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Punch or the London Charivari, Vol. 158, March 24, 1920. by Various

V >> Various >> Punch or the London Charivari, Vol. 158, March 24, 1920.

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PUNCH,

OR THE LONDON CHARIVARI.

VOL. 158.



March 24, 1920.






CHARIVARIA.

"Nobody knows," says a Berlin message, "how near the KAPP
counter-revolution came to being a success." A kind word from
Commander KENWORTHY, it is believed, would have made all the
difference.

***

It is reported that Miss ISOBEL ELSOM, the cinema star, tried to get
knocked down by a taxi-cab for the purposes of a film, but failed. We
can only suppose that the driver must have been new to his job.

***

A vicar has written to the Press complaining indignantly of a London
firm's offer to supply sermons at five shillings each. We are not
surprised. Five shillings is a lot of money to give for a sermon.

***

The Llangollen Golf Club has decided to allow Sunday golf. In
extenuation it is pointed out that the Welsh for "stymied" does not
constitute a breach of the Sabbath, as is the case with the Scots
equivalent.

***

At Caterham a robin has built its nest in a bully beef tin. These are
the little things that give the Disposals Board a bad name.

***

A North of Ireland man who has just died at the age of 107 boasted
that he had never had a bath. This should silence the faddists who
pretend that they can hardly wait till Saturday night.

***

The ruins of Whitby Abbey, it is announced, are to be presented by
their owner to the nation. On the other hand, the report that Mr.
LLOYD GEORGE intends to present the ruins of the Liberal Party to
Manchester City is not confirmed.

***

The latest information is that the recent German revolution had to be
abandoned owing to the weather.

***

From a weekly paper article we gather that the trousers-crease will be
in its accustomed frontal position this year. It is unfortunate that
this announcement should have clashed with the attempted restoration
of the Monarchy in Berlin.

***

Hot Cross Buns will probably cost threepence this year. An economical
plan is for the householder to make his own hot cross and then get the
local confectioner to fit a bun to it.

***

"There will be no whisky in Scotland in the year 1925," says a
Prohibitionist speaker. He did not say whether there will be any
Scotsmen.

***

No arrangement has yet been made for the carrying on of the Food
Ministry, though it is said that one food profiteer has offered to buy
the place as a memento.

***

"All the great men are dead," states a London newspaper. This sly dig
at Mr. CHURCHILL'S robust health is surely in bad taste.

***

We are glad to hear that the strap-hanger who was summoned by a
fellow-passenger on the Underground Railway for refusing to remove his
foot from off the plaintiff's toes has now been acquitted by the jury.
It appears that he was able to prove that he was not in a position to
do so as his was not the top foot of the heap.

***

According to a trade journal the latest fashion in umbrellas is a
pigeon's head carved on the handle. This, we understand, is the first
step towards a really reliable homing umbrella.

***

The appearance of a hen blackbird without any trace of feathers on its
neck or back is reported by a Worcester ornithologist. The attempt
on the part of this bird to follow our present fashions is most
interesting.

***

So much difficulty is being experienced in deciding whose incendiary
bullet was the most effective, that it is thought possible that the
Government may arrange for the Zeppelin raids to be revived.

***

A society paper reports that a large number of millionaires are now
staying on the Riviera. It is not known where the other shareholders
of COATS'S are staying.

***

In order to influence the exchange a contemporary suggests that we
should sell our treasures to America. We understand that a cable to
New York asking what they are prepared to pay for Mr. RAMSAY MACDONALD
remains unanswered.

***

An egg weighing nine-and-a-half ounces has been laid at Bayonne,
France. It looks like a walk-over unless _The Spectator_ has something
up its sleeve.

***

"One hears the crying of the new-born lambs on all sides," writes a
Nature correspondent. On the other hand the unmistakable bubbling note
of the mint-sauce will not be heard for another month or so.

***

Will the A.S.C. private who in 1917 was ordered to take a mule to
Sutton Coldfield please note that the animal has been sighted in
California still chewing an army tunic, but the badges are missing?

***

"So many letters are being lost in the post nowadays," states a
daily paper, "that drastic action should be taken in the matter." We
understand that the POSTMASTER-GENERAL has expressed his willingness
to be searched.

* * * * *

[Illustration: _Hygienist_. "FEELING THE COLD, EH? AHA--LOOK AT ME. I
DON'T KNOW WHAT COLD IS."

_Normal Individual_. "THEN N-NATURALLY YOU D-DON'T FEEL IT."]

* * * * *

A VULNERABLE SPOT.

"Lady, a word--but oh, beware!
And prithee do not slight it--
If you will have your back so bare,
Someone is sure to bite it."

* * * * *

"An official of the Coal Controller's Department said that
everything possible would be done to relieve the situation.

'No stone will be left unturned,' he said, 'to ease the
position.'"--_Daily Paper_.

This accounts, no doubt, for the stuff in our last half-hundredweight.

* * * * *

A JUNKER INTERLUDE.

Once more the Militant Mode recurs
With clank of sabre and clink of spurs;
Once more the long grey cloaks adorn
The bellicose backs of the high-well-born;
Once more to the click of martial boots
Junkers exchange their grave salutes,
Taking the pavement, large with side,
Shoulders padded and elbows wide;
And if a civilian dares to mutter
They boost him off and he bites the gutter.

Down by the Brandenburger Thor
Kitchens are worked by cooks of war;
Loyal moustaches cease to sag,
Leaping for joy of the old war-flag;
Drums are beating and bugles blare
And passionate bandsmen rip the air;
Prussia's original ardour rallies
At the sound of _Deutschland ueber alles_,
And warriors slap their fighting pants
To the tune _Heil dir im Siegeskranz_.

Life, in a word, recalls the phase
Of the glorious Hohenzollern days.
What if a War's meanwhile occurred
And talk of a humbling Peace been heard?
Treaties are meant to be torn in two
And wars are made to be fought anew.
_Hoch_! for the _Tag_, by land and main,
When the Monarchy comes to its own again.

Surely tho wind of it, faint but sweet,
The Old Man sniffed in his Dutch retreat;
Surely it gave his pulse a jog
As he went for his thirteen thousandth log,
Possibly causing the axe to jam
When he thought of his derelict Potsdam,
Of his orb mislaid and his head's deflation,
And visions arose of a Restoration.
(If not for himself, it might be done
For LITTLE WILLIE or WILLIE'S son).

Alas for the chances of child or sire!
The _coup_ went phut, for the KAPP missed fire.

O.S.

* * * * *

A FLAT TO LET.

It was twelve o'clock (noon) and I was sitting over the fire in our
squalid lodgings reading the attractive advertisements of country
mansions in a weekly journal. I had just decided on a delightful Tudor
manor-house with every modern convenience, a nice little park and
excellent fishing and shooting, when Betty burst upon me like a
whirlwind.

Her face was flushed and a fierce light shone in her usually mild
blue eyes. She looked like a Maenad or the incarnation of Victory at a
bargain sale.

"Come on," she gasped, seizing me by the arm. "Hurry."

"Good heavens! Is the house on fire? My child! Let me save my child."

"Oh, do come on," cried Betty; "there's not a moment to be lost."

"But how can I come on in slippers?" I demanded. "If I may not save
the young Henry Augustus, at any rate let me put on my boots."

Betty's only reply was to drag me from the room, hustle me through the
hall, where I dexterously caught my hat from the stand in passing, and
thrust me into the street.

"I've got a flat," she panted. "That is, I've got it if we're quick
enough. Hi, taxi!"

"But, my dear," I remonstrated as the taxi-driver, cowed by the look
in her eye, drew up to the kerb, "if we take a taxi we shan't have
anything left to pay for the flat."

"Victory Mansions, Trebarwith Road. Drive fast!" shouted Betty as she
pushed me into the cab.

"Now you've done it," I said bitterly. "Do you know I've only five
pounds ten on me at the moment? We shall lose the flat while we're
quarrelling with the driver."

"Oh, dear," cried Betty, "can't you see that this is serious? It was a
wonderful piece of luck. I was passing the mansions and I happened to
look up just as someone was sticking up a notice, 'Flat to Let,' in
one of the windows. There was a beast of a man on the other side of
the street and he simply leapt across the road. I slipped, or I should
have beaten him. As it was he got to the door a yard ahead of me. We
looked over the flat together, but of course he was first, and he
said he was sure it would suit him, only he must ask his wife. It was
awful! I felt as if I must kill him."

"So you followed him out and pushed him down the lift-shaft? My dear
brave girl!"

"No, but I heard him say he could be back in half-an-hour. I knew I
could do it in twenty-five minutes. Look!" Betty crushed my hand as in
a vice. "There he is."

As we took a corner on two wheels I looked out and saw a man running.
"Taxi!" he shouted in the hoarse voice of despair. Our driver sat like
a graven image and we swept on in triumph.

"Oh!" cried Betty suddenly, "suppose that, after all, somebody
else----" She choked on a sob.

"Courage, dear heart," I said. "All is not yet lost."

A moment later we had reached Victory Mansions and made a dash for the
flat.

"Are we in time?" asked Betty as the door was opened.

"I think so, Ma'am," said the smiling maid and ushered us into the
presence of the out-going tenant. A tour of the rooms at express speed
showed the flat to be a desirable one enough. There were three years
to run and the rent was not extortionate--for the times.

"I'll sign the agreement now," said I.

"Half-a-minute," said the out-going tenant as he produced the
documents; "I'll get a pen and ink."

The whirr of an electric bell resounded through the flat.

"Quick!" panted Betty. "Your fountain pen." I produced it and wrote my
name with a hand trembling with eagerness.

"A gentleman about the flat, Sir," said the maid, and, haggard, pale
and exhausted, our defeated rival staggered into the room.

He looked at us with a dumb agony in his eyes, and neither of us two
men had the courage to deal the fatal blow. It was Betty who spoke.

"I'm sorry, but we've just taken this flat," she said sweetly, and
added with true feminine cruelty, "I saw it first, you know."

The stranger lost control and crashed badly on the hearth-rug.

"Poor man," said Betty to the late tenant. "Be kind to him for our
sakes." Then she led the way to our cab.

"Hotel Splendid!" I said magnificently to the driver.

"Wot," he growled, "not in them slippers?"

"True," I said, with what dignity I could muster, and gave him the
address of our lodgings.

"None the less," I said to Betty, "you shall lunch among the
profiteers. This is a great day, and it is yours."

* * * * *

THE INTER-UNIVERSITY SPORTS.

Great interest is being taken in the plucky attempt of Cambridge
to beat America, Africa and Europe (with Oxford).

* * * * *

[Illustration: WHAT'S IN A NAME?

MATE. "WHILE WE _ARE_ DOIN' HER UP, WHAT ABOUT GIVIN' HER A NEW NAME?
HOW WOULD 'FUSION' DO?"

CAPTAIN. "'FUSION' OR 'CONFUSION'--IT'S ALL ONE TO ME SO LONG AS I'M
SKIPPER."]

* * * * *

[Illustration: _First Juvenile Spectator (as the Oxford crew go out
to practice)_. "THERE Y'ARE, 'ERR--WOT DID I TELL YER? THEY '_AVE_ GOT
ONLY ONE OAR EACH!"

_Second ditto_. "YOU WAIT TILL THE DAY OF THE RACE!"]

* * * * *

THE LAST OF THE WATCH DOGS.

MY DEAR CHARLES,--In all the stirring history of the War I don't know
which has been the most moving sight: the War Office trying to get me
to be a soldier, or the War Oflice trying to get me to stop being a
soldier.

Before the late Summer of 1914, England had evinced no burning
interest in its Henry. It had, in fact, left me to make my own way,
contenting itself with cautioning me if I didn't stick to the right
side of the road, or to fining me if I exceeded the speed limit. In
August of that memorable year it got, you will remember, mixed up
in rather a nasty bother. Searching for friends to get it out, it
bethought itself of Henry, along with 499,999 others whose names for
the moment I do not recall. Between us (with subsequent assistance) we
set things to rights, and nothing remained for Old England save to rid
itself gracefully of what remained of its few millions of new-found
friends. There was, however, no shaking off its bosom pal, Henry. I
am one of those loyal characters whose affection, once gained, nothing
can undo. No use saying to me: "Well, old man, it's getting late now;
you must come and see us again some other day." I am one of the sort
who answer: "Don't you worry yourself about that. I'm going to stay
and go on seeing you now."

In the early days of demobilisation there was, I think, a certain
novelty and attraction about my attitude to the problem. In contrast
to the impatient hordes crowding the entrance of the War Office,
ringing the front-door bell violently, tapping on the window-panes
and generally disturbing that serene atmosphere of peace which was the
great feature of the War in Whitehall, it was refreshing to think
of Henry, plugging quietly away elsewhere at his military duties,
undeterred by armistices, peaces and things of that kind. I fancy I
was well thought of in those days at the War House.

"Say what you like about him," I can hear A.G.4 remarking to M.S.19
(decimal 9 recurring) as they met in the corridor on their way to
lunch, "but I find him a patient, well-behaved young fellow."

"Yes," would be the thoughtful answer, "it seems almost a pity we are
going to lose him."

Speaking strictly between ourselves, I have never thought much of the
Military Secretary branch. What made them think they were going to
lose me as easily as all that?

What I said to myself was: "Henry, my lad, thirteen shillings and
elevenpence a day is thirteen shillings and elevenpence a day; now
isn't it? And war isn't war when there is a peace coming on. Why then
throw up a fat income just for the sake of getting into long trousers?
You stay where you are till they come and fetch you."

So I just stayed where I was, and I conducted the operation with such
ability and tact that Whitehall came to forget all about me. My name
went on appearing, with ever-increasing dignity and beauty, in the
Army List; but that made no difference. You see, though lots of people
write the Army List, no one ever reads it; only from time to time
a man will surreptitiously turn up his own name, just to renew his
feeling of self-importance, or in an emergency he will look up the
name of a friend in order to get the right initials after it and not
risk giving that personal offence which may prevent the loan....

But when I say that I stayed where I was I don't mean to suggest that
I didn't go on leave in the usual way. Indeed I often came home, in
full regimentals, too, partly to impress you and partly to travel
first-class at your expense. Fellow-passengers never thought of
turning on me and rending me, as being the cause of
six-shillings-in-the-pound. They would be extremely polite and make
friendly conversation with me, leading up to the point that they had
been soldiers themselves once, but had given it up, owing to having
been told that the War was finished.

I would be just as polite to them, telling them they might count on
me to return to the discomforts and risks of civil life as soon as I
could be spared from the front. They had never the intelligence, or
daring to ask, "The front of what?"

Now the climax has arrived; I am asked if they must throw me out or
will I go quietly? I fancy I have been caught by one of those
card-indexes. I suspect some Departmental General of showing off to a
friend. "This is my IN basket," I can hear him explaining as he shows
his audience his office; "every letter which comes in goes into the
IN. That is my OUT basket, and every letter which goes out goes out of
the OUT.

"And then, Sir, we have the Card Index. A complete record of every
officer in the Army, permanent or temporary."

"Are there still temporary officers in the Army?" asks the audience,
not being able to think of anything better to ask, and clearly being
called upon to ask something.

"Sergeant-Major, turn up 'Officers, army, temporary, the, in,' for
this gentleman."

And thus the shameful truth comes out. One card only--mine.

Exit audience wondering what manner of intrepid man this Henry might
be.

Originally the W.O. had had a great idea; they caused my regiment
softly and silently to vanish away, thinking that I would vanish with
it. But I had been too sharp for them. Learning that they were bent
on "disembodying" me, and not liking the sound of the word, I had very
quietly removed myself from my regiment to the Staff. Thus for a few
happy months we see the W.O. rendered inert.

My final defeat was due to a chance remark of my own, made to one of
the fifty-nine officers under whose direct command I served. Upon
my first arriving on his Staff he had said to me, "Oh, by the way,
P.S.C., of course?" Quite affable, frank and to the point; "P.S.C., of
course?"

Not knowing the language, I could not make an equally affable answer.
I asked him to repeat the question, but to change the code.

"You have Passed Staff College, of course?" he said a little less
affably.

I then had the misfortune to answer: "Why, of course, if you mean that
tall building on the right as I came up here from the station?"

He then made up his mind that I was not only wanting in essential
parts, but was also the sort of person who jested on religious
subjects. He never forgot the matter; indeed, when applied to (under
"Secret and Confidential" cover) to suggest a means of getting rid of
me, he very clearly remembered it. At once every department in the War
House got busy; the interest of the Secretary of State was enlisted,
and the War Cabinet decided that for permanent purposes my post
must necessarily be held by a P.S.C. man. Done in by what was little
better, when you come to think of it, than a mere postscript.

Please understand that there was no talk of discharging me; no talk
of demobilising me; no talk even of disembodying me. Without any
reflection on my conduct and merely upon the grounds that, not being
P.S.C., I could not be regarded as quite right in the head, they
intimated their intention of vacating my appointment by the simple
process of an advertisement in the fashionable columns of _The London
Gazette_.

"What happens next?" I asked.

"You will return to regimental duty," they said.

"But there isn't any regiment," I pointed out triumphantly, "therefore
there won't be any duty."

They didn't seem to mind that, and for some time I wondered why. Then
a thought occurred to me.

"But here, I say, what about my pay?"

"Ah!" said they unhelpfully....

And that, my dear Charles, is why, if you keep your eye on the
journals of (say) the Summer of 1925, you will read in the Stop-press
Column an urgent telegram from the W.O.: "On April 1st, 1920, the
following relinquishes his appointment

(Remaining, however,
Yours always), HENRY."

* * * * *

ANOTHER IMPENDING APOLOGY.

"MOTHERS' UNION.-- ... A helpful discussion followed on 'How
to Deal with Unworthy Members.' There were about 50
present."--_Parish Magazine_.

* * * * *

[Illustration: _Old Lady_. "WILL YOU PLEASE PUT ME DOWN AT THE SAME
PLACE AS YOU DID LAST FRIDAY WEEK?"]

* * * * *

THE PRACTICE OF THE CREWS.

(_Ballad after C.S.C._)

The reporter aired his aquatic lore
(_Popply water in Corney Reach_,)
A thing he had yearly essayed before;
And a rowing jargon obscured his speech.

The coach he coached with a megaphone
(_Crabtree, Craven and Chiswick Eyot_)
Till the crew were prone to emit a groan,
And the Cox said nothing but "Bow, you're late."

The Stroke he quickened to thirty-four
(_In the first half-minute struck seventeen_)
Some clocks returned it a trifle more,
Which wasn't so good as it might have been.

The towpath critic he shook his head
(_Thornycroft's, where they began to row_):
"Hung over the stretcher" was what he said,
And "missed the beginning," and "hands too slow."

The towpath critic, whoe'er he be
(_A tug and some barges blocked the way_),
For thirty odd years, it seems to me,
Has never found anything else to say.

The towpath critic's remarks are trite
(_Off Ayling's Yard in a stiffish breeze_),
Yet I study religiously morn and night
Whole columns consisting of words like these.

* * * * *

[Illustration: MANNERS AND MODES.

THE COMPANY-PROMOTER'S PROBLEM--HOW TO UTILISE THE BOOM IN SPRING.]

* * * * *

THE GENIUS OF MR. BRADSHAW.

(_By our Literary Expert._)

No one will be surprised to hear that the Christian name of Mr.
BRADSHAW was George. Indeed, it is difficult to think what other name
a man of his calibre could have had. But many people will be surprised
to hear that Mr. BRADSHAW is no longer alive. Whatever one thinks
of his work one is inclined to think of him as a living personality,
working laboriously at some terminus--probably at the Charing Cross
Hotel. But it is not so. He died, in fact, in 1853. His first book--or
rather the first edition of his book[1] was published in 1839; yet,
unlike the author, it still lives. He is, in fact, the supreme example
of the posthumous serial writer. I have no information about Mr.
DEBRETT and Mr. BURKE, but the style and substance of their work are
relatively so flimsy that one is justified, I think, in neglecting
them. In any case their public is a limited one. So, of course, is Mr.
BRADSHAW'S; but it is better than theirs. Mr. DEBRETT'S book we read
idly in an idle hour; when we read Mr. BRADSHAW'S it is because we
feel that we simply must; and that perhaps is the surest test of
genius.

It is no wonder that in some circles Mr. BRADSHAW holds a position
comparable only to the position of HOMER. I once knew an elderly
clergyman who knew the whole of Mr. BRADSHAW'S book by heart. He could
tell you without hesitation the time of any train from anywhere to
anywhere else. He looked forward each month to the new number, as
other people look forward to the new numbers of magazines. When it
came he skimmed eagerly through its pages and noted with a fierce
excitement that they had taken off the 5.30 from Larne Harbour, or
that the 7.30 from Galashiels was stopping that month at Shankend. He
knew all the connections; he knew all the restaurant trains; and, if
you mentioned the 6.15 to Little Buxton, he could tell you offhand
whether it was a Saturdays Only or a Saturdays Excepted.

This is the exact truth, and I gathered that he was not unique. It
seems that there is a Bradshaw cult; there may even be a Bradshaw
club, where they meet at intervals for Bradshaw dinners, after which
a paper is read on "Changes I have made, with some Observations on
Salisbury." I suppose some of them have first editions, and talk about
them very proudly; and they have hot academic discussions on the best
way to get from Barnham Junction to Cardiff without going through
Bristol. Then they drink the toast of "The Master" and go home in
omnibuses. My friend was a schoolmaster and took a small class of boys
in Bradshaw; he said they knew as much about it as he did. I call that
corrupting the young.

But apart from this little band of admirers I am afraid that the book
does suffer from neglect. Who is there, for example, who has read
the "Directions" on page 1, where we are actually shown the method
of reading tentatively suggested by the author himself? The ordinary
reader, coming across a certain kind of thin line, lightly dismisses
it as a misprint or a restaurant car on Fridays. If he had read the
Preface he would know that it meant a SHUNT. He would know that a
SHUNT means that passengers are enabled to continue their journey by
changing into the next train. Whether he would know what that means I
do not know. The best authorities suppose it to be a poetical way of
saying that you have to change--what is called an euphemism.

Pages:
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Copyright (c) 2007. bestextbooks.com. All rights reserved.

Booker prize shortlist drops early frontrunners
Latest news and features from guardian.co.uk, the world's leading liberal voice

Extract: The Whales by Evie Wyld

Christos Tsiolkas and David Mitchell, both much-tipped when they appeared on the award longlist, have been overlooked in the six finalists

Listen to Claire Armitstead and Sarah Crown discuss the Booker shortlist on a special edition of the Guardian Books Podcast

It headed the most controversial Man Booker prize longlist in years, but Christos Tsiolkas's The Slap has failed to make the final cut for the literary award, as has David Mitchell's much-tipped fifth novel, The Thousand Autumns of Jacob de Zoet.

Judges overlooked Australian novelist Tsiolkas's tale of the consequences when a child is slapped at a suburban barbecue – which is either "unbelievably misogynistic" or "riveting from beginning to end", depending on who's asked – and Mitchell, twice shortlisted for the prize in the past, to select a shortlist which ranges from two-time former winner Peter Carey's Parrot and Olivier in America to Emma Donoghue. The Irish writer has also stirred up debate with her Josel Fritzl-inspired Room, the story of a boy and his mother imprisoned in a tiny room for years.

Orange prize winner Andrea Levy's The Long Song, about the last years of slavery in Jamaica; Howard Jacobson's The Finkler Question, a cerebral comedy about grief and Anglo-Jewishness; experimental novelist Tom McCarthy's C, which tells the story of Serge Carrefax, a first world war radio operator who escapes from a German prison camp; and South African writer Damon Galgut's tale of a young man travelling through Greece, India and Africa, In a Strange Room, complete the six-strong shortlist for the £50,000 prize, announced this morning.

"It's been a great privilege and an exciting challenge for us to reduce our longlist of 13 to this shortlist of six outstandingly good novels," said chair of judges Andrew Motion, the former poet laureate. "In doing so, we feel sure we've chosen books which demonstrate a rich variety of styles and themes – while in every case providing deep individual pleasures."

The panel of judges had previously read 138 books to select the 13 titles for their longlist, with Martin Amis's new novel The Pregnant Widow and Ian McEwan's venture into comic fiction Solar both overlooked and Carey the only previous Booker winner on the longlist.

His inclusion on the shortlist today for Parrot and Olivier in America, a reimagining of Democracy in America author Alexis de Tocqueville's visit to the New World, gives him the chance of becoming the first ever writer to win the Booker three times, having previously taken it in 1988 for Oscar and Lucinda and 2001 for True History of the Kelly Gang.

"The omission of both David Mitchell and Christos Tsiolkas from the shortlist is a real shock. While both writers might rightly feel aggrieved at being overlooked, I imagine it took some wrangling amongst the judges to reduce one of the best longlists in years to six," said Jonathan Ruppin at independent book chain Foyles, who, while praising all six books for their "lightness of touch which means the reader doesn't get bogged down in something worthy or dull", predicted that Room was the most likely title to go on to win the award.

Waterstone's tipped C to take the prize, with fiction buying manager Simon Burke calling it "a challenging yet dazzling novel". "The news that David Mitchell has not made the shortlist will cause great wailing and gnashing of teeth across the bookworld, but perhaps is a useful reminder of the independence and unpredictability of the Booker," he said. "But this is still a hugely varied and exciting list, worthy of the Booker brand. Carey and Levy have to be strong contenders, but our money is on Tom McCarthy. The more people that read [C] the better."

The bookies agreed, with William Hill immediately installing McCarthy as 2/1 favourite to win the prize. "There has been a considerable media buzz around all of the books on the shortlist, and literary punters have staked more money in total on Tom McCarthy to win than any of the other authors, so he is a worthy favourite," said spokesman Graham Sharpe. Donoghue and Galgut came in second at the bookmaker, both at 3/1, with one customer so sure that In A Strange Room would win that they placed £400 on Galgut at 7/1, the largest single bet on the prize "for a few years", said Sharpe.

Carey came in fourth, at 5/1, with Levy at 7/1 and Jacobson the 8/1 outside to take the prize.

The opinion-splitting novels picked for this year's longlist have helped make it the most popular since 2001, with Tsiolkas's novel selling the most copies, followed by Donoghue's. The winner, who will join a roster of former winners including Margaret Atwood, Roddy Doyle and JM Coetzee, will be announced on 12 October. Last year's winner Wolf Hall by Hilary Mantel is the fastest-selling Booker winner ever, with sales of around half-a-million copies to date.

The Man Booker shortlist in full:

Peter Carey's Parrot and Olivier in America

Emma Donoghue's Room

Damon Galgut's In a Strange Room

Howard Jacobson's The Finkler Question

Andrea Levy's The Long Song

Tom McCarthy's C

To buy all six Booker shortlisted titles for only £65 (save £37.94) with free UK p&p visit the Guardian Bookshop or call 0330 333 6846.


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The Marxist Miliband

Evie Wyld, whose debut novel After the Fire, a Still Small Voice won the 2009 John Llewellyn Rhys prize, has written a short story, The Whales, exclusively for Booktrust, where she is currently writer-in-residence. Here we join Jimmy, Elaine, Terry and Yvonne, deep in the bush after five days of walking. The conclusion will appear on the Booktrust website tomorrow

There are four of them footslogging single file along the trail. They sweat and wave their sticks at the flies, spitting the salt off their lips and feeling the rub of their backpacks, hot on their shoulders. A storm bird knows about them from miles off and lets out a wop-wop-wop, getting higher and louder as it goes. Jimmy watches Elaine look up at the gum-treed sky. He follows her gaze. No, he thinks. The bird is wrong; overhead is blue without a wash of cloud.

The crack of dry bark, the whistle of whip birds and sometimes a thundering in the undergrowth – a wombat, a pademelon – it all makes Jimmy feel younger. He can feel the muscles in his thighs working, can feel them thank him for not being stood at the assembly line six hours a day.

Five days of walking and now they are deep in the bush. In another day, they'll turn east, head for the sea, where if they make good time, they'll see the humpbacks heading south towards the Antarctic, their new calves in tow. There'll be a party that night, between the four of them. Terry the young bow-legged one from further down the line with a touch of the idiot about him, Yvonne his frizz-plaited, heavy cousin who runs accounts and her friend Elaine who is nothing to do with the factory and who returns his glances, smiling. Not a bad lot really, especially the girls.

Three days down the coast and they'll arrive home about ready for that soft bed and the meal without char-grit from the campfire, or the dog food pong of tinned meat. It's been good so far. He thinks of what was waiting for him if he hadn't gone bush this week – all those monkey-wrenches wanting to be set. It's been time to move on for a while, he sees that now. Only he'll wait and see what comes of Elaine and the damp hair that ringlets at the back of her neck.

Later in the day he spots a bower bird's chapel. Even this far in, the bird has found a blue toothbrush and bits of turquoise plastic to frame its humpy. He takes a photo, so that the side of Elaine's brown leg slides up the view finder.

'They only collect blue stuff', he says, mainly to Elaine. He feels the roots of his fingers strain as he reigns himself in, his stiff hands reminding him not to overdo it. Steady on.

Chances are, Elaine already knows more than him about bower birds – she told him she's walked the bush for six years, since she left varsity, this last two with Yvonne for company and he only knows from camping out when money gets bad. But he wants to show something to her. Elaine squats next to him and traces an arc with one finger in the dirt, looking at the toothbrush. She is smiling with her eyebrows pulled in.

'It's to impress the female – then she'll come down and he'll do a sexy dance.' As he explains, he wiggles his tail a little in a sexy dance and Elaine smiles wider.

Terry who has been leaning over them to get a look, gyrates around his walking stick. What his mating dance lacks in accuracy it makes up for in energy and the other three look on in silence while he makes the noise of a boombox with his lips pressed together. Jimmy's fingers stretch out towards the ground in embarrassment as he keeps his bad eye – the eye that he thinks of as his secret eye – on Elaine.

'You're a disgustin' specimen, Terry', says the stone-buttocked Yvonne. Terry quickens his hips and points, wiggling himself towards her.

Yvonne stands stiff and still like a wary buffalo. 'Never been the brightest crayon in the box', she says and they all push past him, smiles held down. Jimmy looks back to see him finish in a bunny squat and a flick of his head.

'Yeah!' says Terry loudly, arms raised and both thumbs up to the tops of the trees like they are his audience.

'Yeah' and he finds a cigarette in his back pocket, lights it and considers its glowing end before following on.

There'd been a night of heavy breathing when Elaine and Jimmy faced each other in their swags. They hadn't touched but they'd looked hard in the dark, seeing the glints of each other's tongues, teeth and eyes. There is a luxury in not touching, Jimmy thinks, in not just going with your gut; they don't have all the time in the world but they have this time, which won't end for another few days.

He looks forward to it, imagines the beach in an old film kind of a way. The last night when they will open the wine they've lugged all this way – they'll cool the bottles in a rock pool for a couple of hours, while they see what the beach has for them. He's a beach person at heart, it's where his childhood is at and he can't wait to show off about it. Terry's brought along his spearfishing gear and says he reckons on a good spot up at the point. Jimmy imagines striding into camp, a jewfish slung over one shoulder, a clutch of softly ticking crays hung from their whiskers in his other fist. When the moon's up and the salty wine is drunk, their fingers warm and sticky with sand and cray brains, he'll rub his foot over hers. He'll put his wrists either side of her jaw, so as not to touch her with his prawny fingers and he'll plant a long warm kiss on her mouth, one that shows them both that this is the start of things. He could think about staying on at the factory, him who hasn't stayed in one spot for more than six months at a time since he was 16. Or else, Elaine could come with him, go feral together up the coast. He gets the feeling there's not much holding her to the city anymore. He looks down at himself and he speaks softly to his hands You're orright you bung-eyed bastard. You're an okay sort after all.

Elaine breaks off from the group to take a pee in the scrub. She squats behind a paperbark and laughs. She's been hip deep in croc water, has woken up feeling a huntsman, as big as both of her hands put together, tangling with her feet in her swag. But the idea that the group might hear the sound of her pissing makes it so that she can't go. Eventually, she manages and makes a wet stain on the gum leaves. She pulls her shorts back up and a twig cracks not far up ahead. Shadows rise and fall as something heavy moves away. She catches up with the others at a jog.

Jimmy, that trunk of a man with his duff eye and his bear hands and her pal Yvonne are arguing about a fish. The argument is snapper versus flathead, but in what capacity Elaine is not sure. Terry is unusually quiet for a conversation involving food and he walks a little way from Jimmy and Yvonne.

'Stone lighter?' he asks quietly.

'It was a pee', she says, but her face flushes anyway.

'Right', says Terry and he smiles a weird smile. Elaine accidentally catches his eye.

By five o'clock they reach a small billabong. They strip down to their underwear and jump in like kids, laughing, drowning each other with splashing. Terry tries to duck the girls under, Jimmy dives for yabbies and opens his eyes in the bourbon-coloured water. The white legs of the other three bicycle in the open water. When he comes up for air, he can see that Yvonne is pleased with her breasts and bobs them gently up and down making small waves to the bank.

Jimmy looks a long time at Elaine and she looks back. There is a water level smile between them. He is aware of the ripples that come from his heartbeat and he sees how Elaine's canines creep over her bottom lip. Her hair is dark now, but in the light you can see into it. Where the sun hasn't caught her, her skin is like the damp underside of a leaf.

Elaine thinks she's some wonderful creature. The water holds her in on all sides, she feels good in her skin. The billabong is black from the tea trees that line the bank and when she flicks her legs to the surface she's a pale fish. She pauses before she puts her head under – a brief worry about spluttering and snotting in front of Jimmy, but then she thinks of the beach and the sea to come and she duck dives.

The dark water lifts her hair up and spreads it out, it pushes around her cheeks and taps on her eyelids as she reaches out for the leafy mud of the billabong floor, but even though she goes deep, her hands touch nothing. She kicks up for air and sends a flume of mist from her mouth. She smiles widely at Jimmy who floats on his back like an otter, hands clasped over his chest, dreaming of something.

Frogs and magpies are loud and someone finds a leech and then another and another and there's shrill laughing.

Terry shouts, 'It's eatin' the fuckin' kidneys out of me!' then, 'You girls want me to check under your bras?'

Even though everyone has had a leech before and every person has treated that leech with salt or the tip of a cigarette, quietly, without fear, they all pretend this is the first time they've been bitten and they wallow in the hysteria, enjoying it like gobble-mouthed kids.

Out of the water, damp shirts wrapped around them like towels, Jimmy burns a fat one off Elaine's shoulder. She looks at him sideways and curls a bit of paper bark around her finger.

'Ta', she says, as Jimmy passes her the cigarette which they share puffs from. He looks at her with his good eye. It creases in the corner.

The four of them set up camp a little way from the water hole, away from the leeches. Terry makes a small tepee out of kindling and rings stones around it to stop the fire spreading. Once it's lit they hang over a billy and drink tea while they watch the bats turning circles in the creeping darkness. Yvonne stirs up a thick damper and they bake it in a pan over the fire, to be eaten with a warmed tin of bean stew and rice pudding for afters. The birds are mostly quiet and the cicadas and frogs rev themselves up, as everyone slaps on Rid against the mosquitoes.

'Reckon we'll beat those whales, the way we're moving', Terry says cleaning his bowl with a licked finger.

'Fuckin' A.' Yvonne brings out a flask of bourbon to swill down the pudding with. She takes a long unflinching pull of it before passing it round and beginning a murder story.

'There's this girl went missing not far from Tully – all the kids hitchhike out there…' The dark gets deeper and everyone settles in, enjoying the creep of it. Elaine thinks that there's nothing you can't fix by putting your cheek to the land and feeling it settle. She studies the landscape of Jimmy's face. He is unashamedly enthralled by Yvonne's story. His funny eye looks directly at Elaine but doesn't see her. The lines on his forehead have dirt ground in. He's older than Elaine and she wonders what it is he's been doing all the time he's been alive.

In the silence, after Yvonne's concluding remark 'They only ever found her thumb', Terry farts, a loud one and everyone groans.

'Well, that's put that to bed', he says and they all unroll their swags around the fire and climb in for the night. Jimmy feels the hot weight of Elaine's foot on his and his fingers twitch on their own. Elaine sees Terry's wet eyes, tangerine from the fire and spreads her toes out. She stays awake for as long as possible, making up script after script of how it will go with Jimmy once they reach the sea. She replays the swim at waterhole until she's unsure if she's made parts of it up. She finally falls asleep with her heartbeat high in her chest.

Jimmy wakes long before dawn with a pressure like a stone on his bladder. He swears quietly and rolls out of his swag to ease the ache against a tree. In the undergrowth to his right, something scrabbles. He catches a strong scent and sees a wet snout or eye in the dark. A rumble in the brush and it's gone. Probably a pig or a dingo, but he's glad to get back to the group, where the coals in the fire are still orange. He checks each sleeper. Terry is spread at a diagonal, mouth open, not snoring but making noise. Yvonne sleeps on her front clutching the loose material of her swag, not letting it get away. Elaine is on her side and a brown arm has slithered free. Her hair makes a perfect ring around her ear. As he watches she produces a little noise, a tiny pop from her lips as they're opened with breath. Sleep speaking, thinks Jimmy as he burrows back into his swag, careful not to jog her feet with his, but careful also that they are touching.

The morning is hot and blue from the outset. After tea and a tidy up, they set off, aiming to reach the sea before sunset. Jimmy looks forward to a swim in the bubbling salt, a proper clean down with no bloodsuckers. Terry starts to talk about food almost immediately,

'Lamb chops.' He says confidently to Yvonne. 'That's gotta be the best type of food; lamb chops with the whole grill piece; onions, mushrooms, boiled spuds – no tomatoes though, I'm so over tomatoes.' Yvonne rolls her eyes at him.

'Couldn't give a rat's ring, Terry,' but she hands him a date and a piece of chocolate. Elaine enjoys her feeling of emptiness. Her spit tastes of eucalyptus, she feels new, like the air and blood in her has been filtered out and changed for something better.

After midday, there's a yell from Terry up ahead.

'Get a look at this!' The other three catch up to find him crouching in a small clearing surrounded by stay-a-while and they peer over his shoulder. There's a dead butcher bird on the ground and following the line of Terry's finger into one of the thorny bushes, they see its larder. A small mouse impaled through the neck, stiff and dry, missing parts of its hind quarters, a large Christmas beetle, upside down with the thorn square through the middle and last, still twitching, its legs up and angry, barely impaled through its leaking abdomen, a mouse spider.

'Christssake' whispers Jimmy stepping back.

'How the poor bastard got it up here, I can't figure,' Terry says, pushing the bird with his foot to reveal the green ants starting on its wing. The mouse spider's fangs, black and thick and shiny are up and ready to strike. It waves its legs in the air. Terry picks up a twig to poke it with, but Yvonne knocks it out of his hand.

'Don't be a bum, Terry. I'm not carrying yer fat dead lump out of here if you get bitten. You can count on that.' Jimmy takes a photograph, in which Terry insists on including his own hand, so as get the scale of the thing.

They start to walk on, but Elaine stays behind a beat or two looking at the spider; its fangs reaching for her, legs pointing.

'The sky is falling, the sky is falling!' Yvonne shrieks in a chicken voice as thunder mumbles in the distance. Elaine looks again at the sky, but it's still clear. The thunder is a long way off, but you can smell it in the air, which is heavy and hot. The tips of the trees sway in the sky, but there's no breeze down on the bush floor.

A goanna clings to a Moreton Bay fig above them but nobody sees it.

Jimmy touches the side of Elaine's hand with his little finger and as he does, the leaves to the side of her snaffle and a striped snake comes streaking out of the ground, hitting her on the boot. She barks loudly and kicks trying to get her foot away. The snake's fangs are deeply embedded in the leather of her boot and she shakes her leg hard while around her the others dip and weave and try to help and point their sticks. Jimmy thinks he has control of the situation when he holds Elaine's arm and beats at the snake with his walking stick, accidentally cracking her on the shin. The snake is dislodged, but instead of bolting back into the undergrowth, it turns again and bites Elaine, once, twice, three times and a fourth; calf, back of the knee, thigh, deeply, deeply again on her inner thigh. It's snap-quick and Jimmy doesn't have time to understand and still has Elaine by the arm so she doesn't get away. Finally, Terry gets it – a blow to the eye – and it's stunned. He stomps on the head, but it still twitches, so he beats it with his stick, smashing, till it changes colour, loses its stripes. It is still, but the bush crackles and carries on.

Elaine is tight-lipped and white. Yvonne cries softly into her cupped hands, the small beeps of a bird. Terry shoes leaves over the corpse of the snake and Jimmy still holds Elaine's arm, his grip hard from not knowing what to do, from doing the wrong thing. There is blood, Elaine thinks how it looks like she's got her period and then thinks she'd love a piece of liquorice from her backpack. She starts to turn around, to take her pack off, but her legs have lost their hardness and she is sliding back into Jimmy who is stiff and still.

'Jesus H Christ,' whispers Terry. He looks at the snake and away, prodding it rhythmically with his stick. 'Jimmy,' he says. 'Jesus, Jimmy.'

'S'just a nip,' says Elaine.

As she slides to the ground with the help of Jimmy who has become flesh again, Elaine thinks about the liquorice and then about how it was a tiger. A big dose of tiger and she's starting to feel it now, it feels like it bit her in the artery of her groin. The big one. The one where all the blood lives.

Yvonne straightens herself. She helps Elaine's pack off her back and slides it behind her back to prop her up. She pulls out her poncho and arranges it over Elaine's wounded leg, to keep it out of sight and then snaps the men into action.

'Hot water - get a fire on. Get the first aid.' She looks at the two men who are twisting their fingers. 'C'mon s'only a fuckin' snake bite, let's get it sorted and get on with it.' She's right and Jimmy says so. He says, 'Only a snake bite.' Smiling at Elaine, but what they all think, Jimmy, Terry, Yvonne and Elaine is but it's tiger. And we are deep in. Deep.

• To read the conclusion of the story, visit the Booktrust website from Tuesday 7 September.

• Evie Wyld works in the independent Review Bookshop in Peckham. She is taking part in a live-streamed book club Q&A from the shop at 7.30pm on Thursday 9 September. To find out how to submit questions for the event, visit the Booktrust website


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