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Jaffery by William J. Locke

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I regarded him in some wonder.

"My dear fellow," said I, "you can't compress a Liebig's Extract of
Existence between the covers of a six-shilling novel."

"I can," said he, "I can!" He thumped my writing table, so that all the
loose brass and glass on it rattled. "And by God! I'm going to do it."

"But, my dearest friend," I expostulated, "this is absurd. It's
megalomania--_la folie des grandeurs_."

"It's the divinest folly in the world," said he.

He threw a cigar stump into the fireplace and poured himself out and
drank a stiff whisky and soda. Then he laughed in imitation of his
familiar self.

"You dear prim old prig of a Hilary, don't worry. It's all going to come
straight. When the novel of the eighteenth, nineteenth and twentieth
centuries is published I guess you'll be proud of me. And now,
good-night."

He laughed, waved his arm in a cavalier gesture and went from the room,
slamming the door masterfully behind him.




CHAPTER IX


We kept the unreasonable pair at Northlands as long as we could, doing
all that lay in our power to restore Adrian's idiotically impaired
health. I motored him about the county; I took him to golf, a pastime at
which I do not excel; and I initiated him into the invigorating
mysteries of playing at robbers with Susan. We gave a carefully selected
dinner-party or two, and accepted on his behalf a few discreet
invitations. At these entertainments--whether at Northlands or
elsewhere--we caused it to be understood that the lion, being sick,
should not be asked to roar.

"It's so trying for him," said Doria, "when people he doesn't know come
up and gush over 'The Diamond Gate'--especially now when his nerves are
on edge."

On the occasion of our second dinner-party, the guests having been
forewarned of the famous man's idiosyncrasies, no reference whatever was
made to his achievements. We sat him between two pretty and charming
women who chattered amusingly to him with what I, who kept an eye open
and an ear cocked, considered to be a very subtly flattering deference.
Adrian responded with adequate animation. As an ordinary clever,
well-bred man of the world he might have done this almost mechanically;
but I fancied that he found real enjoyment in the light and picturesque
talk of his two neighbours. When the ladies left us, he discussed easy
politics with the Member for our own division of the County. In the
drawing-room, afterwards, he played a rubber at bridge, happened to
hold good cards and smiled an hour away. When the last guest departed,
he yawned, excused himself on the ground of healthy fatigue and went
straight off to bed. Barbara and I congratulated ourselves on the
success of our dinner-party. The next day Adrian went about as glum as a
dinosaur in a museum, and conveyed, even to Susan's childish mind, his
desire for solitude. His hang-dog dismalness so affected my wife, that
she challenged Doria.

"What in the world is the matter with him, to-day?"

Doria drew herself up and flashed a glance at Barbara--they were both
little bantams of women, one dark as wine, the other fair as corn. If
ever these two should come to a fight, thought I who looked on, it would
be to the death.

"Your friends are very charming, my dear, and of course I've nothing to
say against them; but I was under the impression that every educated
person in the English-speaking world knew my husband's name, and I
consider the way he was ignored last night by those people was
disgraceful."

"But, my dear Doria," cried Barbara, aghast, "we thought that Adrian was
having quite a good time."

"You may think so, but he wasn't. Adrian's a gentleman and plays the
game; but you must see it was very galling to him--and to me--to be
treated like any stockbroker--or architect--or idle man about town."

"You are unfortunate in your examples," said I, intervening judicially.
"Pray reflect that there are architects alive whose artistic genius is
not far inferior to Adrian's."

"You know very well what I mean," she snapped.

"No, we don't, dear," said Barbara dangerously. "We think you're a
little idiot and ought to be ashamed of yourself. We took the trouble to
tell every one of those people that Adrian hated any reference to his
work, and like decent folk they didn't refer to it. There--now round
upon us."

The pallor deepened a shade in Doria's ivory cheek.

"You have put me in the wrong, I admit it. But I think it would have
been better to let us know."

What could one do with such people? I was inclined to let them work out
their salvation in their own eccentric fashion; but Barbara decided
otherwise. When one's friends reached such a degree of lunacy as
warranted confinement in an asylum, it was one's plain duty to look
after them. So we continued to look after our genius and his worshipper,
and we did it so successfully that before he left us he recovered his
sleep in some measure, and lost the squinting look of strain in his
eyes.

On the morning of their departure I mildly counselled him to temper his
fine frenzy with common-sense.

"Knock off the night work," said I.

He frowned, fidgeted with his feet.

"I wish to God I hadn't to work at all," said he. "I hate it! I'd sooner
be a coal-heaver."

"Bosh!" said I. "I know that you're an essentially idle beggar; but
you're as proud as Punch of your fame and success and all that it means
to you."

"What does it mean after all?"

"If you talk in that pessimistic way," I said, "you'll make me cry.
Don't. It means every blessed thing in the world to you. At any rate it
has meant Doria."

"I suppose that's true," he grunted. "And I suppose I am essentially
idle. But I wish the damned thing would get written of its own accord.
It's having to sit down at that infernal desk that gets on my nerves. I
have the same horrible apprehension of it--always have--as one has
before a visit to the dentist, when you know he's going to drill hell
into you."

"Why do you work in such a depressing room?" I asked. "If I were shut up
alone in it, I would stick my nose in the air and howl like a dog."

"Oh, the room's all right," said he. Then he looked away absently and
murmured as if to himself, "It isn't the room."

"Then what is it?" I persisted.

He turned with a dreary sort of smile. "It's the born butterfly being
condemned to do the work of the busy bee."

A short while afterwards we saw them drive off and watched the car
disappear round the bend of the drive.

"Well, my dear," said I, "thank goodness I'm not a man of genius."

"Amen!" said Barbara, fervently.

As soon as they had settled down in their flat, Adrian began to work
again, in the same unremitting fashion. The only concession he made to
consideration of health was to go to bed immediately on his return from
dinner-parties and theatres instead of spending three or four hours in
his study. Otherwise the routine of toil went on as before. One
afternoon, happening to be in town and in the neighbourhood of St.
John's Wood, I called at the flat with the idea of asking Doria for a
cup of tea. I also had in my pocket a letter from Jaffery which I
thought might interest Adrian. The maid who opened the door informed me
that her mistress was out. Was Mr. Boldero in? Yes; but he was working.

"That doesn't matter," said I. "Tell him I'm here."

The maid did not dare disturb him. Her orders were absolute. She could
not refuse to admit me, seeing that I was already in the hall; but she
stoutly refused to announce me. I argued with the damsel.

"I may have business of the utmost importance with your master."

She couldn't help it. She had her orders.

"But, my good Ellen," said I--the minx had actually been in our service
a couple of years before!--"suppose the place were on fire, what would
you do?"

She looked at me demurely. "I think I should call a policeman, sir."

"You can call one now," said I, "for I'm going to announce myself. Don't
tell me I'll have to walk over your dead body first, for it won't do."

I know it is not looked upon as a friendly act to interrupt a man in his
work and to disregard the orders given to his servants, but I was
irritated by all this Grand Llama atmosphere of mysterious seclusion.
Besides, I had been walking and felt just a little hot and dusty and
thirsty, and I felt all the hotter, dustier and thirstier for my
argument with Ellen.

"I'll announce myself," I said, and marched to the door of Adrian's
study. It was locked. I rapped at the door.

"Who's there?" came Adrian's voice.

"Me. Hilary."

"What's the matter?"

"I happen to be a guest under your roof," said I, with a touch of
temper.

"Wait a minute," said he.

I waited about two. Then the door was unlocked and opened and I strode
in upon Adrian who looked rather pale and dishevelled.

"Why the deuce," said I, "did you keep me hanging about like that?"

"I'm sorry," he replied. "But I make it a fixed rule to put away my
work"--he waved a hand towards the safe--"whenever anybody, even Doria,
wants to come into the room."

I glanced around the cheerless place. There were no traces of work
visible. Save that the quill pens and blotting pad were inky, his
library table seemed as immaculate, as unstained by toil, as it did on
the occasion of my first visit.

"You needn't have made all that fuss," said I. "I only dropped in for a
second or two. I wanted to ask for a drink and to show you a letter from
Jaffery."

"Oh, Jaffery!" He smiled. "How's the old barbarian getting on?"

"Tremendously. He's the guest of a Viceroy and living in sumptuousness.
Read for yourself."

I took from my pocket letter and envelope. Now I am a man who keeps few
letters and no envelopes. The second post bringing Jaffery's epistle had
just arrived when I was leaving Northlands that morning, and it was but
an accident of haste that the envelope had not been destroyed. I took
the opportunity of tearing it up while Adrian was reading. With the
pieces in my hand, I peered about the room.

"What are you looking for?" he asked.

"Your waste-paper basket."

"Haven't got such a thing."

I threw my litter into the grate.

"Why?"

"I'm not going to pander to the curiosity of housemaids," he replied
rather irritably.

"What do you do with your waste paper, then?"

"Never have any," he said, with his eyes on Jaffery's letter.

"Good Lord!" I cried. "Do you pigeon-hole bills and money-lenders'
circulars and second-hand booksellers' catalogues and all their
wrappers?"

He folded up the letter, took me by the arm and regarded me with a smile
of forced patience.

"My dear Hilary, can't you ever understand that this room is just a
workshop and nothing else? Here I think of nothing but my novel. I would
as soon think of conducting my social correspondence in the bathroom. If
you want to see the waste-paper basket where I throw my bills and
unanswered letters from duchesses, and the desk--I share it with
Doria--where I dash off my brilliant replies to money-lenders, come into
the drawing-room. There, also, I shall be able to give you a drink."

My eyes, following an unconscious glance from his, fell upon a new and
hitherto unnoticed object--a little table, now startlingly obvious, in a
corner of the all but unfurnished room, bearing a tray with half full
decanter, syphon and glass.

"You've got all I want here," said I.

"No. That's mere stimulant. _Sapit lucernam_. It has a horrible flavour
of midnight oil. There's not what you understand by a drink in it. Let's
get out of the accursed hole."

He dragged me almost by force into the drawing-room, where he
entertained me courteously. It was curious to observe how his manner
changed in--I have to use the Boldero jargon--in the different
atmosphere. He expounded the qualities of his whisky--a present from old
man Jornicroft, a rare blend which just a few "merchantates" (Barbara's
word, he declared, was delicious) in Glasgow and Dundee and here and
there a one in the City of London were able to procure. In its flavour,
said he, lurked the mystery of strange and barbaric names. He showed me
a Bonington water colour which he had picked up for a song. On enquiry
as to the signification of a song as a unit of value, I learned that
since eminent tenors and divas had sung into gramophones, the standard
had appreciated.

"My dear man," he laughed, in answer to my protest. "I can afford it."

For the quarter of an hour that I spent with him in his own
drawing-room, he was quite the old Adrian. I drove to Paddington Station
under the influence of his urbanity. But in the train, and afterwards at
home, I was teased by vague apprehensions. Hitherto I had loosely and
playfully qualified his methods of work as lunatic, without a thought as
to the exact significance of the term. Now a horrible thought harassed
me. Had I been precise without knowing it?

Novelists may have their little idiosyncrasies, and the privacy of their
working hours deserves respect; but none I have ever heard of are such
fearful wildfowl as to need the precautions with which Adrian surrounded
himself. Why should he put himself under lock and key? Why should he not
allow human eye to fall, even from the distance prescribed by good
manners, upon his precious manuscript? Why need he use care so
scrupulous as not to expose even torn up bits of rough draft to the
ancillary publicity of a waste-paper basket? Soundness of mind did not
lie that way. The terms in which he alluded to his book were not those
of a sane man filled with the joy of his creation. None of us, not even
Doria, knew how the story was progressing. He had signed a contract with
an American editor for serialisation to begin in July. Here we were in
the middle of May, and not a page of manuscript had been delivered.
Doria told Barbara that the editor had been cabling frenziedly. How much
of the story was written? I recalled his wild talk at Easter about
putting into the novel the whole of human life. I had jested with him,
calling it a megalomaniac notion. But suppose, unwittingly, I had been
right? I thought of the ghastly name physicians give to the malady and
shivered.

Suddenly, a day or two afterwards, came news that, to some extent,
relieved my mind.

While the Bolderos were at breakfast, a cable arrived from the Editor.
It ran: "Unless half of manuscript is delivered to-day at London Office
will cancel contract." Adrian read it, frowned and handed it to Doria.
It seems that in all business matters she had his confidence.

"Well, dear?" she said, looking up at him.

He broke out angrily. "Did you ever hear such amazing insolence? I give
this pettifogging tradesman the privilege of publishing my novel in his
rubbishy periodical and he dares to dictate terms to me! Half a novel,
indeed! As if it were half a bale of calico. The besotted fool! As well
ask a clock-maker to deliver half a clock."

"Argument by analogy is rather dangerous," she said gently, seeking to
turn aside his wrath with a smile. "It's not quite the same thing. Can't
you give him something to go on with?"

"I can, but I won't. I'll see him damned first." He turned to the maid
and demanded a telegraph form.

"What are you going to do?"

"I'm going to teach him a lesson. He thinks I'm going to be taken in by
his bluff and run round with a brown paper parcel to Fleet Street or
wherever his beastly office is. He's mistaken. There," he wrote the
cable hurriedly and read it aloud, "'Shall not deliver anything. Only
too glad to cancel contract.' He'll he the most surprised and disgusted
man in America!"

"Need you put it quite like that?" said Doria.

"It's the only way to make him understand. He has been buzzing round me
like a wasp for the past month. Now he's squashed. And now," said he,
getting up and lighting a cigarette, "I'm not going to do another stroke
of work for three months."

It was the news of this last announcement that relieved my mind: not the
story of Adrian's intolerable treatment of the editor, which was of a
piece with his ordinary attitude towards his own genius. The
capriciousness of the resolution startled me; but I approved
whole-heartedly. I would have counselled immediate change of scene, had
not Adrian anticipated my advice by rushing off then and there to Cook's
and taken tickets to Switzerland. Having some business in town, I
motored up with Barbara earlier than I need have done, and we saw them
off at Victoria Station. Adrian, in holiday spirits, talked rather
loudly. Now that he was free from the horror of that bestial vampire
sucking his blood--that was his way of referring to the long suffering
and hardly used editor--life emerged from gloom into sunshine. Now his
spirit could soar untrammelled. It had taken its leap into the Empyrean.
He beheld his book beneath him dazzlingly clear. Three months communing
with nature, three months solitude on the pure mountain heights, three
months calm discipline of the soul--that was what he needed. Then to
work, and in another three months, _currente calamo_, the book would be
written.

"And what is Doria going to do on top of the Matterhorn?" asked my wife.

Doria cried out, "Oh, don't tease. We're not going near the Matterhorn.
We're going to read beautiful books, and see beautiful things and think
beautiful thoughts." She dragged Barbara a step or two aside. "Don't you
think this is the best thing that could have happened?" she asked, with
her anxious, earnest gaze.

"The very, very best, dear," replied Barbara gently.

And indeed it was. If ever a man realised himself to be on the verge of
the abyss, I am sure it was Adrian Boldero. Some haunting fear was set
at the back of his laughing eyes--the expression of an animal instinct
for self-preservation which discounted the balderdash about the soaring
yet disciplined soul.

I whispered to Doria: "Don't go too far into the wilds out of reach of
medical advice."

"Why?"

"You're taking away a sick man."

"Do you really think so?"

"I do," said I.

She looked to right and left and then at me full in the face, and she
gripped my hand.

"You're a good friend, Hilary. God knows I thank you."

From which I clearly understood that her passionately loyal heart was
grievously sore for Adrian.

During their absence abroad, which lasted much longer than three months,
we heard fairly regularly from Doria; twice or thrice from Adrian. After
a time he grew tired of mountaintops and solitude and declared that his
inspiration required steeping in the past, communion with the hallowed
monuments of mankind. So they wandered about the old Italian cities,
until he discovered that the one thing essential to his work was the
gaiety of cosmopolitan society; whereupon they went the round of French
watering-places, where Adrian played recklessly at baccarat and spent
inordinate sums on food. And all the time Doria wrote glowingly of their
doings. Adrian had put the book out of his head, was always in the best
of spirits. He had completely recovered from the strain of work and was
looking forward joyously to the final spurt in London and the
achievement of the masterpiece.

Meanwhile we played the annual comedy of our August migration; the only
change being that instead of Dinard we went to the West Coast of
Scotland to stay with some of Barbara's relatives. One gleam of joy
irradiated that grey and dismal sojourn--the news that Jaffery, his
mission in Crim Tartary being accomplished, would be home for Christmas.
Our host and hostess were sporting folk with red, weatherbeaten faces
and a mania (which they expected us to share) for salmon-fishing in the
pouring rain. As neither Barbara nor I were experts--I always trembled
lest a strong young fish getting hold of the end of Barbara's line
should whisk her over like a feather into the boiling current--and as
for myself, I prefer the more contemplative art of bottom fishing from a
punt in dry weather--our friends caught all the salmon, while we merely
caught colds in the head. Many an hour of sodden misery was cheered by
the whispered word of comfort: Jaffery would be home for Christmas. And
when, at ten o'clock in the evening, just as we were beginning to awake
from the nightmare of the day, and to desire sprightly conversation, our
host and hostess fell into a lethargy, and staggered off to slumber, we
beguiled the hour before bedtime with talk of Jaffery's homecoming.

At last we escaped and took the good train south. The Bolderos had
already returned to London. They came to spend our first week-end at
Northlands. Adrian professed to be in the robustest of health and to
have not a care in the world. The holiday, said he, had done him
incalculable good. Already he had begun to work in the full glow of
inspiration. We thought him looking old and hag-ridden, but Doria seemed
happy. She had her own reason for happiness, which she confided to
Barbara. It would be early in the New Year. . . . Her eyes, I noticed,
were filled with a new and wonderful love for Adrian. On the Sunday
afternoon as we were sauntering about the garden, Adrian touched upon
the subject in a man's shy way when speaking to his fellow man.

"Why," said I with a laugh, "that's just about the time you expect the
book to be out."

He gave me a queer, slanting look. "Yes," said he, "they'll both be born
together."

That night, to my consternation and sorrow, he went to bed quite fuddled
with whisky.




CHAPTER X


Never shall I forget that Christmastide. Its shadow has fallen on every
Christmas since then. And, in the innocent insolence of our hearts, we
had planned such a merry one. It was the first since our marriage that
we were spending at Northlands, for like dutiful folk we had hitherto
spent the two or three festival days in the solid London house of
Barbara's parents. Her father, Sir Edward Kennion, retired Permanent
Secretary of a Government Office, was a courtly gentleman with a
faultless taste in old china and wine, and Lady Kennion a charming old
lady almost worthy of being the mother of Barbara. To speak truly, I had
always enjoyed my visits. But when the news came that, for the sake of
the dear lady's health, the Kennions were starting for Bermuda, in the
middle of December, it did not strike us desolate. On the contrary
Barbara clapped her hands in undisguised glee.

"It will do mother no end of good, and we can give Susan a real
Christmas of her own."

So we laid deep schemes to fill the house to overflowing and to have a
roystering time. First, for Susan's sake, we secured a widowed cousin of
mine, Eileen Wetherwood, with her four children; and we sent out
invitations to the _ban_ and _arriere ban_ of the county's juvenility,
to say nothing of that of London, for a Boxing-day orgy. Having
accounted satisfactorily for Susan's entertainment, we thought, I hope
in a Christian spirit, of our adult circle. Dear old Jaffery would be
with us. Why not ask his sister Euphemia? They had a mouse and lion
affection for each other. Then there was Liosha. Both she and Jaffery
met in Susan's heart, and it was Susan's Christmas. With Liosha would
come Mrs. Considine, admirable and lonely woman. We trusted to luck and
to Mrs. Considine's urbane influence for amenable relations between
Liosha and Euphemia Chayne. With Jaffery in the house, Adrian and Doria
must come. Last Christmas they had spent in the country with old Mrs.
Boldero; old Mrs. Boldero was, therefore, summoned to Northlands. In the
lightness of our hearts we invited Mr. Jornicroft. After the letter was
posted my spirits sank. What in the world would we do with ponderous old
man Jornicroft? But in the course of a few posts my gloom was lightened
by a refusal. Mr. Jornicroft had been in the habit for many years of
spending Christmas at the King's Hotel, Hastings, and had already made
his arrangements.

"Who else is there?" asked Barbara.

"My dear," said I. "This is a modest country house, not an International
Palace Hotel. Including Eileen's children and their governess and nurse
and Doria's maid, we shall have to find accommodation for fifteen
people."

"Nonsense!" she said. "We can't do it."

"Count up," said I.

I lit a cigar and went out into the winter-stricken garden, and left her
reckoning on her fingers, with knitted brow. When I returned she greeted
me with a radiantly superior smile.

"Who said it couldn't be done? I do wish men had some kind of practical
sense. It's as easy as anything."

She unfolded her scheme. As far as my dazed wits could grasp it, I
understood that I should give up my dressing-room, that the maids should
sleep eight in a bed, that Franklin, our excellent butler, should perch
in a walnut-tree and that planks should be put up in the bath-rooms for
as many more guests as we cared to invite.

"That is excellent," said I, "but do you realise that in this house
party there are only three grown men--three ha'porth of grown men" (I
couldn't forbear allusiveness) "to this intolerable quantity of women
and children?"

"But who is preventing you from asking men, dear? Who are they?"

I mentioned my old friend Vansittart; also poor John Costello's son, who
would most likely be at a loose end at Christmas, and one or two others.

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Obituary: Donald Westlake
Articles published by guardian.co.uk Books

Theatre review: Three Women, Jermyn Street, London
Obituary: Prolific crime novelist, Oscar-nominated screenwriter and man of many pseudonyms

Obama to feature in Marvel comic

We do not know the women's names, but their voices are quite distinct. All are pregnant. But while the first woman awaits the birth of her baby with a moon-like serenity, the other two are not so lucky. One, whose previous pregnancies have failed to go to term, is experiencing a heartbreaking late miscarriage; the other is a young student whose accidental pregnancy will end in her child being put up for adoption.

Sylvia Plath's only play was never intended for the stage, being broadcast instead on BBC radio in August 1962. Less than six months later, Plath killed herself, but not before the burst of astonishing creative energy that produced her extraordinary, terrifying Ariel poems.

Anyone who knows Plath's poetry will see the connection between Three Women and Plath's subsequent poems, particularly in the way she talks about the agony of childbirth, the rush of love for this tiny alien being, and both the wonder and wounded rawness of motherhood. It is a beautiful piece, full of startling imagery that draws you in through the sheer intensity of its femaleness, and because it so precisely articulates the emotions that are often thought but seldom voiced by women - certainly not in the early 1960s - about men, motherhood and our relationship to our bodies.

It's been 20 years since there has been an attempt at a professional stage version and - in a theatre world that happily accepts the poetic offerings of Sarah Kane and Debbie Tucker Green, or the staged possibilities of The Waves, one of Plath's own inspirations for the piece, I see no reason why it shouldn't be brought to life. Sadly, it doesn't breathe here, in a production by Robert Shaw that is clearly a labour of love, but which never finds a way to give the internal a physical reality. Plath's poetry, like most babies, is more robust than it appears - and won't break if treated with a little less reverence and considerably more grit.

Instead, what we are offered is tinkling piano music, mournful mood lighting, an innocuous pale setting, as well as three perfectly good but indisputably ladylike performances that capture none of the wounded redness of Plath's poetry, and do her the disservice of making her sound bleached and somewhat prissy. It's a pity. What might have been a wonder ends up a mere curiosity.

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