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Macleod of Dare by William Black

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MACLEOD OF DARE.

BY

WILLIAM BLACK,

AUTHOR OF

"A PRINCESS OF THULE," "THE STRANGE ADVENTURES OF A PHAETON,"
"A DAUGHTER OF HETH," ETC., ETC.

* * * * *

NEW YORK:

JOHN B. ALDEN, PUBLISHER,

1883.


* * * * *


MACLEOD OF DARE.


* * * * *




CHAPTER I.

THE SIX BOYS OF DARE.


The sun had sunk behind the lonely western seas; Ulva, and Lunga, and
the Dutchman's Cap had grown dark on the darkening waters; and the
smooth Atlantic swell was booming along the sombre caves; but up here in
Castle Dare, on the high and rocky coast of Mull, the great hall was lit
with such a blaze of candles as Castle Dare had but rarely seen. And yet
there did not seem to be any grand festivities going forward; for there
were only three people seated at one end of the long and narrow table;
and the banquet that the faithful Hamish had provided for them was of
the most frugal kind. At the head of the table sat an old lady with
silvery-white hair and proud and fine features. It would have been a
keen and haughty face but for the unutterable sadness of the
eyes--blue-gray eyes under black eyelashes that must have been beautiful
enough in her youth, but were now dimmed and worn, as if the weight of
the world's sorrows had been too much for the proud, high spirit. On the
right of Lady Macleod sat the last of her six sons, Keith by name, a
tall, sparely built, sinewy young fellow, with a sun-tanned cheek and
crisp and curling hair, and with a happy and careless look in his clear
eyes and about his mouth that rather blinded one to the firm lines of
his face. Glad youth shone there, and the health begotten of hard
exposure to wind and weather. What was life to him but a laugh: so long
as there was a prow to cleave the plunging seas, and a glass to pick out
the branching antlers far away amidst the mists of the corrie? To please
his mother, on this the last night of his being at home, he wore the
kilts; and he had hung his broad blue bonnet, with its sprig of
juniper--the badge of the clan--on the top of one of many pikes and
halberds that stood by the great fireplace. Opposite him, on the old
lady's left hand, sat his cousin, or rather half-cousin, the
plain-featured but large-hearted Janet, whom the poor people about that
neighborhood regarded as being something more than any mere mortal
woman. If there had been any young artist among that Celtic peasantry
fired by religious enthusiasm to paint the face of a Madonna, it would
have been the plain features of Janet Macleod he would have dreamed
about and striven to transfer to his canvas. Her eyes were fine, it is
true: they were honest and tender; they were not unlike the eyes of the
grand old lady who sat at the head of the table; but, unlike hers, they
were not weighted with the sorrow of years.

"It is a dark hour you have chosen to go away from your home," said the
mother; and the lean hand, resting on the table before her, trembled
somewhat.

"Why, mother," the young man said, lightly, "you know I am to have
Captain ----'s cabin as far as Greenock; and there will be plenty of
time for me to put the kilts away before I am seen by the people."

"Oh, Keith," his cousin cried--for she was trying to be very cheerful,
too--"do you say that you are ashamed of the tartan?"

"Ashamed of the tartan!" he said, with a laugh. "Is there any one who
has been brought up at Dare who is likely to be ashamed of the tartan!
When I am ashamed of the tartan I will put a pigeon's feather in my cap,
as the new _suaicheantas_ of this branch of Clann Leoid. But then, my
good Janet, I would as soon think of taking my rifle and the dogs
through the streets of London as of wearing the kilts in the south."

The old lady paid no heed. Her hands were now clasped before her. There
was sad thinking in her eyes.

"You are the last of my six boys," said she, "and you are going away
from me too."

"Now, now, mother," said he, "you must not make so much of a holiday.
You would not have me always at Dare? You know that no good comes of a
stay-at-home."

She knew the proverb. Her other sons had not been stay-at-homes. What
had come to them!

Of Sholto, the eldest, the traveller, the dare-devil, the grave is
unknown; but the story of how he met his death, in far Arizona, came
years after to England and to Castle Dare. He sold his life dearly, as
became one of his race and name. When his cowardly attendants found a
band of twenty Apaches riding down on them, they unhitched the mules and
galloped off, leaving him to confront the savages by himself. One of
these, more courageous than his fellows, advanced and drew his arrow to
the barb; the next second he uttered a yell, and rolled from his saddle
to the ground, shot through the heart. Macleod seized this instant, when
the savages were terror-stricken by the precision of the white man's
weapons, to retreat a few yards and get behind a mesquit-tree. Here he
was pretty well sheltered from the arrows that they sent in clouds about
him, while he succeeded in killing other two of his enemies who had
ventured to approach. At last they rode off: and it seemed as though he
would be permitted to rejoin his dastardly comrades. But the Indians had
only gone to windward to set the tall grass on fire; and presently he
had to scramble, burned and blinded, up the tree, where he was an easy
mark for their arrows. Fortunately, when he fell he was dead. This was
the story told by some friendly Indians to a party of white men, and
subsequently brought home to Castle Dare.

The next four of the sons of Dare were soldiers, as most of the Macleods
of that family had been. And if you ask about the graves of Roderick and
Ronald, what is one to say? They are known, and yet unknown. The two
lads were in one of the Highland regiments that served in the Crimea.
They both lie buried on the bleak plains outside Sevastopol. And if the
memorial stones put up to them and their brother officers are falling
into ruin and decay--if the very graves have been rifled--how is England
to help that? England is the poorest country in the world. There was a
talk some two or three years ago of putting up a monument on Cathcart
Hill to the Englishmen who died in the Crimea; and that at least would
have been some token of remembrance, even if we could not collect the
scattered remains of our slain sons, as the French have done, but then
that monument would have cost L5000. How could England afford L5000?
When a big American city takes fire, or when a district in France is
inundated, she can put her hand into her pocket deeply enough; but how
can we expect so proud a mother to think twice about her children who
perished in fighting for her? Happily the dead are independent of
forgetfulness.

Duncan the Fair-haired--Donacha Ban, they called him, far and wide among
the hills--lies buried in a jungle on the African coast. He was only
twenty-three when he was killed: but he knew he had got the Victoria
Cross. As he lay dying, he asked whether the people in England would
send it to his mother, showing that his last fancies were still about
Castle Dare.

And Hector? As you cross the river at Sadowa, and pass through a bit of
forest, some cornfields begin to appear, and these stretch away up to
the heights of Chlum. Along the ridge there, by the side of the wood,
are many mounds of earth. Over the grave of Hector Macleod is no proud
and pathetic inscription such as marks the last resting-place of a young
lieutenant who perished at Gravelotte--_Er ruht saft in wiedererkampfter
deutscher Erde_--but the young Highland officer was well beloved by his
comrades, and when the dead were being pitched into the great holes dug
for them, and when rude hands were preparing the simple record, painted
on a wooden cross---"_Hier liegen--tapfere Krieger_"--a separate memento
was placed over the grave of Under-lieutenant Hector Macleod of the
----th Imperial and Royal Cavalry Regiment. He was one of the two sons
who had not inherited the title. Was it not a proud boast for this
white-haired lady in Mull that she had been the mother of four baronets?
What other mother in all the land could say as much? And yet it was that
that had dimmed and saddened the beautiful eyes.

And now her youngest--her Benjamin, her best-beloved--he was going away
from her too. It was not enough that the big deer forest, the last of
the possessions of the Macleods of Dare, had been kept intact for him,
when the letting of it to a rich Englishman would greatly have helped
the failing fortunes of the family; it was not enough that the poor
people about, knowing Lady Macleod's wishes, had no thought of keeping a
salmon spear hidden in the thatch of their cottages. Salmon and stag
could no longer bind him to the place. The young blood stirred. And when
he asked her what good things came of being a stay-at-home, what could
she say?

Suddenly old Hamish threw wide the oaken doors at the end of the hall,
and there was a low roar like the roaring of lions. And then a young
lad, with the pipes proudly perched on his shoulder, marched in with a
stately step, and joyous and shrill arose the Salute. Three times he
marched round the long and narrow hall, finishing behind Keith Macleod's
chair. The young man turned to him.

"It was well played, Donald," said he, in the Gaelic; "and I will tell
you that the Skye College in the old times never turned out a better
pupil. And will you take a glass of whiskey now, or a glass of claret?
And it is a great pity your hair is red, or they would call you Donull
Dubh, and people would say you were the born successor of the last of
the MacCruimins."

At this praise--imagine telling a piper lad that he was a fit successor
of the MacCruimins, the hereditary pipers of the Macleods--the young
stripling blushed hot; but he did not forget his professional dignity
for all that. And he was so proud of his good English that he replied in
that tongue.

"I will take a glass of the claret wine, Sir Keith," said he.

Young Macleod took up a horn tumbler, rimmed with silver, and having the
triple-towered castle of the Macleods engraved on it, and filled it with
wine. He handed it to the lad.

"I drink your health, Lady Macleod," said he, when he had removed his
cap; "and I drink your health, Miss Macleod; and I drink your health,
Sir Keith; and I would have a lighter heart this night if I was going
with you away to England."

It was a bold demand.

"I cannot take you with me, Donald; the Macleods have got out of the way
of taking their piper with them now. You must stay and look after the
dogs."

"But you are taking Oscar with you, Sir Keith."

"Yes, I am. I must make sure of having one friend with me in the south."

"And I think I would be better than a collie," muttered the lad to
himself, as he moved off in a proud and hurt way toward the door, his
cap still in his hand.

And now a great silence fell over these three; and Janet Macleod looked
anxiously toward the old lady, who sat unmoved in the face of the
ordeal through which she knew she must pass. It was an old custom that
each night a pibroch should be played in Castle Dare in remembrance of
her five slain sons; and yet on this one night her niece would fain have
seen that custom abandoned. For was not the pibroch the famous and
pathetic "Cumhadh na Cloinne," the Lament for the Children, that Patrick
Mor, one of the pipers of Macleod of Skye, had composed to the memory of
his seven sons, who had all died within one year? And now the doors were
opened, and the piper boy once more entered. The wild, sad wail arose:
and slow and solemn was the step with which he walked up the hall. Lady
Macleod sat calm and erect, her lips proud and firm, but her lean hands
were working nervously together; and at last, when the doors were closed
on the slow and stately and mournful Lament for the Children, she bent
down the silvery head on those wrinkled hands and wept aloud. Patrick
Mor's seven brave sons could have been no more to him than her six tall
lads had been to her; and now the last of them was going away from her.

"Do you know," said Janet, quickly, to her cousin across the table,
"that it is said no piper in the West Highlands can play 'Lord Lovat's
Lament' like our Donald?"

"Oh yes, he plays it very well; and he has got a good step," Macleod
said. "But you will tell him to play no more Laments to-night. Let him
take to strathspeys if any of the lads come up after bringing back the
boat. It will be time enough for him to make a Lament for me when I am
dead. Come, mother, have you no message for Norman Ogilvie?"

The old lady had nerved herself again, though her hands were still
trembling.

"I hope he will come back with you, Keith," she said.

"For the shooting? No, no, mother. He was not fit for the shooting about
here: I have seen that long ago. Do you think he could lie for an hour
in a wet bog? It was up at Fort William I saw him last year, and I said
to him, 'Do you wear gloves at Aldershot?' His hands were as white as
the hands of a woman."

"It is no woman's hand you have, Keith," his cousin said; "it is a
soldier's hand."

"Yes," said he, with his face flushing, "and if I had had Norman
Ogilvie's chance--"

But he paused. Could he reproach this old dame, on the very night of his
departure, with having disappointed all those dreams of military service
and glory that are almost the natural inheritance of a Macleod of the
Western Highlands? If he was a stay-at-home, at least his hands were not
white. And yet, when young Ogilvie and he studied under the same
tutor--the poor man had to travel eighteen miles between the two houses,
many a time in hard weather--all the talk and aspirations of the boys
were about a soldier's life; and Macleod could show his friend the
various trophies, and curiosities sent home by his elder brothers from
all parts of the world. And now the lily-fingered and gentle-natured
Ogilvie was at Aldershot; while he--what else was he than a mere
deer-stalker and salmon-killer?

"Ogilvie has been very kind to me, mother," he said, laughing. "He has
sent me a list of places in London where I am to get my clothes, and
boots, and a hat; and by the time I have done that, he will be up from
Aldershot, and will lead me about--with a string round my neck, I
suppose, lest I should bite somebody."

"You could not go better to London than in your own tartan," said the
proud mother; "and it is not for an Ogilvie to say how a Macleod should
be dressed. But it is no matter, one after the other has gone; the house
is left empty at last. And they all went away like you, with a laugh on
their face. It was but a trip, a holiday, they said: they would soon be
back to Dare. And where are they this night?"

Old Hamish came in.

"It will be time for the boat now, Sir Keith, and the men are down at
the shore."

He rose, the handsome young fellow, and took his broad, blue bonnet with
the badge of juniper.

"Good-by, cousin Janet," said he, lightly. "Good-by, mother. You are not
going to send me away in this sad fashion? What am I to bring you
back--a satin gown from Paris? or a young bride to cheer up the old
house?"

She took no heed of the passing jest. He kissed her, and bade her
good-by once more. The clear stars were shining over Castle Dare, and
over the black shadows of the mountains, and the smoothly swelling
waters of the Atlantic. There was a dull booming of the waves along the
rocks.

He had thrown his plaid round him, and he was wondering to himself as he
descended the steep path to the shore. He could not believe that the two
women were really saddened by his going to the south for awhile; he was
not given to forebodings. And he had nearly reached the shore, when he
was overtaken by some one running, with a light step behind him. He
turned quickly, and found his cousin before him, a shawl thrown round
her head and shoulders.

"Oh, Keith," said she, in a bright and matter-of-fact way, "I have a
message for you--from myself--and I did not want aunt to hear, for she
is very proud, you know, and I hope you won't be. You know we are all
very poor, Keith; and yet you must not want money in London, if only for
the sake of the family; and you know I have a little, Keith, and I want
you to take it. You won't mind my being frank with you. I have written a
letter."

She had the envelope in her hand.

"And if I would take money from any one, it would be from you, Cousin
Janet; but I am not so selfish as that. What would all the poor people
do if I were to take your money to London and spend it?"

"I have kept a little," said she, "and it is not much that is needed. It
is L2000 I would like you to take from me, Keith. I have written a
letter."

"Why, bless me, Janet, that is nearly all the money you've got!"

"I know it."

"Well, I may not be able to earn any money for myself, but at least I
would not think of squandering your little fortune. No, no; but I thank
you all the same, Janet; and I know that it is with a free heart that
you offer it."

"But this is a favor, Keith," said she. "I do not ask you, to spend the
money. But you might be in trouble; and you would be too proud to ask
any one--perhaps you would not even ask me; and here is a letter that
you can keep till then, and if you should want the money, you can open
the letter, and it will tell you how to get it."

"And it is a poor forecast you are making, Cousin Janet," said he,
cheerfully. "I am to play the prodigal son, then. But I will take the
letter. And good-bye again, Janet; and God bless you, for you are a
kind-hearted woman."

She went swiftly up to Castle Dare again, and he walked on toward the
shore. By-and-by he reached a small stone pier that ran out among some
rocks, and by the side of it lay a small sailing launch, with four men
in her, and Donald the piper boy perched up at the bow. There was a lamp
swinging at her mast, but she had no sail up, for there was scarcely any
wind.

"Is it time to go out now?" said Macleod to Hamish who stood waiting on
the pier, having carried down his master's portmanteau.

"Ay, it will be time now, even if you will wait a little," said Hamish.
And then the old man added, "It is a dark night, Sir Keith, for your
going away from Castle Dare."

"And it will be the brighter morning when I come back," answered the
young man, for he could not mistake the intention of the words.

"Yes, indeed, Sir Keith; and now you will go into the boat, and you will
take care of your footing, for the night is dark, and the rocks they are
always slippery whatever."

But Keith Macleod's foot was as familiar with the soft sea-weed of the
rocks as it was with the hard heather of the hills, and he found no
difficulty in getting into the broad-beamed boat. The men put out their
oars and pushed her off. And now, in the dark night, the skill of the
pipes rose again; and it was no stately and mournful lament that young
Donald played up there at the bow as the four oars struck the sea and
sent a flash of white fire down into the deeps.

"Donald," Hamish had said to him on the shore, "when you are going out
to the steamer, it is the 'Seventy-ninth's Farewell to Chubraltar'
that you will play, and you will play no other thing than that."

And surely the Seventy-ninth were not sorry to leave Gibraltar when
their piper composed for them so glad a farewell.

At the high windows of Castle Dare the mother stood, and her niece, and
as they watched the yellow lamp move slowly out from the black shore,
they heard this proud and joyous march that Donald was playing to herald
the approach of his master. They listened to it as it grew fainter and
fainter, and as the small yellow star trembling over the dark waters,
became more and more remote. And then this other sound--this blowing of
a steam whistle far away in the darkness?

"He will be in good time, aunt; she is a long way off yet," said Janet
Macleod. But the mother did not speak.

Out there on the dark and moving waters the great steamer was slowly
drawing near the open boat; and as she came up, the vast hull of her,
seen against the starlit sky, seemed a mountain.

"Now, Donald," Macleod called out, "you will take the dog--here is the
string; and you will see he does not spring into the water."

"Yes, I will take the dog," muttered the boy, half to himself. "Oh yes,
I will take the dog; but it is better if I was going with you, Sir
Keith, than any dog."

A rope was thrown out, the boat dragged up to the side of the steamer,
the small gangway let down, and presently Macleod was on the deck of the
large vessel. Then Oscar was hauled up too, and the rope flung loose,
and the boat drifted away into the darkness. But the last good-bye had
not been said, for over the black waters came the sound of pipes once
more, the melancholy wail of "Macintosh's Lament."

"Confound that obstinate brat!" Macleod said to himself. "Now he will go
back to Castle Dare and make the women miserable."

"The captain is below at his supper, Sir Keith," said the mate. "Will
you go down to him?"

"Yes, I will go down to him," said he; and he made his way along the
deck of the steamer.

He was arrested by the sound of some one crying, and he looked down, and
found a woman crouched under the bulwarks, with two small children
asleep on her knee.

"My good woman, what is the matter with you?" said he.

"The night is cold," she said in the Gaelic, "and my children are cold;
and it is a long way that we are going."

He answered her in her own tongue.

"You will be warmer if you go below; but here is a plaid for you,
anyway;" and with that he took the plaid from round his shoulders and
flung it across the children, and passed on.

That was the way of the Macleods of Dare. They had a royal manner with
them. Perhaps that was the reason that their revenues were now far from
royal.

And meanwhile the red light still burned in the high windows of Castle
Dare, and two women were there looking out on the pale stars and the
dark sea beneath. They waited until they heard the plashing of oars in
the small bay below, and the message was brought them that Sir Keith had
got safely on board the great steamer. Then they turned away from the
silent and empty night, and one of them was weeping bitterly.

"It is the last of my six sons that has gone from me," she said, coming
back to the old refrain, and refusing to be comforted.

"And I have lost my brother," said Janet Macleod, in her simple way.
"But he will came back to us, auntie; and then we shall have great
doings at Castle Dare."




CHAPTER II.

MENTOR.


It was with a wholly indescribable surprise and delight that Macleod
came upon the life and stir and gayety of London in the sweet June time,
when the parks and gardens and squares would of themselves have been a
sufficient wonder to him. The change from the sombre shores of lochs Na
Keal, and Iua, and Scridain to this world of sunlit foliage--the golden
yellow of the laburnum, the cream-white of the chestnuts, the rose-pink
of the red hawthorn, and everywhere the keen, translucent green of the
young lime-trees--was enough to fill the heart with joy and gladness,
though he had been no diligent student of landscape and color. The few
days he had to spend by himself--while getting properly dressed to
satisfy the demands of his friend--passed quickly enough. He was not at
all ashamed of his country-made clothes as he watched the whirl of
carriages in Piccadilly, or lounged under the elms at Hyde Park, with
his beautiful silver-white and lemon-colored collie attracting the
admiration of every passer-by. Nor had he waited for the permission of
Lieutenant Ogilvie to make his entrance into, at least, one little
corner of society. He was recognized in St. James's Street one morning
by a noble lady whom he had met once or twice at Inverness; and she,
having stopped her carriage, was pleased to ask him to lunch with
herself and her husband next day. To the great grief of Oscar, who had
to be shut up by himself, Macleod went up next day to Brook Street, and
there met several people whose names he knew as representatives of old
Highland families, but who were very English, as it seemed to him, in
their speech and ways. He was rather petted, for he was a handsome lad,
and he had high spirits and a proud air. And his hostess was so kind as
to mention that the Caledonian Ball was coming off on the 25th, and of
course he must come, in the Highland costume; and as she was one of the
patronesses, should she give him a voucher? Macleod answered,
laughingly, that he would be glad to have it, though he did not know
what it was; whereupon she was pleased to say that no wonder he laughed
at the notion of a voucher being wanted for any Macleod of Dare.

One morning a good-looking and slim young man knocked at the door of a
small house in Bury Street, St. James's, and asked if Sir Keith Macleod
was at home. The man said he was, and the young gentleman entered. He
was a most correctly dressed person. His hat, and gloves, and cane, and
long-tailed frock-coat were all beautiful; but it was, perhaps, the
tightness of his nether garments, or, perhaps, the tightness of his
brilliantly-polished boots (which were partially covered by white
gaiters), that made him go up the narrow little stairs with some
precision of caution. The door was opened and he was announced.

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Resounding Guardian first book award victory for The Rest Is Noise
Articles published by guardian.co.uk Books

Site of the Week: The International Literary Quarterly

An intricate, kaleidoscopic, all-embracing history of 20th-century music from Mahler to La Monte Young is the winner of this year's Guardian first book award. Alex Ross's The Rest Is Noise was the clear and undisputed winner of the £10,000 prize, which has been presented at a ceremony in central London tonight.

The chair of the judging panel, Guardian literary editor Claire Armitstead, said: "In some quarters this book has been seen as not having a popular appeal. Our prize – which, uniquely, relies on readers' groups in the early stages of judging – proves that, on the contrary, there is a huge appetite among readers for clear, serious but accessible books."

According to one judge: "Where Ross lifts his book above the 'expert' and impressive to the 'good read' category is in the way he wears his learning lightly, never clutches for false or contrived ways of explaining music, and never dumbs down in order to explain."

One of the members of the Waterstone's reading groups, who helped in the judging process, said: "Every time I felt overwhelmed by the technicalities, along came a sublime metaphor or simile that would light up the prose."

Ross, who is the music critic of the New Yorker, has distilled a lifetime's enthusiasm and learning into a rich narrative of musical history, setting the works of Mahler, Schoenberg, John Cage and the rest into their cultural and political contexts – but also giving a vivid sense of what the music he describes actually sounds and feels like.

Of all the artforms, modern and contemporary classical music is often seen as the most rebarbative. Ross brushes aside the mythology of 20th-century music's "inaccessibility" as he charts its meandering histories. Along the way, fascinating connections are made: hip-hop has more in common with Janacek than you might think; Arnold Schoenberg and George Gershwin were tennis partners; Gershwin, in turn, was an ardent fan of Alban Berg and kept an autographed photo of the composer of Lulu in his apartment. If there is an overarching idea to the book, it is perhaps contained in Berg's pronouncement to Gershwin: "Mr Gershwin, music is music."

Ross, 40, was born in Washington DC, and studied English and history at Harvard. An enthusiastic teenage musician and student broadcaster, he began writing music criticism after university and in 1996 was appointed music critic of the New Yorker. His blog – also called The Rest Is Noise – has been a trailblazer in harnessing the internet as a way of amplifying (often literally) his writing on music.

The New York Review of Books described The Rest Is Noise as "by far the liveliest and smartest popular introduction yet written to a century of diverse music". The Economist noted: "No other critic writing in English can so effectively explain why you like a piece, or beguile you to reconsider it, or prompt you to hurry online and buy a recording."

Nicholas Kenyon, managing director of the Barbican and a former Observer music critic, said: "At a time when people are still talking about 20th-century music as if it were a problem, here is a lucid and entertaining book about what I regard as some of the greatest music ever written. It's a wonderful way to advance the cause of 20th-century music to an ordinary, intelligent general reader. It's the ideal mix of enthusiasm and information."

This year's judging panel comprised novelist Roddy Doyle; broadcaster and novelist Francine Stock; poet Daljit Nagra; the historian David Kynaston; novelist Kate Mosse and Guardian deputy editor, Katharine Viner. Stuart Broom of Waterstone's also joined the deliberations, speaking as the representative of the readers' groups.

The other books on the shortlist were Mohammed Hanif's A Case of Exploding Mangoes; Ross Raisin's God's Own Country; Steve Toltz's A Fraction of the Whole (which was also shortlisted for the Man Booker prize) and Owen Matthews's Stalin's Children.

Previous winners of the prize have included Stuart: A Life Backwards by Alexander Masters (2005) and Zadie Smith's White Teeth (2000).

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