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Victorian Short Stories by Various

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VICTORIAN SHORT STORIES

Stories of Courtship







CONTENTS

ANGELA, An Inverted Love Story, by William Schwenk Gilbert

THE PARSON'S DAUGHTER OF OXNEY COLNE, by Anthony Trollope

ANTHONY GARSTIN'S COURTSHIP, by Hubert Crackanthorpe

A LITTLE GREY GLOVE, by George Egerton (Mary Chavelita [Dunne] Bright)

THE WOMAN BEATER, by Israel Zangwill





ANGELA

An Inverted Love Story

By William Schwenk Gilbert

(_The Century Magazine_, September 1890)


I am a poor paralysed fellow who, for many years past, has been confined
to a bed or a sofa. For the last six years I have occupied a small room,
giving on to one of the side canals of Venice, and having no one about
me but a deaf old woman, who makes my bed and attends to my food; and
there I eke out a poor income of about thirty pounds a year by making
water-colour drawings of flowers and fruit (they are the cheapest models
in Venice), and these I send to a friend in London, who sells them to a
dealer for small sums. But, on the whole, I am happy and content.

It is necessary that I should describe the position of my room rather
minutely. Its only window is about five feet above the water of the
canal, and above it the house projects some six feet, and overhangs the
water, the projecting portion being supported by stout piles driven into
the bed of the canal. This arrangement has the disadvantage (among
others) of so limiting my upward view that I am unable to see more than
about ten feet of the height of the house immediately opposite to me,
although, by reaching as far out of the window as my infirmity will
permit, I can see for a considerable distance up and down the canal,
which does not exceed fifteen feet in width. But, although I can see but
little of the material house opposite, I can see its reflection upside
down in the canal, and I take a good deal of inverted interest in such
of its inhabitants as show themselves from time to time (always upside
down) on its balconies and at its windows.

When I first occupied my room, about six years ago, my attention was
directed to the reflection of a little girl of thirteen or so (as nearly
as I could judge), who passed every day on a balcony just above the
upward range of my limited field of view. She had a glass of flowers and
a crucifix on a little table by her side; and as she sat there, in fine
weather, from early morning until dark, working assiduously all the
time, I concluded that she earned her living by needle-work. She was
certainly an industrious little girl, and, as far as I could judge by
her upside-down reflection, neat in her dress and pretty. She had an old
mother, an invalid, who, on warm days, would sit on the balcony with
her, and it interested me to see the little maid wrap the old lady in
shawls, and bring pillows for her chair, and a stool for her feet, and
every now and again lay down her work and kiss and fondle the old lady
for half a minute, and then take up her work again.

Time went by, and as the little maid grew up, her reflection grew down,
and at last she was quite a little woman of, I suppose, sixteen or
seventeen. I can only work for a couple of hours or so in the brightest
part of the day, so I had plenty of time on my hands in which to watch
her movements, and sufficient imagination to weave a little romance
about her, and to endow her with a beauty which, to a great extent, I
had to take for granted. I saw--or fancied that I could see--that she
began to take an interest in _my_ reflection (which, of course, she
could see as I could see hers); and one day, when it appeared to me that
she was looking right at it--that is to say when her reflection appeared
to be looking right at me--I tried the desperate experiment of nodding
to her, and to my intense delight her reflection nodded in reply. And so
our two reflections became known to one another.

It did not take me very long to fall in love with her, but a long time
passed before I could make up my mind to do more than nod to her every
morning, when the old woman moved me from my bed to the sofa at the
window, and again in the evening, when the little maid left the balcony
for that day. One day, however, when I saw her reflection looking at
mine, I nodded to her, and threw a flower into the canal. She nodded
several times in return, and I saw her direct her mother's attention to
the incident. Then every morning I threw a flower into the water for
'good morning', and another in the evening for 'goodnight', and I soon
discovered that I had not altogether thrown them in vain, for one day
she threw a flower to join mine, and she laughed and clapped her hands
when she saw the two flowers join forces and float away together. And
then every morning and every evening she threw her flower when I threw
mine, and when the two flowers met she clapped her hands, and so did I;
but when they were separated, as they sometimes were, owing to one of
them having met an obstruction which did not catch the other, she threw
up her hands in a pretty affectation of despair, which I tried to
imitate but in an English and unsuccessful fashion. And when they were
rudely run down by a passing gondola (which happened not unfrequently)
she pretended to cry, and I did the same. Then, in pretty pantomime, she
would point downwards to the sky to tell me that it was Destiny that had
caused the shipwreck of our flowers, and I, in pantomime, not nearly so
pretty, would try to convey to her that Destiny would be kinder next
time, and that perhaps tomorrow our flowers would be more fortunate--and
so the innocent courtship went on. One day she showed me her crucifix
and kissed it, and thereupon I took a little silver crucifix that always
stood by me, and kissed that, and so she knew that we were one in
religion.

One day the little maid did not appear on her balcony, and for several
days I saw nothing of her; and although I threw my flowers as usual, no
flower came to keep it company. However, after a time, she reappeared,
dressed in black, and crying often, and then I knew that the poor
child's mother was dead, and, as far as I knew, she was alone in the
world. The flowers came no more for many days, nor did she show any sign
of recognition, but kept her eyes on her work, except when she placed
her handkerchief to them. And opposite to her was the old lady's chair,
and I could see that, from time to time, she would lay down her work and
gaze at it, and then a flood of tears would come to her relief. But at
last one day she roused herself to nod to me, and then her flower came,
day by day, and my flower went forth to join it, and with varying
fortunes the two flowers sailed away as of yore.

But the darkest day of all to me was when a good-looking young
gondolier, standing right end uppermost in his gondola (for I could see
_him_ in the flesh), worked his craft alongside the house, and stood
talking to her as she sat on the balcony. They seemed to speak as old
friends--indeed, as well as I could make out, he held her by the hand
during the whole of their interview which lasted quite half an hour.
Eventually he pushed off, and left my heart heavy within me. But I soon
took heart of grace, for as soon as he was out of sight, the little maid
threw two flowers growing on the same stem--an allegory of which I could
make nothing, until it broke upon me that she meant to convey to me
that he and she were brother and sister, and that I had no cause to be
sad. And thereupon I nodded to her cheerily, and she nodded to me, and
laughed aloud, and I laughed in return, and all went on again as before.

Then came a dark and dreary time, for it became necessary that I should
undergo treatment that confined me absolutely to my bed for many days,
and I worried and fretted to think that the little maid and I should see
each other no longer, and worse still, that she would think that I had
gone away without even hinting to her that I was going. And I lay awake
at night wondering how I could let her know the truth, and fifty plans
flitted through my brain, all appearing to be feasible enough at night,
but absolutely wild and impracticable in the morning. One day--and it
was a bright day indeed for me--the old woman who tended me told me that
a gondolier had inquired whether the English signor had gone away or had
died; and so I learnt that the little maid had been anxious about me,
and that she had sent her brother to inquire, and the brother had no
doubt taken to her the reason of my protracted absence from the window.

From that day, and ever after during my three weeks of bed-keeping, a
flower was found every morning on the ledge of my window, which was
within easy reach of anyone in a boat; and when at last a day came when
I could be moved, I took my accustomed place on my sofa at the window,
and the little maid saw me, and stood on her head (so to speak) and
clapped her hands upside down with a delight that was as eloquent as my
right-end-up delight could be. And so the first time the gondolier
passed my window I beckoned to him, and he pushed alongside, and told
me, with many bright smiles, that he was glad indeed to see me well
again. Then I thanked him and his sister for their many kind thoughts
about me during my retreat, and I then learnt from him that her name was
Angela, and that she was the best and purest maiden in all Venice, and
that anyone might think himself happy indeed who could call her sister,
but that he was happier even than her brother, for he was to be married
to her, and indeed they were to be married the next day.

Thereupon my heart seemed to swell to bursting, and the blood rushed
through my veins so that I could hear it and nothing else for a while.
I managed at last to stammer forth some words of awkward congratulation,
and he left me, singing merrily, after asking permission to bring his
bride to see me on the morrow as they returned from church.

'For', said he, 'my Angela has known you very long--ever since she was a
child, and she has often spoken to me of the poor Englishman who was a
good Catholic, and who lay all day long for years and years on a sofa at
a window, and she had said over and over again how dearly she wished she
could speak to him and comfort him; and one day, when you threw a flower
into the canal, she asked me whether she might throw another, and I told
her yes, for he would understand that it meant sympathy for one sorely
afflicted.'

And so I learned that it was pity, and not love, except indeed such love
as is akin to pity, that prompted her to interest herself in my welfare,
and there was an end of it all.

For the two flowers that I thought were on one stem were two flowers
tied together (but I could not tell that), and they were meant to
indicate that she and the gondolier were affianced lovers, and my
expressed pleasure at this symbol delighted her, for she took it to
mean that I rejoiced in her happiness.

And the next day the gondolier came with a train of other gondoliers,
all decked in their holiday garb, and on his gondola sat Angela, happy,
and blushing at her happiness. Then he and she entered the house in
which I dwelt, and came into my room (and it was strange indeed, after
so many years of inversion, to see her with her head above her feet!),
and then she wished me happiness and a speedy restoration to good health
(which could never be); and I in broken words and with tears in my eyes,
gave her the little silver crucifix that had stood by my bed or my table
for so many years. And Angela took it reverently, and crossed herself,
and kissed it, and so departed with her delighted husband.

And as I heard the song of the gondoliers as they went their way--the
song dying away in the distance as the shadows of the sundown closed
around me--I felt that they were singing the requiem of the only love
that had ever entered my heart.




THE PARSON'S DAUGHTER OF OXNEY COLNE

By Anthony Trollope

(_London Review_, 2 March 1861)


The prettiest scenery in all England--and if I am contradicted in that
assertion, I will say in all Europe--is in Devonshire, on the southern
and southeastern skirts of Dartmoor, where the rivers Dart and Avon and
Teign form themselves, and where the broken moor is half cultivated, and
the wild-looking uplands fields are half moor. In making this assertion
I am often met with much doubt, but it is by persons who do not really
know the locality. Men and women talk to me on the matter who have
travelled down the line of railway from Exeter to Plymouth, who have
spent a fortnight at Torquay, and perhaps made an excursion from
Tavistock to the convict prison on Dartmoor. But who knows the glories
of Chagford? Who has walked through the parish of Manaton? Who is
conversant with Lustleigh Cleeves and Withycombe in the moor? Who has
explored Holne Chase? Gentle reader, believe me that you will be rash in
contradicting me unless you have done these things.

There or thereabouts--I will not say by the waters of which little river
it is washed--is the parish of Oxney Colne. And for those who would wish
to see all the beauties of this lovely country a sojourn in Oxney Colne
would be most desirable, seeing that the sojourner would then be brought
nearer to all that he would delight to visit, than at any other spot in
the country. But there is an objection to any such arrangement. There
are only two decent houses in the whole parish, and these are--or were
when I knew the locality--small and fully occupied by their possessors.
The larger and better is the parsonage in which lived the parson and his
daughter; and the smaller is the freehold residence of a certain Miss Le
Smyrger, who owned a farm of a hundred acres which was rented by one
Farmer Cloysey, and who also possessed some thirty acres round her own
house which she managed herself, regarding herself to be quite as great
in cream as Mr. Cloysey, and altogether superior to him in the article of
cider. 'But yeu has to pay no rent, Miss,' Farmer Cloysey would say, when
Miss Le Smyrger expressed this opinion of her art in a manner too
defiant. 'Yeu pays no rent, or yeu couldn't do it.' Miss Le Smyrger was
an old maid, with a pedigree and blood of her own, a hundred and thirty
acres of fee-simple land on the borders of Dartmoor, fifty years of age,
a constitution of iron, and an opinion of her own on every subject under
the sun.

And now for the parson and his daughter. The parson's name was
Woolsworthy--or Woolathy as it was pronounced by all those who lived
around him--the Rev. Saul Woolsworthy; and his daughter was Patience
Woolsworthy, or Miss Patty, as she was known to the Devonshire world of
those parts. That name of Patience had not been well chosen for her for
she was a hot-tempered damsel, warm in her convictions, and inclined to
express them freely. She had but two closely intimate friends in the
world, and by both of them this freedom of expression had been fully
permitted to her since she was a child. Miss Le Smyrger and her father
were well accustomed to her ways, and on the whole well satisfied with
them. The former was equally free and equally warm-tempered as herself,
and as Mr. Woolsworthy was allowed by his daughter to be quite paramount
on his own subject--for he had a subject--he did not object to his
daughter being paramount on all others. A pretty girl was Patience
Woolsworthy at the time of which I am writing, and one who possessed
much that was worthy of remark and admiration had she lived where beauty
meets with admiration, or where force of character is remarked. But at
Oxney Colne, on the borders of Dartmoor, there were few to appreciate
her, and it seemed as though she herself had but little idea of carrying
her talent further afield, so that it might not remain for ever wrapped
in a blanket.

She was a pretty girl, tall and slender, with dark eyes and black hair.
Her eyes were perhaps too round for regular beauty, and her hair was
perhaps too crisp; her mouth was large and expressive; her nose was
finely formed, though a critic in female form might have declared
it to be somewhat broad. But her countenance altogether was very
attractive--if only it might be seen without that resolution for
dominion which occasionally marred it, though sometimes it even added
to her attractions.

It must be confessed on behalf of Patience Woolsworthy that the
circumstances of her life had peremptorily called upon her to exercise
dominion. She had lost her mother when she was sixteen, and had had
neither brother nor sister. She had no neighbours near her fit either
from education or rank to interfere in the conduct of her life,
excepting always Miss Le Smyrger. Miss Le Smyrger would have done
anything for her, including the whole management of her morals and
of the parsonage household, had Patience been content with such an
arrangement. But much as Patience had ever loved Miss Le Smyrger, she
was not content with this, and therefore she had been called on to put
forth a strong hand of her own. She had put forth this strong hand
early, and hence had come the character which I am attempting to
describe. But I must say on behalf of this girl that it was not only
over others that she thus exercised dominion. In acquiring that power
she had also acquired the much greater power of exercising rule over
herself.

But why should her father have been ignored in these family
arrangements? Perhaps it may almost suffice to say, that of all living
men her father was the man best conversant with the antiquities of the
county in which he lived. He was the Jonathan Oldbuck of Devonshire, and
especially of Dartmoor,--but without that decision of character which
enabled Oldbuck to keep his womenkind in some kind of subjection, and
probably enabled him also to see that his weekly bill did not pass their
proper limits. Our Mr. Oldbuck, of Oxney Colne, was sadly deficient in
these respects. As a parish pastor with but a small cure he did his duty
with sufficient energy to keep him, at any rate, from reproach. He was
kind and charitable to the poor, punctual in his services, forbearing
with the farmers around him, mild with his brother clergymen, and
indifferent to aught that bishop or archdeacon might think or say of
him. I do not name this latter attribute as a virtue, but as a fact. But
all these points were as nothing in the known character of Mr.
Woolsworthy, of Oxney Colne. He was the antiquarian of Dartmoor. That
was his line of life. It was in that capacity that he was known to the
Devonshire world; it was as such that he journeyed about with his humble
carpetbag, staying away from his parsonage a night or two at a time; it
was in that character that he received now and again stray visitors in
the single spare bedroom--not friends asked to see him and his girl
because of their friendship--but men who knew something as to this
buried stone, or that old land-mark. In all these things his daughter
let him have his own way, assisting and encouraging him. That was his
line of life, and therefore she respected it. But in all other matters
she chose to be paramount at the parsonage.

Mr. Woolsworthy was a little man, who always wore, except on Sundays,
grey clothes--clothes of so light a grey that they would hardly have
been regarded as clerical in a district less remote. He had now reached
a goodly age, being full seventy years old; but still he was wiry and
active, and shewed but few symptoms of decay. His head was bald, and the
few remaining locks that surrounded it were nearly white. But there was
a look of energy about his mouth, and a humour in his light grey eye,
which forbade those who knew him to regard him altogether as an old man.
As it was, he could walk from Oxney Colne to Priestown, fifteen long
Devonshire miles across the moor; and he who could do that could hardly
be regarded as too old for work.

But our present story will have more to do with his daughter than with
him. A pretty girl, I have said, was Patience Woolsworthy; and one, too,
in many ways remarkable. She had taken her outlook into life, weighing
the things which she had and those which she had not, in a manner very
unusual, and, as a rule, not always desirable for a young lady. The
things which she had not were very many. She had not society; she had
not a fortune; she had not any assurance of future means of livelihood;
she had not high hope of procuring for herself a position in life by
marriage; she had not that excitement and pleasure in life which she
read of in such books as found their way down to Oxney Colne Parsonage.
It would be easy to add to the list of the things which she had not; and
this list against herself she made out with the utmost vigour. The
things which she had, or those rather which she assured herself of
having, were much more easily counted. She had the birth and education
of a lady, the strength of a healthy woman, and a will of her own. Such
was the list as she made it out for herself, and I protest that I assert
no more than the truth in saying that she never added to it either
beauty, wit, or talent.

I began these descriptions by saying that Oxney Colne would, of all
places, be the best spot from which a tourist could visit those parts
of Devonshire, but for the fact that he could obtain there none of the
accommodation which tourists require. A brother antiquarian might,
perhaps, in those days have done so, seeing that there was, as I have
said, a spare bedroom at the parsonage. Any intimate friend of Miss Le
Smyrger's might be as fortunate, for she was also so provided at Oxney
Colne, by which name her house was known. But Miss Le Smyrger was not
given to extensive hospitality, and it was only to those who were bound
to her, either by ties of blood or of very old friendship, that she
delighted to open her doors. As her old friends were very few in number,
as those few lived at a distance, and as her nearest relations were
higher in the world than she was, and were said by herself to look down
upon her, the visits made to Oxney Colne were few and far between.

But now, at the period of which I am writing, such a visit was about to
be made. Miss Le Smyrger had a younger sister who had inherited a
property in the parish of Oxney Colne equal to that of the lady who
lived there; but this younger sister had inherited beauty also, and she
therefore, in early life, had found sundry lovers, one of whom became
her husband. She had married a man even then well to do in the world,
but now rich and almost mighty; a Member of Parliament, a Lord of this
and that board, a man who had a house in Eaton Square, and a park in the
north of England; and in this way her course of life had been very much
divided from that of our Miss Le Smyrger. But the Lord of the Government
board had been blessed with various children, and perhaps it was now
thought expedient to look after Aunt Penelope's Devonshire acres. Aunt
Penelope was empowered to leave them to whom she pleased; and though it
was thought in Eaton Square that she must, as a matter of course, leave
them to one of the family, nevertheless a little cousinly intercourse
might make the thing more certain. I will not say that this was the sole
cause for such a visit, but in these days a visit was to be made by
Captain Broughton to his aunt. Now Captain John Broughton was the second
son of Alfonso Broughton, of Clapham Park and Eaton Square, Member of
Parliament, and Lord of the aforesaid Government Board.

And what do you mean to do with him? Patience Woolsworthy asked of Miss
Le Smyrger when that lady walked over from the Colne to say that her
nephew John was to arrive on the following morning.

'Do with him? Why, I shall bring him over here to talk to your father.'

'He'll be too fashionable for that, and papa won't trouble his head
about him if he finds that he doesn't care for Dartmoor.'

'Then he may fall in love with you, my dear.'

'Well, yes; there's that resource at any rate, and for your sake I dare
say I should be more civil to him than papa. But he'll soon get tired of
making love to me, and what you'll do then I cannot imagine.'

That Miss Woolsworthy felt no interest in the coming of the Captain I
will not pretend to say. The advent of any stranger with whom she would
be called on to associate must be matter of interest to her in that
secluded place; and she was not so absolutely unlike other young ladies
that the arrival of an unmarried young man would be the same to her as
the advent of some patriarchal pater-familias. In taking that outlook
into life of which I have spoken she had never said to herself that she
despised those things from which other girls received the excitement,
the joys, and the disappointment of their lives. She had simply given
herself to understand that very little of such things would come in her
way, and that it behoved her to live--to live happily if such might be
possible--without experiencing the need of them. She had heard, when
there was no thought of any such visit to Oxney Colne, that John
Broughton was a handsome clever man--one who thought much of himself and
was thought much of by others--that there had been some talk of his
marrying a great heiress, which marriage, however had not taken place
through unwillingness on his part, and that he was on the whole a man of
more mark in the world than the ordinary captains of ordinary regiments.

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When the clock chimed midnight last night bookshops began to sell the Harry Potter phenomenon's latest instalment, a modest collection of fairy stories that is expected to put JK Rowling at the top of the bestsellers list once again this Christmas.

Booksellers sought to mark the publication of The Tales of Beedle the Bard - a set of short stories that featured in the final Harry Potter novel - by arranging events such as children's tea parties and breakfast readings. There was an exclusive party last night in London for 500 hardcore Harry fans. JK Rowling herself will host a tea party for 220 primary school children in Edinburgh this afternoon.

The collection is a reprinting of five fairy stories that Rowling originally hand-wrote and illustrated on vellum as a gift for six close friends associated with the Potter oeuvre. All six versions were hand-bound, their covers inlaid with semi-precious stones. The stories are derived from a magical book used by Harry to finally defeat his adversary Lord Voldemort in the seventh and final book, Harry Potter and the Deathly Hallows, which was the fastest-selling book ever.

Unlike the profits from the novels in the core Harry Potter series, the proceeds from Beedle the Bard are going to an east European children's charity chaired by Rowling, called the Children's High Level Group. Based on a European commission-backed organisation of the same name run by MEP Emma Nicholson to coordinate efforts to rehome 100,000 Romanian children kept in appalling conditions in state institutions, the charity focuses on rebuilding children's services in five east European countries.

The seven Harry Potter novels have sold 400m copies worldwide and spawned five movies along with associated merchandise, helping to build their small publishers, Bloomsbury, into a major force in the book industry. The Deathly Hallows helped Bloomsbury's children's division earn £40m profits last year. Bloomsbury hopes to sell between 7.5m and 8m copies worldwide from the first print run of Beedle the Bard, which is already translated into 27 languages, raising at least £12m for the children's charity.

About 80,000 children, many disabled or from oppressed ethnic minorities such as the Roma, live in state institutions in Romania, Moldova, Georgia, the Czech republic and Armenia, the charity's director, Georgette Mulheir, said yesterday.

Rowling said she hoped the new book would "not only be a welcome present to Harry Potter fans, but an opportunity to give these abandoned children a voice. It will encourage young people across the world to think about those who are less fortunate, and help change many young lives for the better."

The Tales of Beedle the Bard has already raised at least £1.9m for the charity after Amazon won the bidding at a Sotheby's auction for the seventh and last handwritten version of the book last year, donated by Rowling. The major booksellers are now selling the stories for £3.95, after Amazon provoked a discounting war by offering the book as a recession-busting loss leader at half the publisher's recommended price of £6.95.

The official price includes a £1.61 donation from each copy to the Rowling-backed charity, leaving booksellers in the UK effectively using their own profits to contribute a large part of the £12m expected to go to the Children's High Level Group.

Last year's Sotheby's auction has meant Rowling's handwritten versions are valued at £2m.

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