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Essays on Wit No. 2 by Richard Flecknoe and Joseph Warton

R >> Richard Flecknoe and Joseph Warton >> Essays on Wit No. 2

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Lucian is the greatest master of Burlesque among the ancients: but the
travels of Gulliver, though indeed evidently copied from his true
history, do as evidently excel it. Lucian sets out with informing his
readers, that he is in jest, and intends to ridicule some of the
incredible stories in Ctesias and Herodotus: this introduction surely
enfeebles his satire, and defeats his purpose. The true history
consists only of the most wild, monstrous, and miraculous persons and
accidents: Gulliver has a concealed meaning, and his dwarfs and giants
convey tacitly some moral or political instruction. The Charon, or the
prospect, (Greek: epischopoyntes) one of the dialogues of Lucian, has
likewise given occasion to that agreeable French Satire, entitled,
"_Le Diable Boiteux_," or "The Lame Devil;" which has highly improved
on its original by a greater variety of characters and descriptions,
lively remarks, and interesting adventures. So if a parallel be drawn
between Lucian and Cervantes, the ancient will still appear to
disadvantage: the burlesque of Lucian principally consists in making
his gods and philosophers speak and act like the meanest of the
people; that of Cervantes arises from the solemn and important air
with which the most idle and ridiculous actions are related; and is,
therefore, much more striking and forcible. In a word, Don Quixote,
and its copy Hudibras, the Splendid Shilling, the Adventures of Gil
Blas, the Tale of a Tub, and the Rehearsal, are pieces of humour which
antiquity cannot equal, much less excel.

Theophrastus must yield to La Bruyere for his intimate knowledge of
human nature; and the Athenians never produced a writer whose humour
was so exquisite as that of Addison, or who delineated and supported a
character with so much nature and true pleasantry, as that of Sir
Roger de Coverly. It ought, indeed, to be remembered, that every
species of wit written in distant times and in dead languages, appears
with many disadvantages to present readers, from their ignorance of
the manners and customs alluded to and exposed; but the grosness, the
rudeness, and indelicacy of the ancients, will, notwithstanding,
sufficiently appear, even from the sentiments of such critics as
Cicero and Quintilian, who mention corporal defects and deformities as
proper objects of raillery.

If it be now asked to what can we ascribe this superiority of the
moderns in all the species of ridicule? I answer, to the improved
state of conversation. The great geniuses of Greece and Rome were
formed during the times of a republican government: and though it be
certain, as Longinus asserts, that democracies are the nurseries of
true sublimity; yet monarchies and courts are more productive of
politeness. The arts of civility, and the decencies of conversation,
as they unite men more closely, and bring them more frequently
together, multiply opportunities of observing those incongruities and
absurdities of behaviour, on which ridicule is founded. The ancients
had more liberty and seriousness; the moderns have more luxury and
laughter.

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[Illustration: Title page]

THE _Gentleman's Magazine_. OR, MONTHLY INTELLIGENCER,

For the YEAR 1732.

CONTAINING

I. An impartial _VIEW_ of the various _Weekly_ ESSAYS, _Controversial,
Humorous_, and _Satirical; Religious, Moral,_ and _Political_.

II. Debates in PARLIAMENT.

III. Select Pieces of _POETRY_.

IV. A succinct Account of the most _remarkable Transactions_ and
_Occurrences_, Domestick and Foreign.

V. _Births, Marriages, Deaths, Promotions._

VI. The Prices of Goods and Stocks; Bill of Mortality; Bankrupts
declared, &_c_.

VII. A Register of Books and Pamphlets published.

WITH A TABLE of CONTENTS to each Month. ALSO ALPHABETICAL INDEXES of
the NAMES of Persons mention'd and Things treated of throughout the
Whole.

VOL. II.

_Collected chiefly from the_ Public Papers _by_ SILVANUS URBAN.

_Prodesse & delettare._ [Illustration] _E Pluribus Unum_.

_LONDON_, Printed and Sold at ST JOHN'S GATE; by F. JEFFERIES in
_Ludgate-street,_ and by most Booksellers in Town and Country.

* * * * *




OF WIT


_WIT_ in K. _Charles_ IId's Reign, seem'd to be the Fashion of the
Times; in the next Reign it gave way to Politicks and Religion; while
K. _William_ was on the Throne, it reviv'd under the Protection of
Lord _Somers_ and some other Nobleman, and then those Geniuses
received that Tincture of Elegance and Politeness which afterwards
made such a Figure in the _Tatlers_, _Spectators_, &c. thro' the
greatest Part of the Reign of Q. _Anne_: But since it has broke out
only by Fits and Starts. Few People of Distinction trouble themselves
about the Name of Wit, fewer understand it, and hardly any have
honoured it with their Example. In the next Class of People it seems
best known, most admired, and most frequently practiced; but their
Stations in Life are not eminent enough to dazzle us into Imitation.
Wit is a Start of Imagination in the Speaker, that strikes the
Imagination of the Hearer with an Idea of Beauty, common to both; and
the immediate Result of the Comparison is the Flash of Joy that
attends it; it stands in the same Regard to Sense, or Wisdom, as
Lightning to the Sun, suddenly kindled and as suddenly gone; it as
often arises from the Defect of the Mind, as from its Strength and
Capacity. This is evident in those who are _Wits_ only, without being
grave or wise, Just, solid, and lasting Wit is the Result of fine
Imagination, finished Study, and a happy Temper of Body. As no one
pleases more than the Man of Wit, none is more liable to offend;
therefore he shou'd have a Fancy quick to conceive, Knowledge, good
Humour, and Discretion to direct the whole. Wit often leads a Man into
Misfortunes, that his Prudence wou'd have avoided; as it is the Means
of raising a Reputation, so it sometimes destroys it. He who affects
to be always witty, renders himself cheap, and, perhaps, ridiculous.
The great Use and Advantage of Wit is to render the Owner agreeable,
by making him instrumental to the Happiness of others. When such a
Person appears among his Friends, an Air of Pleasure and Satisfaction
diffuses itself over every Face. _Wit_, so used, is an Instrument of
the sweetest Musick in the Hands of an Artist, commanding, soothing,
and modulating the Passions into Harmony and Peace. Neither is this
the only Use of it; 'tis a sharp Sword, as well as a musical
Instrument, and ought to be drawn against Folly and Affectation. There
is at the same time an humble Ignorance, a modest Weakness, that ought
to be spar'd; they are unhappy already in the Consciousness of their
own Defects, and 'tis fighting with the Lame and Sick to be severe
upon them. The Wit that genteely glances at a Foible, is smartly
retorted, or generously forgiven; because the Merit of the Reprover is
as well known as the Merit of the Reproved. In such delicate
Conversations, Mirth, temper'd with good Manners, is the only Point in
View, and we grow gay and polite together; perhaps there's no Moment
of our Lives so sincerely happy, certainly none so innocent. Wit is a
Quality which some possess, and all covet; Youth affects it, Folly
dreads it, Age despises it, and Dulness abhors it. Some Authors wou'd
persuade us, that Wit is owing to a double Cause; one, the Desire of
pleasing others, and one of recommending ourselves: The first is made
a Merit in the Owners, and is therefore rang'd among the Virtues; the
last is stiled Vanity, and therefore a Vice; tho' this is an erroneous
Distinction, as _Wit_ was never possess'd by any without both; for no
Man endeavours to excell without being conscious of it, and that
Consciousness will produce Vanity, let us disguise it how we please.
Upon the whole, Vanity is inseparable from the; Heart of Man; where
there is Excellency, it may be endur'd; where there is none, it may be
censur'd, but never remov'd.

(From _The Weekly Register_, July 22, 1732, No. 119, as reprinted in
_The Gentleman's 'Magazine_, II, July, 1732, pp. 861-2.)

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A Stephen King fan has published an 80-page version of the book which novelist Jack Torrance obsessively writes during King's The Shining, where his descent into madness is revealed when his wife discovers that his work consists of just one phrase, endlessly repeated.

Torrance, played by Jack Nicholson in terrifying form in Stanley Kubrick's 1980 film, is a frustrated writer who goes with his wife and son to spend the winter in the isolated Overlook Hotel in an attempt to get the novel he has always wanted to write started. But the hotel's grisly past and unquiet ghosts have their way with him, and his wife Wendy eventually finds that the manuscript he has been working on actually only contains the phrase "All work and no play makes Jack a dull boy", typed over and over again.

Now New York artist Phil Buehler, who describes himself as "a big fan of Stanley Kubrick and Stephen King", has self-published a book credited to Torrance, repeating the phrase throughout but formatting each page differently, using the words to create different shapes from zigzags to spirals.

"The idea has probably been marinating for years, because I loved the movie and the Stephen King book," said Buehler. "I'd just finished my own obsessive art project [and] it was an idea I had over the Christmas holidays."

He said he decided to stick to type and formatting that could have been created on a typewriter, with the first ten pages duplicating shots of Torrance's work from the film. "I thought 'if he continues to get crazier, what would those pages look like?'" he said. "I hit writer's block about 60 pages in, and I had to get to 80 - that went on for about a week." His fiancée, who had neither read the book nor seen the film, became a little concerned about his actions. "I finally showed her the movie, and she realised I wasn't really losing it," said Buehler.

He's included a spoof review from the blog OverThinkingIt.com on the book's back jacket, which compares it to "the best of Beckett" in its "lack of forward momentum", and considers the struggles of the author, "heroically pitting himself against the Sisyphusean sentence". "It's that metatextual struggle of Man vs. Typewriter that gives this book its spellbinding power," the review says. "Some will dismiss it as simplistic; that's like dismissing a Pollack canvas as mere splatters of paint."

So far, Buehler says that around 1,000 people have viewed the book, for sale on Blurb.com for $8.95 in paperback, or $22.95 in hardback, and he's sold "a few" copies, with sales now starting to pick up steam. "A few people have asked me to sign it - they're looking it as a piece of art rather than a funny thing to give to a Kubrick fan," he said. "If you're not a Kubrick or King fan, you might not even get it."

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