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The Primrose Ring by Ruth Sawyer

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THE PRIMROSE RING

by

RUTH SAWYER

Illustrated

Harper & Brothers Publishers
New York & London

1915







To

The Little Mother
this book in memory of the
Primrose Ring
she wove for me once on a time




FOREWORD


DEAR PEOPLE,--Whoever you are and wherever you may be when you take up
this book--I beg of you not to feel disturbed because I have let Fancy
and a faery or two slip in between the covers. You will find them
quite harmless and friendly--and very eager to become acquainted.

Furthermore, please do not search about for Saint Margaret's; it does
not exist. I shamelessly confess to the building of it myself, using
my right of authorship to bring a stone from this place, and a cornice
from that, to cap the foundation I discovered long ago--when I was a
child. In a like manner have I furnished its board of trustees. Do
not misjudge them; remember that when one is so careless as to let
Fancy and faeries into a book she is forced to let the stepmothers be
unkind and the giants cruel.

I should like to remind those who may be forgetting that Tir-na-n'Og is
the land of eternal youth and joyousness--the Celtic "Land of Heart's
Desire." It is a country which belongs to us all by right of natural
heritage; but we turned our backs to it and started journeying from it
almost the instant we stepped out of our cradles.

As for the primrose ring--reach across it to Bridget and let her give
you back again the heart of a child which you may have lost somewhere
along the road of Growing-Old-and-Wise.

R. S.

THE PRIMROSE RING


I

CONCERNING FANCY AND SAINT MARGARET'S

Would it ever have happened at all if Trustee Day had not fallen on the
30th of April--which is May Eve, as everybody knows?

This is something you must ask of those wiser than I, for I am only the
story-teller, sitting in the shadow of the market-place, passing on the
tale that comes to my ears. But I can remind you that May Eve is one
of the most bewitched and bewitching times of the whole year--reason
enough to account for any number of strange happenings; and I can point
out to your notice that Margaret MacLean, in charge of Ward C at Saint
Margaret's, found the flower-seller at the corner of the street that
morning with his basket full of primroses. Now primroses are "gentle
flowers," as everybody ought to know--which means that the faeries have
been using them for thousands of years to work magic; and Margaret
MacLean bought the full of her hands that morning.

And this brings us back to Trustee Day at Saint Margaret's--which fell
on the 30th of April--and to the beginning of the story.


Saint Margaret's Free Hospital for Children does not belong to the
city. It was built by a rich man as a memorial to his son, a little
crippled lad who stayed just long enough to leave behind as a legacy
for his father a great crying hunger to minister to all little ailing
and crippled bodies. There are golden tales concerning those first
years of the hospital--tales passed on by word of mouth alone and so
old as to have gathered a bit of the misty glow of illusion that hangs
over all myths and traditions. They made of Saint Margaret's an
arcadian refuge, where the Founder wandered all day and every day like
a patron saint. Tradition endowed him with all the attributes of all
saints belonging to childhood: the protectiveness of Saint Christopher,
the tenderness of Saint Anthony, the loving comradeship of Saint
Valentine, and the joyfulness of Saint Nicholas.

But that was more than fifty years ago; and institutions can change
marvelously in half a century. Time had buried more than the Founder.

The rich still support Saint Margaret's. Society gives bazars and
costumed balls for it annually; great artists give benefit concerts;
bankers, corporation presidents, and heiresses send liberal checks once
a year--and from this last group are chosen the trustees. They have
made of Saint Margaret's the best-appointed hospital in the city. It
is supplied with everything money and power can obtain; leading
surgeons are listed on its staff; its nurses rank at the head. It has
outspanned the greatest dream of the Founder--professionally. And
twelve times a year--at the end of every month--the trustees hold their
day; which means that all through the late afternoon, until the
business meeting at five-thirty, they wander over the building.

Now it is the business of institutional directors to be thorough, and
the trustees of Saint Margaret's, previous to the 30th of April, never
forgot their business. They looked into corners and behind doors to
see what had not been done; they followed the work-trails of every
employee--from old Cassie, the scrub-woman, to the Superintendent
herself; and if one was a wise employee one blazed conspicuously and
often. They gathered in little groups and discussed methods for
conservation and greater efficiency, being as up to date in their
charities as in everything else. Also, they brought guests and showed
them about; for when one was rich and had put one's money into
collections of sick and crippled children instead of old ivories and
first editions, it did not at all mean that one had not retained the
same pride of exhibiting.

There are a few rare natures who make collections for the sheer love of
the objects they collect, and if they can be persuaded to show them off
at all it is always with so much tenderness and sympathy that even the
feelings of a delicately wrought Buddha could not be bruised. But
there were none of these natures numbered among the trustees of Saint
Margaret's. And because it was purely a matter of charity and pride
with them, and because they never had any time left over from being
thorough and business-like to spend on the children themselves, they
never failed to leave a shaft of gloom behind them on Trustee Day. The
contagious ward always escaped by virtue of its own power of
self-defense; but the shaft started at the door of the surgical ward
and went widening along through the medical and the convalescent until
it reached the incurables at an angle of indefinite radiation. There
was a reason for this--as Margaret MacLean put it once in paraphrase:

"Children come and children go, but we stay on for ever."

Trustee Day was an abiding memory only with the incurables; which meant
that twelve times a year--at the end of every month--Ward C cried
itself to sleep.

Spring could not have begun the day better. She is never the
spendthrift that summer is, but once in a while she plunges recklessly
into her treasure-store and scatters it broadcast. On this last day of
April she was prodigal with her sunshine; out countryward she garnished
every field and wood and hollow with her best. Everywhere were flowers
and pungent herby things in such abundance that even the city folk
could sense them afar off.

Little cajoling breezes scuttled around corners and down
thoroughfares, blowing good humor in and bad humor out. Birds of
passage--song-sparrows, tanagers, bluebirds, and orioles--even a pair
of cardinals--stopped wherever they could find a tree or bush from
which to pipe a friendly greeting. Yes, spring certainly could not
have begun the day better; it was as if everything had said to itself,
"We know this is a very special occasion and we must do our share in
making it fine."

So well did everything succeed that Margaret MacLean was up and out of
Saint Margaret's a full half-hour earlier than usual, her heart singing
antiphonally with the birds outside. Coatless, but capped and in her
gray uniform, she jumped the hospital steps, two at a time, and danced
the length of the street.

Now Margaret MacLean was small and slender, and there was nothing
grotesque in the dancing. It had become a natural means of expressing
the abundant life and joyousness she had felt ever since she had been
free of crutches and wheeled chairs; and an impartial stranger, had he
been passing, would have watched her with the same uncritical delight
that he might have bestowed on any wood creature had it suddenly
appeared darting along the pavement. She reached the corner just in
time to bump into the flower-seller, who was turning about like some
old tabby to settle himself and his basket.

"Oh!" she cried in dismay, for the flower-seller was wizened and
unsteady of foot, and she had sent him spinning about in a dizzy
fashion. She put out a steadying hand. "Oh . . . !" This time it was
in ecstasy; she had spied the primroses in the basket just as the
sunshine splashed over the edge of the corner building straight down
upon them. Margaret MacLean dropped to one knee and laid her cheek
against them. "The happy things--you can hear them laugh! I want
all--all I can carry." She looked up quizzically at the flower-seller.
"Now how did you ever happen to think of bringing these--to-day?"

A pair of watery old eyes twinkled, thereby becoming amazingly young in
an instant, and he wagged his head mysteriously while he raised a
significant finger. "Sure, wasn't I knowin', an' could I be afther
bringin' anythin' else? But the rest that passes--or stops--will see
naught but yellow flowers in a basket, I'm thinkin'." And the
flower-seller set to shaking his head sorrowfully.

"Perhaps not. There are the children--"

"Aye, the childher; but the most o' them be's gettin' too terrible
wise."

"I know--I know--but mine aren't. I'm going to take my children back
as many as I can carry." She stretched both hands about a mass of
stems--all they could compass. "See"--she held up a giant bunch--"so
much happiness is worth a great deal. Feel in the pocket of my apron
and you will find--gold for gold. It was the only money I had in my
purse. Keep it all, please." With a nod and a smile she left him,
dancing her way back along the still deserted street.

"'Tis the faeries' own day, afther all," chuckled the flower-seller as
he eyed the tiny gold disk in his palm; then he remembered, and called
after the diminishing figure of the nurse: "Hey, there! Mind what ye
do wi' them blossoms. They be's powerful strong magic." And he
chuckled again.

The hall-boy, shorn of uniform and dignity, was outside, polishing
brasses, when Margaret MacLean reached the hospital door. She stopped
for an interchange of grins and greetings.

"Mornin', Miss Peggie."

"Morning, Patsy."

He was "Patrick" to the rest of Saint Margaret's; no one else seemed to
realize that he was only about one-fifth uniform and the other fifths
were boy--small boy at that.

She eyed his work critically. "That's right--polish them well, Patsy.
They must shine especially bright to-day."

"Why, what's happenin' to-day?"

"Oh--everything, and--nothing at all."

And she passed on through the door with a most mysterious smile,
thereby causing Patsy to mentally comment:

"My, don't she beat all! More'n half the time a feller don't know what
she's kiddin' about; but, gee! don't he like it!"

As it happened the primroses did not get as far as Ward C then.
Margaret MacLean found the door of the board-room ajar, and, glancing
in, looked square into the eyes of the Founder of Saint Margaret's,
where he hung in his great gold frame--silent and questioning.

"If all the tales they tell about you are true, you must wonder what
has happened to Saint Margaret's since you turned it over to a board of
trustees."

She went in and stood close to him, smiling wistfully. "Perhaps you
would like me to leave you the primroses until after the meeting--they
would be sure to cheer you up; and they might--they might--" Laughing,
she went over to the President's desk and put the flowers in the green
Devonshire bowl.

She was sitting in the President's chair, coaxing some of the hoydenish
blossoms into place, when the House Surgeon looked in a moment later.

"Hello! What are you doing? I thought you detested this room." He
spoke in a teasing, big-brother way, while his eyes dwelt pleasurably
on the small gray figure in the President's chair. For, be it said
without partiality or prejudice, Margaret MacLean was beautiful, with a
beauty altogether free from self-appraisement.

"I do--I hate it!" Then she wagged her head and raised a significant
finger in perfect imitation of the flower-seller. "I am dabbling
in--magic. I am starting here a terrible and insidious campaign
against gloom."

The House Surgeon looked amused. "You make me shiver, all right; but I
haven't the smallest guess coming. Would you mind putting it into
scientific American?"

"I'm afraid I couldn't. But I can make a plain statement in
prose--this is Trustee Day."

"Hell!" The House Surgeon walked over to the calendar on the desk to
verify the fact. "Well, what are you going to do about it?"

Margaret MacLean spread her hands over the primroses, indicatively. "I
told you--magic." She wrinkled up her forehead into a worrisome frown.
"Let me see; I counted them, up last night, and I have had two hundred
and twenty-eight Trustee Days in my life. I have tried about
everything else--philosophy, Christianity, optimism, mental sclerosis,
and missionary fever; but never magic. Don't you think it
sounds--hopeful?"

The House Surgeon laughed. "You are the funniest little person I ever
knew. On duty you're as old as Methuselah and as wise as Hippocrates,
but the rest of the time I believe your feet are eternally treading the
nap off antique wishing-carpets. I wonder how many you've worn out.
As for that head of yours, it bobs like a penny balloon among the
clouds looking for--"

"Faeries?" suggested Margaret MacLean.

"That just about hits it. Will you please tell me how you, of all
people, ever evolved these--ideas--out of Saint Margaret's?"

A grim smile tightened the corners of her mouth while she looked across
the room to the portrait that hung opposite the Founder's--the portrait
of the Old Senior Surgeon. "I had to," she said at last. "When a
person is born with absolutely nothing--nothing of the human things a
human baby is entitled to--she has to evolve something to live in; a
sort of sea-urchin affair with spines of make-believe sticking out all
over it to keep prodding away life as it really is. If she didn't the
things she had missed would flatten her out into a flabby pulp--just
skin and feelings."

"And so you make believe that Trustee Day isn't really bad?"

"Oh dear, no! But I keep believing it's going to be much better. Did
you ever think what it could be like--if the trustees would only make
it something more than--a matter of business? Why, it could be as good
as any faery-tale come true, with a dozen god-parents instead of one;
and think of the wonderful things they could do it they tried.
Think--think--and, oh, the fun of it!"

She broke off with a little shivering ache. When the picture became so
alive that it pulled at one's heart-strings, it was time to stop. But
the next moment she was laughing merrily.

"Do you know, when I was a little tad and couldn't sleep at night with
the pain, I used to make believe I was a 'truster' and say over to
myself all the nice, comforting things I wished they would say. It
began to sound so real that one day I answered--just as if some one had
said something pleasant."

"Well?" interrogated the House Surgeon, much amused.

"Well, it was the Oldest Trustee, of course; and she raised those
lorgnettes and reminded me that a good child never spoke unless she was
spoken to. I suppose it will take lots and lots of magic to turn them
into god-parents."

"Look here," and the House Surgeon reached across the desk and took a
firm, big-brother grip of her hands, "faery-tales have to have
stepmothers as well as godmothers--think of it that way. And remember
that those kiddies of yours were never born to ride in pumpkin coaches."

"But I'm not reaching out for faery luxuries for them. I want them to
be children--plain, happy, laughing children--with as normal a heritage
as we can scrape together for them. All it needs is the magic of a
little human understanding. That's the most potent magic in the whole
world. Why, it can do anything!"

A little-girl look came into Margaret MacLean's face. It always did
when she was wanting anything very much or was thinking about something
very intensely. It was the hardest kind of a look to resist. She had
often threshed this subject out with the House Surgeon before; for it
was her theory that when a body's material condition was rather poor
and meager there was all the more reason for scraping together what one
could of a spiritual heritage and living thereby.

"And don't you see," she had urged, at least a score of times,
"if we could only teach all the cripples to let their minds
run--free-limbed--over hilltops and pleasant places, their natures
would never need to warp and wither after the fashion of their poor
bodies. And the time to begin is in childhood, when the mind is
learning to walk alone."

Usually the House Surgeon was easily convinced to the Margaret MacLean
side of any argument; but this time, for reasons of his own, he turned
an unsympathetic and stubborn ear. He was coming to believe very
strongly that all this fanciful optimism was so much laughing-gas, with
only a passing power, and when the effect wore off there would be the
Dickens to pay. He did not want to see Margaret MacLean turn into a
bitter-minded woman of the world--stripped of her trust and her dreams.
He--all of them--had need of her as she was. Her belief in the
ultimate good of things and persons, however, was beyond power of human
achievement; and the surest cure for disappointments was to amputate
all expectations. So the House Surgeon hardened his heart and became
as professionally severe as he knew how to be.

"It's absolutely impossible to expect a group of incurable children in
an institution to be made as normal and happy as other children. It
can't be done. Those kiddies are up against a pretty hard proposition,
I know; but the kindest thing you can do for them is to toughen them
into not feeling--"

The nurse in charge of Ward C wrenched away her hands fiercely.
"You're just like the Senior Surgeon. He thinks the whole dependent
world--the sick and the poor and the incompetent--have no business with
ideas or feelings of their own. He's always saying, 'Train it out of
them; train it out of them; and it will make it easier for institutions
to take care of them.' It's for ever the 'right of the strong' with
him. Unless you are able to take care of yourself you are not entitled
to the ordinary privileges of a human being."

"I'm not at all like the Senior Surgeon. I don't mean that, and you
know it. What I am trying to make you understand is that these kiddies
can't keep you always; some time they will have to learn to do without
you. When that happens it will come tough on them. It would come
tough on anybody; and the square thing for you to do is to stop
being--so all-fired adorable." The House Surgeon flung back his head
and marched out of the board-room, slamming the door.

Behind the slammed door Margaret MacLean eyed the primroses
suspiciously. "I wonder--is your magic working all right to-day?
Please--please don't weave any charms against him, little faery people.
He is the only other grown-up person who has ever understood the least
bit; and I couldn't bear to lose him, too."

For the second time that morning she nestled her cheek against the
blossoms. Then the clock on the hospital tower struck eight. She
jumped with a start. "Time to go on duty." Once again her eyes met
the eyes of the Founder and sparkled witchingly. She raised high the
green Devonshire bowl from the President's desk as for a toast.

"Here's to Saint Margaret's--as you founded her; and the children--as
you meant them to be; and here's to the one who first understood!" She
turned from the Founder to the portrait hanging opposite, and bowed
most worshipfully to the Old Senior Surgeon.




II

IN WHICH MARGARET MACLEAN REVIEWS A MEMORY

As Margaret MacLean climbed the stairs to Ward C--she rarely took the
lift, it was too remindful of the time when she could not climb
stairs--her mind thought back a step for each step she mounted. When
she had reached the top of the first flight she was a child again, back
in one of the little white iron cribs in her own ward; and it was the
day when the first stringent consciousness came to her that she hated
Trustee Day.

The Old Senior Surgeon--the present one, of whom Saint Margaret's felt
inordinately proud, was house surgeon then--had come into Ward C for a
peep at her, and had called out, according to a firmly established
custom, "Hello, Thumbkin! What's the news?"

She had been "Thumbkin" to him ever since the night he had carried her
into the hospital, a tiny mite of a baby; and he had woven out of her
coming a marvelous story--fancy-fashioned. This he had told her at
least twice a week, from the time she was old enough to ask for it,
because it had popped into his head quite suddenly that this morsel of
humanity would some day insist on being accounted for.

The bare facts concerning her were rather shabby ones. She had been
unceremoniously dumped into his arms by a delegate from the Foundling
Asylum, who had found him the most convenient receptacle nearest the
door; and he had been offered the meager information that she belonged
to no one, was wrong somehow, and a hospital was the place for her.

One hardly likes to pass on shabby garments, much less shabby facts, to
cover another's past. So the Old Senior Surgeon had forestalled her
inquisitiveness with a tale adorned with all the pretty imaginings that
he, "a clumsy-minded old gruffian," could conjure up.

Margaret MacLean remembered the story--word for word--as we remember
"The House That Jack Built." It began with the Old Senior Surgeon
himself, who heard a pair of birds disputing in one of the two trees
which sentineled the hospital. They had built a nest therein; it was
bedtime, and they wished to retire, only something prevented. Upon
investigation he discovered the cause--"and there you were, my dear, no
bigger than my thumb!"

This was the nucleus of the story; but the Old Senior Surgeon had
rolled it about, hither and yon, adding adventure after adventure,
until it had assumed gigantic proportions. As she grew older she took
a hand in the adventure-making herself, he supplying the bare plot, she
weaving the threads therefrom into a detailed narrative which she
retold to him later, with a few imaginings of her own added. This is
what had established the custom for the Old Senior Surgeon to take a
peep into Ward C at day's end and call across to her: "Hello, Thumbkin!
What's the news?" or, "What's happened next?" And until this day the
answer had always been a joyous one.

Margaret MacLean, grown, could look back at tiny Margaret MacLean and
see her very clearly as she straightened up in the little iron crib and
answered in a shrill, tense voice: "I'm not Thumbkin. I'm a foundling.
I don't belong to anybody. I never had any father or mother or
nothing, but just a hurt back; they said so. They stood right
there--two of them; and one told the other all about me."

This was the end of the story, and the beginning of Trustee Days for
Margaret MacLean.

She soon made the discovery that she was not the only child in the ward
who felt about it that way. Her discovery was a matter of intuition
rather than knowledge; for--as if by silent consent--the topic was
carefully avoided in the usual ward conversation. One does not make it
a rule to talk about the hobgoblins that lurk in the halls at night, or
the gray, creeping shapes that come out of dark corners and closets
after one has gone to bed, if one is so pitifully unfortunate as to
possess these things in childhood. Instead one just remembers and
waits, shivering. Only to old Cassie, the scrub-woman, who was young
Cassie then, did she confide her fear. From her she received a
charm--compounded of goose eggshells and vinegar--which Cassie claimed
to be what they used in Ireland to unbewitch changelings. She kept the
charm hidden for months under her pillow. It proved comforting,
although absolutely ineffectual.

And for months there had been a strained relationship between the Old
Senior Surgeon and herself, causing them both much embarrassment. She
resented the story he had made for her with all her child soul; he had
cheated her--fooled her. She felt much as we felt toward our parents
when we made our first discovery concerning Santa Claus.

But after a time--a long time--the story came to belong to her again;
she grew to realize that the Old Senior Surgeon had told it
truthfully--only with the unconscious tongue of the poet instead of the
grim realist. She found out as well that it had done a wonderful thing
for her: it had turned life into an adventure--a quest upon which one
was bound to depart, no matter how poorly one's feet might be shod or
how persistently the rain and wind bit at one's marrow through the rags
of a conventional cloak. More than this--it had colored the road ahead
for her, promising pleasant comradeship and good cheer; it would keep
her from ever losing heart or turning back.

Copyright (c) 2007. bestextbooks.com. All rights reserved.

Ellen Glasgow - "One Man in His Time"

Various - "The Atlantic Monthly, Vol. 13, No. 76, February, 1864"

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Ellen Glasgow - "One Man in His Time"

Booker prize shortlist drops early frontrunners
Latest news and features from guardian.co.uk, the world's leading liberal voice

Extract: The Whales by Evie Wyld

Christos Tsiolkas and David Mitchell, both much-tipped when they appeared on the award longlist, have been overlooked in the six finalists

Listen to Claire Armitstead and Sarah Crown discuss the Booker shortlist on a special edition of the Guardian Books Podcast

It headed the most controversial Man Booker prize longlist in years, but Christos Tsiolkas's The Slap has failed to make the final cut for the literary award, as has David Mitchell's much-tipped fifth novel, The Thousand Autumns of Jacob de Zoet.

Judges overlooked Australian novelist Tsiolkas's tale of the consequences when a child is slapped at a suburban barbecue – which is either "unbelievably misogynistic" or "riveting from beginning to end", depending on who's asked – and Mitchell, twice shortlisted for the prize in the past, to select a shortlist which ranges from two-time former winner Peter Carey's Parrot and Olivier in America to Emma Donoghue. The Irish writer has also stirred up debate with her Josel Fritzl-inspired Room, the story of a boy and his mother imprisoned in a tiny room for years.

Orange prize winner Andrea Levy's The Long Song, about the last years of slavery in Jamaica; Howard Jacobson's The Finkler Question, a cerebral comedy about grief and Anglo-Jewishness; experimental novelist Tom McCarthy's C, which tells the story of Serge Carrefax, a first world war radio operator who escapes from a German prison camp; and South African writer Damon Galgut's tale of a young man travelling through Greece, India and Africa, In a Strange Room, complete the six-strong shortlist for the £50,000 prize, announced this morning.

"It's been a great privilege and an exciting challenge for us to reduce our longlist of 13 to this shortlist of six outstandingly good novels," said chair of judges Andrew Motion, the former poet laureate. "In doing so, we feel sure we've chosen books which demonstrate a rich variety of styles and themes – while in every case providing deep individual pleasures."

The panel of judges had previously read 138 books to select the 13 titles for their longlist, with Martin Amis's new novel The Pregnant Widow and Ian McEwan's venture into comic fiction Solar both overlooked and Carey the only previous Booker winner on the longlist.

His inclusion on the shortlist today for Parrot and Olivier in America, a reimagining of Democracy in America author Alexis de Tocqueville's visit to the New World, gives him the chance of becoming the first ever writer to win the Booker three times, having previously taken it in 1988 for Oscar and Lucinda and 2001 for True History of the Kelly Gang.

"The omission of both David Mitchell and Christos Tsiolkas from the shortlist is a real shock. While both writers might rightly feel aggrieved at being overlooked, I imagine it took some wrangling amongst the judges to reduce one of the best longlists in years to six," said Jonathan Ruppin at independent book chain Foyles, who, while praising all six books for their "lightness of touch which means the reader doesn't get bogged down in something worthy or dull", predicted that Room was the most likely title to go on to win the award.

Waterstone's tipped C to take the prize, with fiction buying manager Simon Burke calling it "a challenging yet dazzling novel". "The news that David Mitchell has not made the shortlist will cause great wailing and gnashing of teeth across the bookworld, but perhaps is a useful reminder of the independence and unpredictability of the Booker," he said. "But this is still a hugely varied and exciting list, worthy of the Booker brand. Carey and Levy have to be strong contenders, but our money is on Tom McCarthy. The more people that read [C] the better."

The bookies agreed, with William Hill immediately installing McCarthy as 2/1 favourite to win the prize. "There has been a considerable media buzz around all of the books on the shortlist, and literary punters have staked more money in total on Tom McCarthy to win than any of the other authors, so he is a worthy favourite," said spokesman Graham Sharpe. Donoghue and Galgut came in second at the bookmaker, both at 3/1, with one customer so sure that In A Strange Room would win that they placed £400 on Galgut at 7/1, the largest single bet on the prize "for a few years", said Sharpe.

Carey came in fourth, at 5/1, with Levy at 7/1 and Jacobson the 8/1 outside to take the prize.

The opinion-splitting novels picked for this year's longlist have helped make it the most popular since 2001, with Tsiolkas's novel selling the most copies, followed by Donoghue's. The winner, who will join a roster of former winners including Margaret Atwood, Roddy Doyle and JM Coetzee, will be announced on 12 October. Last year's winner Wolf Hall by Hilary Mantel is the fastest-selling Booker winner ever, with sales of around half-a-million copies to date.

The Man Booker shortlist in full:

Peter Carey's Parrot and Olivier in America

Emma Donoghue's Room

Damon Galgut's In a Strange Room

Howard Jacobson's The Finkler Question

Andrea Levy's The Long Song

Tom McCarthy's C

To buy all six Booker shortlisted titles for only £65 (save £37.94) with free UK p&p visit the Guardian Bookshop or call 0330 333 6846.

The Marxist Miliband

Evie Wyld, whose debut novel After the Fire, a Still Small Voice won the 2009 John Llewellyn Rhys prize, has written a short story, The Whales, exclusively for Booktrust, where she is currently writer-in-residence. Here we join Jimmy, Elaine, Terry and Yvonne, deep in the bush after five days of walking. The conclusion will appear on the Booktrust website tomorrow

There are four of them footslogging single file along the trail. They sweat and wave their sticks at the flies, spitting the salt off their lips and feeling the rub of their backpacks, hot on their shoulders. A storm bird knows about them from miles off and lets out a wop-wop-wop, getting higher and louder as it goes. Jimmy watches Elaine look up at the gum-treed sky. He follows her gaze. No, he thinks. The bird is wrong; overhead is blue without a wash of cloud.

The crack of dry bark, the whistle of whip birds and sometimes a thundering in the undergrowth – a wombat, a pademelon – it all makes Jimmy feel younger. He can feel the muscles in his thighs working, can feel them thank him for not being stood at the assembly line six hours a day.

Five days of walking and now they are deep in the bush. In another day, they'll turn east, head for the sea, where if they make good time, they'll see the humpbacks heading south towards the Antarctic, their new calves in tow. There'll be a party that night, between the four of them. Terry the young bow-legged one from further down the line with a touch of the idiot about him, Yvonne his frizz-plaited, heavy cousin who runs accounts and her friend Elaine who is nothing to do with the factory and who returns his glances, smiling. Not a bad lot really, especially the girls.

Three days down the coast and they'll arrive home about ready for that soft bed and the meal without char-grit from the campfire, or the dog food pong of tinned meat. It's been good so far. He thinks of what was waiting for him if he hadn't gone bush this week – all those monkey-wrenches wanting to be set. It's been time to move on for a while, he sees that now. Only he'll wait and see what comes of Elaine and the damp hair that ringlets at the back of her neck.

Later in the day he spots a bower bird's chapel. Even this far in, the bird has found a blue toothbrush and bits of turquoise plastic to frame its humpy. He takes a photo, so that the side of Elaine's brown leg slides up the view finder.

'They only collect blue stuff', he says, mainly to Elaine. He feels the roots of his fingers strain as he reigns himself in, his stiff hands reminding him not to overdo it. Steady on.

Chances are, Elaine already knows more than him about bower birds – she told him she's walked the bush for six years, since she left varsity, this last two with Yvonne for company and he only knows from camping out when money gets bad. But he wants to show something to her. Elaine squats next to him and traces an arc with one finger in the dirt, looking at the toothbrush. She is smiling with her eyebrows pulled in.

'It's to impress the female – then she'll come down and he'll do a sexy dance.' As he explains, he wiggles his tail a little in a sexy dance and Elaine smiles wider.

Terry who has been leaning over them to get a look, gyrates around his walking stick. What his mating dance lacks in accuracy it makes up for in energy and the other three look on in silence while he makes the noise of a boombox with his lips pressed together. Jimmy's fingers stretch out towards the ground in embarrassment as he keeps his bad eye – the eye that he thinks of as his secret eye – on Elaine.

'You're a disgustin' specimen, Terry', says the stone-buttocked Yvonne. Terry quickens his hips and points, wiggling himself towards her.

Yvonne stands stiff and still like a wary buffalo. 'Never been the brightest crayon in the box', she says and they all push past him, smiles held down. Jimmy looks back to see him finish in a bunny squat and a flick of his head.

'Yeah!' says Terry loudly, arms raised and both thumbs up to the tops of the trees like they are his audience.

'Yeah' and he finds a cigarette in his back pocket, lights it and considers its glowing end before following on.

There'd been a night of heavy breathing when Elaine and Jimmy faced each other in their swags. They hadn't touched but they'd looked hard in the dark, seeing the glints of each other's tongues, teeth and eyes. There is a luxury in not touching, Jimmy thinks, in not just going with your gut; they don't have all the time in the world but they have this time, which won't end for another few days.

He looks forward to it, imagines the beach in an old film kind of a way. The last night when they will open the wine they've lugged all this way – they'll cool the bottles in a rock pool for a couple of hours, while they see what the beach has for them. He's a beach person at heart, it's where his childhood is at and he can't wait to show off about it. Terry's brought along his spearfishing gear and says he reckons on a good spot up at the point. Jimmy imagines striding into camp, a jewfish slung over one shoulder, a clutch of softly ticking crays hung from their whiskers in his other fist. When the moon's up and the salty wine is drunk, their fingers warm and sticky with sand and cray brains, he'll rub his foot over hers. He'll put his wrists either side of her jaw, so as not to touch her with his prawny fingers and he'll plant a long warm kiss on her mouth, one that shows them both that this is the start of things. He could think about staying on at the factory, him who hasn't stayed in one spot for more than six months at a time since he was 16. Or else, Elaine could come with him, go feral together up the coast. He gets the feeling there's not much holding her to the city anymore. He looks down at himself and he speaks softly to his hands You're orright you bung-eyed bastard. You're an okay sort after all.

Elaine breaks off from the group to take a pee in the scrub. She squats behind a paperbark and laughs. She's been hip deep in croc water, has woken up feeling a huntsman, as big as both of her hands put together, tangling with her feet in her swag. But the idea that the group might hear the sound of her pissing makes it so that she can't go. Eventually, she manages and makes a wet stain on the gum leaves. She pulls her shorts back up and a twig cracks not far up ahead. Shadows rise and fall as something heavy moves away. She catches up with the others at a jog.

Jimmy, that trunk of a man with his duff eye and his bear hands and her pal Yvonne are arguing about a fish. The argument is snapper versus flathead, but in what capacity Elaine is not sure. Terry is unusually quiet for a conversation involving food and he walks a little way from Jimmy and Yvonne.

'Stone lighter?' he asks quietly.

'It was a pee', she says, but her face flushes anyway.

'Right', says Terry and he smiles a weird smile. Elaine accidentally catches his eye.

By five o'clock they reach a small billabong. They strip down to their underwear and jump in like kids, laughing, drowning each other with splashing. Terry tries to duck the girls under, Jimmy dives for yabbies and opens his eyes in the bourbon-coloured water. The white legs of the other three bicycle in the open water. When he comes up for air, he can see that Yvonne is pleased with her breasts and bobs them gently up and down making small waves to the bank.

Jimmy looks a long time at Elaine and she looks back. There is a water level smile between them. He is aware of the ripples that come from his heartbeat and he sees how Elaine's canines creep over her bottom lip. Her hair is dark now, but in the light you can see into it. Where the sun hasn't caught her, her skin is like the damp underside of a leaf.

Elaine thinks she's some wonderful creature. The water holds her in on all sides, she feels good in her skin. The billabong is black from the tea trees that line the bank and when she flicks her legs to the surface she's a pale fish. She pauses before she puts her head under – a brief worry about spluttering and snotting in front of Jimmy, but then she thinks of the beach and the sea to come and she duck dives.

The dark water lifts her hair up and spreads it out, it pushes around her cheeks and taps on her eyelids as she reaches out for the leafy mud of the billabong floor, but even though she goes deep, her hands touch nothing. She kicks up for air and sends a flume of mist from her mouth. She smiles widely at Jimmy who floats on his back like an otter, hands clasped over his chest, dreaming of something.

Frogs and magpies are loud and someone finds a leech and then another and another and there's shrill laughing.

Terry shouts, 'It's eatin' the fuckin' kidneys out of me!' then, 'You girls want me to check under your bras?'

Even though everyone has had a leech before and every person has treated that leech with salt or the tip of a cigarette, quietly, without fear, they all pretend this is the first time they've been bitten and they wallow in the hysteria, enjoying it like gobble-mouthed kids.

Out of the water, damp shirts wrapped around them like towels, Jimmy burns a fat one off Elaine's shoulder. She looks at him sideways and curls a bit of paper bark around her finger.

'Ta', she says, as Jimmy passes her the cigarette which they share puffs from. He looks at her with his good eye. It creases in the corner.

The four of them set up camp a little way from the water hole, away from the leeches. Terry makes a small tepee out of kindling and rings stones around it to stop the fire spreading. Once it's lit they hang over a billy and drink tea while they watch the bats turning circles in the creeping darkness. Yvonne stirs up a thick damper and they bake it in a pan over the fire, to be eaten with a warmed tin of bean stew and rice pudding for afters. The birds are mostly quiet and the cicadas and frogs rev themselves up, as everyone slaps on Rid against the mosquitoes.

'Reckon we'll beat those whales, the way we're moving', Terry says cleaning his bowl with a licked finger.

'Fuckin' A.' Yvonne brings out a flask of bourbon to swill down the pudding with. She takes a long unflinching pull of it before passing it round and beginning a murder story.

'There's this girl went missing not far from Tully – all the kids hitchhike out there…' The dark gets deeper and everyone settles in, enjoying the creep of it. Elaine thinks that there's nothing you can't fix by putting your cheek to the land and feeling it settle. She studies the landscape of Jimmy's face. He is unashamedly enthralled by Yvonne's story. His funny eye looks directly at Elaine but doesn't see her. The lines on his forehead have dirt ground in. He's older than Elaine and she wonders what it is he's been doing all the time he's been alive.

In the silence, after Yvonne's concluding remark 'They only ever found her thumb', Terry farts, a loud one and everyone groans.

'Well, that's put that to bed', he says and they all unroll their swags around the fire and climb in for the night. Jimmy feels the hot weight of Elaine's foot on his and his fingers twitch on their own. Elaine sees Terry's wet eyes, tangerine from the fire and spreads her toes out. She stays awake for as long as possible, making up script after script of how it will go with Jimmy once they reach the sea. She replays the swim at waterhole until she's unsure if she's made parts of it up. She finally falls asleep with her heartbeat high in her chest.

Jimmy wakes long before dawn with a pressure like a stone on his bladder. He swears quietly and rolls out of his swag to ease the ache against a tree. In the undergrowth to his right, something scrabbles. He catches a strong scent and sees a wet snout or eye in the dark. A rumble in the brush and it's gone. Probably a pig or a dingo, but he's glad to get back to the group, where the coals in the fire are still orange. He checks each sleeper. Terry is spread at a diagonal, mouth open, not snoring but making noise. Yvonne sleeps on her front clutching the loose material of her swag, not letting it get away. Elaine is on her side and a brown arm has slithered free. Her hair makes a perfect ring around her ear. As he watches she produces a little noise, a tiny pop from her lips as they're opened with breath. Sleep speaking, thinks Jimmy as he burrows back into his swag, careful not to jog her feet with his, but careful also that they are touching.

The morning is hot and blue from the outset. After tea and a tidy up, they set off, aiming to reach the sea before sunset. Jimmy looks forward to a swim in the bubbling salt, a proper clean down with no bloodsuckers. Terry starts to talk about food almost immediately,

'Lamb chops.' He says confidently to Yvonne. 'That's gotta be the best type of food; lamb chops with the whole grill piece; onions, mushrooms, boiled spuds – no tomatoes though, I'm so over tomatoes.' Yvonne rolls her eyes at him.

'Couldn't give a rat's ring, Terry,' but she hands him a date and a piece of chocolate. Elaine enjoys her feeling of emptiness. Her spit tastes of eucalyptus, she feels new, like the air and blood in her has been filtered out and changed for something better.

After midday, there's a yell from Terry up ahead.

'Get a look at this!' The other three catch up to find him crouching in a small clearing surrounded by stay-a-while and they peer over his shoulder. There's a dead butcher bird on the ground and following the line of Terry's finger into one of the thorny bushes, they see its larder. A small mouse impaled through the neck, stiff and dry, missing parts of its hind quarters, a large Christmas beetle, upside down with the thorn square through the middle and last, still twitching, its legs up and angry, barely impaled through its leaking abdomen, a mouse spider.

'Christssake' whispers Jimmy stepping back.

'How the poor bastard got it up here, I can't figure,' Terry says, pushing the bird with his foot to reveal the green ants starting on its wing. The mouse spider's fangs, black and thick and shiny are up and ready to strike. It waves its legs in the air. Terry picks up a twig to poke it with, but Yvonne knocks it out of his hand.

'Don't be a bum, Terry. I'm not carrying yer fat dead lump out of here if you get bitten. You can count on that.' Jimmy takes a photograph, in which Terry insists on including his own hand, so as get the scale of the thing.

They start to walk on, but Elaine stays behind a beat or two looking at the spider; its fangs reaching for her, legs pointing.

'The sky is falling, the sky is falling!' Yvonne shrieks in a chicken voice as thunder mumbles in the distance. Elaine looks again at the sky, but it's still clear. The thunder is a long way off, but you can smell it in the air, which is heavy and hot. The tips of the trees sway in the sky, but there's no breeze down on the bush floor.

A goanna clings to a Moreton Bay fig above them but nobody sees it.

Jimmy touches the side of Elaine's hand with his little finger and as he does, the leaves to the side of her snaffle and a striped snake comes streaking out of the ground, hitting her on the boot. She barks loudly and kicks trying to get her foot away. The snake's fangs are deeply embedded in the leather of her boot and she shakes her leg hard while around her the others dip and weave and try to help and point their sticks. Jimmy thinks he has control of the situation when he holds Elaine's arm and beats at the snake with his walking stick, accidentally cracking her on the shin. The snake is dislodged, but instead of bolting back into the undergrowth, it turns again and bites Elaine, once, twice, three times and a fourth; calf, back of the knee, thigh, deeply, deeply again on her inner thigh. It's snap-quick and Jimmy doesn't have time to understand and still has Elaine by the arm so she doesn't get away. Finally, Terry gets it – a blow to the eye – and it's stunned. He stomps on the head, but it still twitches, so he beats it with his stick, smashing, till it changes colour, loses its stripes. It is still, but the bush crackles and carries on.

Elaine is tight-lipped and white. Yvonne cries softly into her cupped hands, the small beeps of a bird. Terry shoes leaves over the corpse of the snake and Jimmy still holds Elaine's arm, his grip hard from not knowing what to do, from doing the wrong thing. There is blood, Elaine thinks how it looks like she's got her period and then thinks she'd love a piece of liquorice from her backpack. She starts to turn around, to take her pack off, but her legs have lost their hardness and she is sliding back into Jimmy who is stiff and still.

'Jesus H Christ,' whispers Terry. He looks at the snake and away, prodding it rhythmically with his stick. 'Jimmy,' he says. 'Jesus, Jimmy.'

'S'just a nip,' says Elaine.

As she slides to the ground with the help of Jimmy who has become flesh again, Elaine thinks about the liquorice and then about how it was a tiger. A big dose of tiger and she's starting to feel it now, it feels like it bit her in the artery of her groin. The big one. The one where all the blood lives.

Yvonne straightens herself. She helps Elaine's pack off her back and slides it behind her back to prop her up. She pulls out her poncho and arranges it over Elaine's wounded leg, to keep it out of sight and then snaps the men into action.

'Hot water - get a fire on. Get the first aid.' She looks at the two men who are twisting their fingers. 'C'mon s'only a fuckin' snake bite, let's get it sorted and get on with it.' She's right and Jimmy says so. He says, 'Only a snake bite.' Smiling at Elaine, but what they all think, Jimmy, Terry, Yvonne and Elaine is but it's tiger. And we are deep in. Deep.

• To read the conclusion of the story, visit the Booktrust website from Tuesday 7 September.

• Evie Wyld works in the independent Review Bookshop in Peckham. She is taking part in a live-streamed book club Q&A from the shop at 7.30pm on Thursday 9 September. To find out how to submit questions for the event, visit the Booktrust website