dear mother Ida, harken ere I die.
It was the deep mid-noon: one silvery cloud 90
Had lost his way between the piney sides
Of this long glen. Then to the bower they came,
Naked they came to that smooth-swarded bower,
And at their feet the crocus brake like fire,
Violet, amaracus, and asphodel, 95
Lotos and lilies: and a wind arose,
And overhead the wandering ivy and vine,
This way and that, in many a wild festoon
Ran riot, garlanding the gnarled boughs
With bunch and berry and flower thro' and thro'. 100

"O mother Ida, harken ere I die.
On the tree-tops a crested peacock lit,
And o'er him flow'd a golden cloud, and lean'd
Upon him, slowly dropping fragrant dew.
Then first I heard the voice other, to whom 105
Coming thro' Heaven, like a light that grows
Larger and clearer, with one mind the Gods
Rise up for reverence. She to Paris made
Proffer of royal power, ample rule
Unquestion'd, overflowing revenue 110
Wherewith to embellish state, 'from many a vale
And river-sunder'd champaign cloth'd with corn,
Or labour'd mines undrainable of ore.
Honour,' she said, 'and homage, tax and toll,
From many an inland town and haven large, 115
Mast-throng'd beneath her shadowing citadel
In glassy bays among her tallest towers.'

"O mother Ida, harken ere I die.
Still she spake on and still she spake of power,
'Which in all action is the end of all; 120
Power fitted to the season; wisdom-bred
And throned of wisdom--from all neighbour crowns
Alliance and allegiance, till thy hand
Fail from the sceptre-staff. Such boon from me,
From me, Heaven's Queen, Paris, to thee king-born, 125
A shepherd all thy life but yet king-born,
Should come most welcome, seeing men, in power
Only, are likest gods, who have attain'd
Rest in a happy place and quiet seats
Above the thunder, with undying bliss 130
In knowledge of their own supremacy.'

"Dear mother Ida, harken ere I die.
She ceased, and Paris held the costly fruit
Out at arm's-length, so much the thought of power
Flatter'd his spirit; but Pallas where she stood 135
Somewhat apart, her clear and bared limbs
O'erthwarted with the brazen-headed spear
Upon her pearly shoulder leaning cold,
The while, above, her full and earnest eye
Over her snow-cold breast and angry cheek 140
Kept watch, waiting decision, made reply.

"'Self-reverence, self-knowledge, self-control;
These three alone lead life to sovereign power.
Yet not for power, (power of herself
Would come uncall'd for) but to live by law, 145
Acting the law we live by without fear;
And, because right is right, to follow right
Were wisdom in the scorn of consequence.'

"Dear mother Ida, harken ere I die.
Again she said: 'I woo thee not with gifts. 150
Sequel of guerdon could not alter me
To fairer. Judge thou me by what I am,
So shalt thou find me fairest.
Yet, indeed,
If gazing on divinity disrobed
Thy mortal eyes are frail to judge of fair, 155
Unbias'd by self-profit, oh! rest thee sure
That I shall love thee well and cleave to thee,
So that my vigour, wedded to thy blood,
Shall strike within thy pulses, like a God's,
To push thee forward thro' a life of shocks, 160
Dangers, and deeds, until endurance grow
Sinew'd with action, and the full-grown will,
Circled thro' all experiences, pure law,
Commeasure perfect freedom.'

"Here she ceas'd,
And Paris ponder'd, and I cried, 'O Paris, 165
Give it to Pallas!' but he heard me not,
Or hearing would not hear me, woe is me!

"O mother Ida, many-fountain'd Ida,
Dear mother Ida, harken ere I die.
Idalian Aphrodite beautiful, 170
Fresh as the foam, new-bathed in Paphian wells,
With rosy slender fingers backward drew
From her warm brows and bosom her deep hair
Ambrosial, golden round her lucid throat
And shoulder: from the violets her light foot 175
Shone rosy-white, and o'er her rounded form
Between the shadows of the vine-bunches
Floated the glowing sunlights, as she moved.

"Dear mother Ida, harken ere I die.
She with a subtle smile in her mild eyes, 180
The herald of her triumph, drawing nigh
Half-whisper'd in his ear, 'I promise thee
The fairest and most loving wife in Greece.'
She spoke and laugh'd: I shut my sight for fear:
But when I look'd, Paris had raised his arm, 185
And I beheld great Here's angry eyes,
As she withdrew into the golden cloud,
And I was left alone within the bower;
And from that time to this I am alone,
And I shall be alone until I die. 190

"Yet, mother Ida, harken ere I die.
Fairest---why fairest wife? am I not fair?
My love hath told me so a thousand times;
Methinks I must be fair, for yesterday,
When I past by, a wild and wanton pard, 195
Eyed like the evening star, with playful tail
Crouch'd fawning in the weed. Most loving is she?
Ah me, my mountain shepherd, that my arms
Were wound about thee, and my hot lips prest
Close, close to thine in that quick-falling dew 200
Of fruitful kisses, thick as Autumn rains
Flash in the pools of whirling Simois.

"O mother, hear me yet before I die.
They came, they cut away my tallest pines,
My dark tall pines, that plumed the craggy ledge 205
High over the blue gorge, and all between
The snowy peak and snow-white cataract
Foster'd the callow eaglet--from beneath
Whose thick mysterious boughs in the dark morn
The panther's roar came muffled, while I sat 210
Low in the valley. Never, never more
Shall lone Oenone see the morning mist
Sweep thro' them; never see them overlaid
With narrow moon-lit slips of silver cloud,
Between the loud stream and the trembling stars. 215

"O mother, hear me yet before I die.
I wish that somewhere in the ruin'd folds,
Among the fragments tumbled from the glens,
Or the dry thickets, I could meet with her,
The Abominable, that uninvited came 220
Into the fair Peleian banquet-hall,
And cast the golden fruit upon the board,
And bred this change; that I might speak my mind,
And tell her to her face how much I hate
Her presence, hated both of Gods and men. 225

"O mother, hear me yet before I die.
Hath he not sworn his love a thousand times,
In this green valley, under this green hill,
Ev'n on this hand, and sitting on this stone?
Seal'd it with kisses? water'd it with tears? 230
O happy tears, and how unlike to these!
O happy Heaven, how canst thou see my face?
O happy earth, how canst thou bear my weight?
O death, death, death, thou ever-floating cloud,
There are enough unhappy on this earth, 235
Pass by the happy souls, that love to live:
I pray thee, pass before my light of life,
And shadow all my soul, that I may die.
Thou weighest heavy on the heart within,
Weigh heavy on my eyelids: let me die. 240

"O mother, hear me yet before I die.
I will not die alone, for fiery thoughts
Do shape themselves within me, more and more,
Whereof I catch the issue, as I hear
Dead sounds at night come from the inmost hills, 245
Like footsteps upon wool. I dimly see
My far-off doubtful purpose, as a mother
Conjectures of the features of her child
Ere it is born: her child!--a shudder comes
Across me: never child be born of me, 250
Unblest, to vex me with his father's eyes!

"O mother, hear me yet before I die.
Hear me, O earth. I will not die alone,
Lest their shrill happy laughter come to me
Walking the cold and starless road of Death 255
Uncomforted, leaving my ancient love
With the Greek woman. I will rise and go
Down into Troy, and ere the stars come forth
Talk with the wild Cassandra, for she says
A fire dances before her, and a sound 260
Rings ever in her ears of armed men.
What this may be I know not, but I know
That, wheresoe'er I am by night and day,
All earth and air seem only burning fire."




THE EPIC

At Francis Allen's on the Christmas-eve,--
The game of forfeits done--the girls all kiss'd
Beneath the sacred bush and past away--
The parson Holmes, the poet Everard Hall,
The host, and I sat round the wassail-bowl, 5
Then half-way ebb'd: and there we held a talk,
How all the old honour had from Christmas gone,
Or gone, or dwindled down to some odd games
In some odd nooks like this; till I, tired out
With cutting eights that day upon the pond, 10
Where, three times slipping from the outer edge,
I bump'd the ice into three several stars,
Fell in a doze; and half-awake I heard
The parson taking wide and wider sweeps,
New harping on the church-commissioners, 15
Now hawking at Geology and schism,
Until I woke, and found him settled down
Upon the general decay of faith
Right thro' the world, 'at home was little left,
And none abroad: there was no anchor, none; 20
To hold by.' Francis, laughing, clapt his hand
On Everard's shoulder, with 'I hold by him.'
'And I,' quoth Everard, 'by the wassail-bowl.'
'Why yes,' I said, 'we knew your gift that way
At college: but another which you had, 25
I mean of verse (for so we held it then),
What came of that?' 'You know,' said Frank, 'he burnt
His epic, his King Arthur, some twelve books'--
And then to me demanding why? 'Oh, sir,
He thought that nothing new was said, or else 30
Something so said 'twas nothing---that a truth
Looks freshest in the fashion of the day:
God knows: he has a mint of reasons: ask.
It pleased _me_ well enough,' 'Nay, nay,' said Hall,
'Why take the style of those heroic times? 35
For nature brings not back the Mastodon,
Nor we those times; and why should any man
Remodel models? these twelve books of mine
Were faint Homeric echoes, nothing-worth,
Mere chaff and draff, much better burnt.' 'But I,' 40
Said Francis, 'pick'd the eleventh from this hearth'
And have it: keep a thing, its use will come.
I hoard it as a sugar-plum for Holmes.'
He laugh'd, and I, tho' sleepy, like a horse
That hears the corn-bin open, prick'd my ears; 45
For I remember'd Everard's college fame
When we were Freshmen: then at my request
He brought it; and the poet little urged,
But with some prelude of disparagement,
Read, mouthing out his hollow oes and aes, 50
Deep-chested music, and to this result.




MORTE D'ARTHUR

So all day long the noise of battle roll'd
Among the mountains by the winter sea;
Until King Arthur's table, man by man,
Had fallen in Lyonnesse about their Lord,
King Arthur: then, because his wound was deep, 5
The bold Sir Bedivere uplifted him,
Sir Bedivere, the last of all his knights,
And bore him to a chapel nigh the field,
A broken chancel with a broken cross,
That stood on a dark strait of barren land. 10
On one side lay the Ocean, and on one
Lay a great water, and the moon was full.

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Obituary: Donald Westlake
Articles published by guardian.co.uk Books

Theatre review: Three Women, Jermyn Street, London
Obituary: Prolific crime novelist, Oscar-nominated screenwriter and man of many pseudonyms

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We do not know the women's names, but their voices are quite distinct. All are pregnant. But while the first woman awaits the birth of her baby with a moon-like serenity, the other two are not so lucky. One, whose previous pregnancies have failed to go to term, is experiencing a heartbreaking late miscarriage; the other is a young student whose accidental pregnancy will end in her child being put up for adoption.

Sylvia Plath's only play was never intended for the stage, being broadcast instead on BBC radio in August 1962. Less than six months later, Plath killed herself, but not before the burst of astonishing creative energy that produced her extraordinary, terrifying Ariel poems.

Anyone who knows Plath's poetry will see the connection between Three Women and Plath's subsequent poems, particularly in the way she talks about the agony of childbirth, the rush of love for this tiny alien being, and both the wonder and wounded rawness of motherhood. It is a beautiful piece, full of startling imagery that draws you in through the sheer intensity of its femaleness, and because it so precisely articulates the emotions that are often thought but seldom voiced by women - certainly not in the early 1960s - about men, motherhood and our relationship to our bodies.

It's been 20 years since there has been an attempt at a professional stage version and - in a theatre world that happily accepts the poetic offerings of Sarah Kane and Debbie Tucker Green, or the staged possibilities of The Waves, one of Plath's own inspirations for the piece, I see no reason why it shouldn't be brought to life. Sadly, it doesn't breathe here, in a production by Robert Shaw that is clearly a labour of love, but which never finds a way to give the internal a physical reality. Plath's poetry, like most babies, is more robust than it appears - and won't break if treated with a little less reverence and considerably more grit.

Instead, what we are offered is tinkling piano music, mournful mood lighting, an innocuous pale setting, as well as three perfectly good but indisputably ladylike performances that capture none of the wounded redness of Plath's poetry, and do her the disservice of making her sound bleached and somewhat prissy. It's a pity. What might have been a wonder ends up a mere curiosity.

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