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The Honorable Peter Stirling and What People Thought of Him by Paul Leicester Ford

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"Then I'll go in and arrange them. I wish you would give Betise a run
across the lawn."

"I never run before breakfast," said Peter. "Doctors say it's very bad."

So he followed her in. Leonore became tremendously occupied in arranging
the flowers, Peter became tremendously occupied in watching her.

"You want to save one of those for me," he said, presently.

"Take one," said Leonore.

"My legal rule has been that I never take what I can get given me. You
can't do less than pin it in my button-hole, considering that it is my
birthday."

"If I have a duty to do, I always get through with it at once," said
Leonore. She picked out a rose, arranged the leaves as only womankind
can, and, turning to Peter, pinned it in his button-hole. But when she
went to take her hands away, she found them held against the spot so
firmly that she could feel the heart-beats underneath.

"Oh, please," was all she said, appealingly, while Peter's rose seemed
to reflect some of its color on her cheeks.

"I don't want you to give it to me if you don't wish," said Peter,
simply. "But last night I sat up late thinking about it. All night I
dreamed about it. When I waked up this morning, I was thinking about it.
And I've thought about it ever since. I can wait, but I've waited so
long!"

Then Leonore, with very red cheeks, and a very timid manner, held her
lips up to Peter.

"Still," Leonore said presently, when again arranging of the roses,
"since you've waited so long, you needn't have been so slow about it
when you did get it."

"I'm sorry I did it so badly," said Peter, contritely. "I always was
slow! Let me try again?"

"No."

"Then show me how?"

"No."

"Now who's obstinate?" inquired Peter.

"You," said Leonore, promptly. "And I don't like it."

"Oh, Leonore," said Peter. "If you only knew how happy I am!"

Leonore forgot all about her charge of obstinacy. "So am I," she said.
"And I won't be obstinate any more."

"Was that better?" Peter asked, presently.

"No," said Leonore. "That wouldn't have been possible. But you do take
so long! I shan't be able to give you more than one a day. It takes so
much time."

"But then I shall have to be much slower about it."

"Then I'll only give you one every other day."

"Then I shall be so much the longer."

"Yes," sighed Leonore. "You are obstinate, after all!"

So they went on till breakfast was announced. Perhaps it was foolish.
But they were happy in their foolishness, if such it was. It is not
profitable to write what they said. It is idle to write of the week
that followed. To all others what they said and did could only be the
sayings and doings of two very intolerable people. But to them it was
what can never be told in words--and to them we will leave it.

It was Leonore who put an end to this week. Each day that Peter lingered
brought letter and telegraphic appeals to him from the party-leaders,
over which Peter only laughed, and which he not infrequently failed even
to answer. But Mr. Pell told Leonore something one day which made her
say to Peter later:

"Is it true that you promised to speak in New York on the fifteenth?"

"Yes. But I wrote Green last night saying I shan't."

"And were you to have made a week of speeches through the State?"

"Yes. But I can't spare the time."

"Yes, you can. You must leave to-morrow and make them."

"I can't," groaned Peter.

"You must."

"Who says so?"

"I do. Please, Peter? I so want to see you win. I shall never forgive
myself if I defeat you."

"But a whole week," groaned Peter.

"We shall break up here on the eighteenth, and of course you would have
to leave a day sooner. So you'll not be any better off."

"Well," sighed Peter, "If I do as you want, will you give me the seven I
shall lose before I go."

"Dear me, Peter," sighed Leonore, "you oughtn't to ask them, since it's
for your own sake. I can't keep you contented. You do nothing but
encroach."

"I should get them if I was here," said Peter, "And one a day is little
enough! I think, if I oblige you by going away, I shouldn't be made to
suffer more than is necessary."

"I'm going to call you Growley," said Leonore, patting him on the cheek.
Then she put her own against it. "Thank you, dear," she said. "It's just
as hard for me."

So Peter buckled on his armor and descended into the arena. Whether he
spoke well or ill, we leave it to those to say who care to turn back to
the files of the papers of that campaign. Perhaps, however, it may be
well to add that an entirely unbiassed person, after reading his opening
speeches, delivered in the Cooper Union and the Metropolitan Opera
House, in New York City, wrote him: "It is libel to call you
Taciturnity. They are splendid! How I wish I could hear you--and see
you, dear. I'm very lonely, and so are Betise and Tawney-eye. We do
nothing but wander round the house all day, waiting for your letter, and
the papers." Three thousand people in the Brooklyn Rink were kept
waiting for nearly ten minutes by Peter's perusal of that letter. But
when he had finished it, and had reached the Rink, he out-Stirlinged
Stirling. A speaker nowadays speaks far more to the people absent than
to the people present. Peter did this that evening. He spoke, it is
true, to only one person that night, but it was the best speech of the
campaign.

A week later, Peter rang the bell of the Fifty-seventh Street house. He
was in riding costume, although he had not been riding.

"Mr. and Mrs. D'Alloi are at breakfast," he was informed.

Peter rather hurriedly laid his hat and crop on the hall-table, and went
through the hall, but his hurry suddenly came to an end, when a young
lady, carrying her napkin, added herself to the vista. "I knew it must
be you," she said, offering her hand very properly--(on what grounds
Leonore surmised that a ring at the door-bell at nine o'clock meant
Peter, history does not state)--"I wondered if you knew enough to come
to breakfast. Mamma sent me out to say that you are to come right in."

Peter was rather longer over the handshake than convention demands, but
he asked very politely, "How are your father and--?" But just then the
footman closed a door behind him, and Peter's interest in parents
suddenly ceased.

"How could you be so late?" said some one presently. "I watched out of
the window for nearly an hour."

"My train was late. The time-table on that road is simply a satire!"
said Peter. Yet it is the best managed road in the country, and this
particular train was only seven minutes overdue.

"You have been to ride, though," said Leonore.

"No. I have an engagement to ride with a disagreeable girl after
breakfast, so I dressed for it."

"Suppose the disagreeable girl should break her engagement--or declare
there never was one?"

"She won't," said Peter. "It may not have been put in the contract, but
the common law settles it beyond question."

Leonore laughed a happy laugh. Then she asked: "For whom are those
violets?"

"I had to go to four places before I could get any at this season," said
Peter. "Ugly girls are just troublesome enough to have preferences. What
will you give me for them?"

"Some of them," said Leonore, and obtained the bunch. Who dares to say
after that that women have no business ability nor shrewdness? It is
true that she kissed the fraction returned before putting it in Peter's
button-hole, which raises the question which had the best of the
bargain.

"I'm behind the curtain, so I can't see anything," said a voice from a
doorway, "and therefore you needn't jump; but I wish to inquire if you
two want any breakfast?"

A few days later Peter again went up the steps of the Fifty-seventh
Street house. This practice was becoming habitual with Peter; in fact,
so habitual that his cabby had said to him this very day, "The old
place, sir?" Where Peter got the time it is difficult to understand,
considering that his law practice was said to be large, and his
political occupations just at present not small. But that is immaterial.
The simple fact that Peter went up the steps is the essential truth.

From the steps, he passed into a door; from the door he passed into a
hall; from a hall he passed into a room; from a room he passed into a
pair of arms.

"Thank the Lord, you've come," Watts remarked. "Leonore has up and down
refused to make the tea till you arrived."

"I was at headquarters, and they would talk, talk, talk," said Peter. "I
get out of patience with them. One would think the destinies of the
human race depended on this campaign!"

"So the Growley should have his tea," said a vision, now seated on the
lounge at the tea-table. "Then Growley will feel better."

"I'm doing that already," said Growley, sitting down on the delightfully
short lounge--now such a fashionable and deservedly popular drawing-room
article. "May I tell you how you can make me absolutely contented?"

"I suppose that will mean some favor from me," said Leonore. "I don't
like children who want to be bribed out of their bad temper. Nice little
boys are never bad-tempered."

"I was only bad-tempered," whispered Peter, "because I was kept from
being with you. That's cause enough to make the best-tempered man in the
universe murderous."

"Well?" said Leonore, mollifying, "what is it this time?"

"I want you all to come down to my quarters this evening after dinner.
I've received warning that I'm to be serenaded about nine o'clock, and I
thought you would like to hear it."

"What fun," cried Leonore. "Of course we'll go. Shall you speak?"

"No. We'll sit in my window-seats merely, and listen."

"How many will there be?"

"It depends on the paper you read. The 'World' will probably say ten
thousand, the 'Tribune' three thousand, and the 'Voice of Labor' 'a
handful.' Oh! by the way, I brought you a 'Voice'." He handed Leonore a
paper, which he took from his pocket.

Now this was simply shameful of him! Peter had found, whenever the
papers really abused him, that Leonore was doubly tender to him, the
more, if he pretended that the attacks and abuse pained him. So he
brought her regularly now that organ of the Labor party which was most
vituperative of him, and looked sad over it just as long as was
possible, considering that Leonore was trying to comfort him.

"Oh, dear!" said Leonore. "That dreadful paper. I can't bear to read it.
Is it very bad to-day?"

"I haven't read it," said Peter, smiling. "I never read--" then Peter
coughed, suddenly looked sad, and continued--"the parts that do not
speak of me." "That isn't a lie," he told himself, "I don't read them."
But he felt guilty. Clearly Peter was losing his old-time
straightforwardness.

"After its saying that you had deceived your clients into settling those
suits against Mr. Bohlmann, upon his promise to help you in politics, I
don't believe they can say anything worse," said Leonore, putting two
lumps of sugar (with her fingers) into a cup of tea. Then she stirred
the tea, and tasted it. Then she touched the edge of the cup with her
lips. "Is that right?" she asked, as she passed it to Peter.

"Absolutely," said Peter, looking the picture of bliss. But then he
remembered that this wasn't his role, so he looked sad and said: "That
hurt me, I confess. It is so unkind."

"Poor dear," whispered a voice. "You shall have an extra one to-day, and
you shall take just as long as you want!"

Now, how could mortal man look grieved, even over an American newspaper,
with that prospect in view? It is true that "one" is a very indefinite
thing. Perhaps Leonore merely meant another cup of tea. Whatever she
meant, Peter never learned, for, barely had he tasted his tea when the
girl on the lounge beside him gave a cry. She rose, and as she did so,
some of the tea-things fell to the floor with a crash.

"Leonore!" cried Peter. "What--"

"Peter!" cried Leonore. "Say it isn't so?" It was terrible to see the
suffering in her face and to hear the appeal in her voice.

"My darling," cried the mother, "what is the matter?"

"It can't be," cried Leonore. "Mamma! Papa! Say it isn't so?"

"What, my darling?" said Peter, supporting the swaying figure.

"This," said Leonore, huskily, holding out the newspaper.

Mrs. D'Alloi snatched it. One glance she gave it. "Oh, my poor darling!"
she cried. "I ought not to have allowed it. Peter! Peter! Was not the
stain great enough, but you must make my poor child suffer for it?" She
shoved Peter away, and clasped Leonore wildly in her arms.

"Mamma!" cried Leonore. "Don't talk so! Don't! I know he didn't! He
couldn't!"

Peter caught up the paper. There in big head-lines was:

SPEAK UP, STIRLING!

* * * * *

WHO IS THIS BOY?

DETECTIVE PELTER FINDS A WARD UNKNOWN TO THE COURTS, AND
EXPLANATIONS ARE IN ORDER FROM

PURITY STIRLING.

The rest of the article it is needless to quote. What it said was so
worded as to convey everything vile by innuendo and inference, yet in
truth saying nothing.

"Oh, my darling!" continued Mrs. D'Alloi. "You have a right to kill me
for letting him come here after he had confessed it to me. But I--Oh,
don't tremble so. Oh, Watts! We have killed her."

Peter held the paper for a moment. Then he handed it to Watts. He only
said "Watts?" but it was a cry for help and mercy as terrible as
Leonore's had been the moment before.

"Of course, chum," cried Watts. "Leonore, dear, it's all right. You
mustn't mind. Peter's a good man. Better than most of us. You mustn't
mind."

"Don't," cried Leonore. "Let me speak. Mamma, did Peter tell you it was
so?"

All were silent.

"Mamma! Say something? Papa! Peter! Will nobody speak?"

"Leonore," said Peter, "do not doubt me. Trust me and I will--"

"Tell me," cried Leonore interrupting, "was this why you didn't come to
see us? Oh! I see it all! This is what mamma knew. This is what pained
you. And I thought it was your love for--!" Leonore screamed.

"My darling," cried Peter wildly, "don't look so. Don't speak--"

"Don't touch me," cried Leonore. "Don't. Only go away." Leonore threw
herself upon the rug weeping. It was fearful the way those sobs shook
her.

"It can't be," said Peter. "Watts! She is killing herself."

But Watts had disappeared from the room.

"Only go away," cried Leonore. "That's all you can do now. There's
nothing to be done."

Peter leaned over and picked up the prostrate figure, and laid it
tenderly on the sofa. Then he kissed the edge of her skirt. "Yes. That's
all I can do," he said quietly. "Good-bye, sweetheart. I'll go away." He
looked about as if bewildered, then passed from the room to the hall,
from the hall to the door, from the door to the steps. He went down
them, staggering a little as if dizzy, and tried to walk towards the
Avenue. Presently he ran into something. "Clumsy," said a lady's voice.
"I beg your pardon," said Peter mechanically. A moment later he ran into
something again. "I beg your pardon," said Peter, and two well-dressed
girls laughed to see a bareheaded man apologize to a lamp-post. He
walked on once more, but had not gone ten paces when a hand was rested
on his shoulder.

"Now then, my beauty," said a voice. "You want to get a cab, or I shall
have to run you in. Where do you want to go?"

"I beg your pardon," said Peter.

"Come," said the policeman shaking him, "where do you belong? My God!
It's Mr. Stirling. Why, sir. What's the matter?"

"I think I've killed her," said Peter.

"He's awfully screwed," ejaculated the policeman. "And him of all men!
Nobody shall know." He hailed a passing cab, and put Peter into it. Then
he gave Peter's office address, and also got in. He was fined the next
day for being off his beat "without adequate reasons," but he never told
where he had been. When they reached the building, he helped Peter into
the elevator. From there he helped him to his door. He rang the bell,
but no answer came. It was past office-hours, and Jenifer having been
told that Peter would dine up-town, had departed on his own leave of
absence. The policeman had already gone through Peter's pockets to get
money for cabby, and now he repeated the operation, taking possession
of Peter's keys. He opened the door and, putting him into a deep chair
in the study, laid the purse and keys on Peter's desk, writing on a
scrap of paper with much difficulty: "mr. stirling $2.50 I took to pay
the carriage. John Motty policeman 22 precinct," he laid it beside the
keys and purse. Then he went back to his beat.

And what was Peter doing all this time? Just what he now did. He tried
to think, though each eye felt as if a red hot needle was burning in it.
Presently he rose, and began to pace the floor, but he kept stumbling
over the desk and chairs. As he stumbled he thought, sometimes to
himself, sometimes aloud: "If I could only think! I can't see. What was
it Dr. Pilcere said about her eyes? Or was it my eyes? Did he give me
some medicine? I can't remember. And it wouldn't help her. Why can't I
think? What is this pain in her head and eyes? Why does everything look
so dark, except when those pains go through her head? They feel like
flashes of lightning, and then I can see. Why can't I think? Her eyes
get in the way. He gave me something to put on them. But I can't give it
to her. She told me to go away. To stop this agony! How she suffers.
It's getting worse every moment. I can't remember about the medicine.
There it comes again. Now I know. It's not lightning. It's the
petroleum! Be quick, boys. Can't you hear my darling scream? It's
terrible. If I could only think. What was it the French doctor said to
do, if it came back? No. We want to get some rails." Peter dashed
himself against a window. "Once more, men, together. Can't you hear her
scream? Break down the door!" Peter caught up and hurled a pot of
flowers at the window, and the glass shattered and fell to the floor and
street "If I could see. But it's all dark. Are those lights? No. It's
too late. I can't save her from it."

So he wandered physically and mentally. Wandered till sounds of martial
music came up through the broken window. "Fall in," cried Peter. "The
Anarchists are after her. It's dynamite, not lightning. Podds, Don't let
them hurt her. Save her. Oh! save her I Why can't I get to her? Don't
try to hold me," he cried, as he came in contact with a chair. He caught
it up and hurled it across the room, so that it crashed into the
picture-frames, smashing chair and frames into fragments. "I can't be
the one to throw it," he cried, in an agonized voice. "She's all I have.
For years I've been so lonely. Don't I can't throw it. It kills me to
see her suffer. It wouldn't be so horrible if I hadn't done it myself.
If I didn't love her so. But to blow her up myself. I can't. Men, will
you stand by me, and help me to save her?"

The band of music stopped. A moment's silence fell and then up from the
street, came the air of: "Marching through Georgia," five thousand
voices singing:

"Rally round our party, boys;
Rally to the blue,
And battle for our candidate,
So sterling and so true,
Fight for honest government, boys,
And down the vicious crew;
Voting for freedom and Stirling.

"Hurrah, hurrah, for Stirling, brave and strong.
Hurrah, hurrah, for Stirling, never wrong.
And roll the voters up in line,
Two hundred thousand strong;
Voting for freedom and Stirling."

"I can't fight so many. Two hundred thousand! I have no sword. I didn't
shoot them. No! I only gave the order. It hurt me, but I didn't mean to
hurt her. She's all I have. Do you think I intended to kill her? No! No
sacrifice would be too great. And you can talk to me of votes! Two
hundred thousand votes! I did my best for her. I didn't mean to hurt
her. And I went to see the families. I went to see them all. If I only
could think. But she is suffering too much. I can't think as long as she
lies on the rug, and trembles so. See the flashes of lightning pass
through her head. Don't bury your face in the rug. No wonder it's all
dark. Try to think, and then it will be all right."

Up from the street came the air of: "There were three crows," and the
words:

"Steven Maguire has schemed to be elected November fourth,
Steven Maguire has schemed to be elected November fourth.
Steven Maguire has schemed and schemed,
But all his schemes will end in froth!
And the people will all shout, Hurrah, rah, rah, rah.
And the people will all shout, Hurrah, rah, rah, rah.

"For Peter Stirling elected will be upon November fourth,
For Peter Stirling elected will be upon November fourth,
For Peter Stirling elected will be
And Steven Maguire will be in broth,
And the people will all shout, Hurrah, rah, rah, rah,
And the people will all shout, Hurrah, rah, rah, rah."

"It's Steven Maguire. He never could be honest. If I had him here!"
Peter came in contact with a chair. "Who's that? Ah! It's you. You've
killed her. Now!" And another chair went flying across the room with
such force, that the door to the hall flew off its hinges, and fell with
a crash. "I've killed him" screamed Peter. "I've--No, I've killed my
darling. All I have in the world!"

And so he raved, and roamed, and stumbled, and fell; and rose, and
roamed, and raved, and stumbled, and fell, while the great torchlight
procession sang and cheered him from below.

He was wildly fighting his pain still when two persons, who, after
ringing and ringing, had finally been let in by Jenifer's key, stood
where the door had been.

"My God," cried one, in terror. "He's crazy! Come away!"

But the other, without a word or sign of fear, went up to that
wild-looking figure, and put her hand in his.

Peter stopped his crazed stride.

"I can't think, I tell you. I can't think as long as you lie there on
the rug. And your eyes blaze so. They feel just like balls of fire."

"Please sit down, Peter. Please? For my sake. Here. Here is the chair.
Please sit down."

Peter sank back in the chair. "I tell you I can't think. They do nothing
but burn. It's the petroleum!" He started forward, but a slender arm
arrested his attempt to rise, and he sank back again as if it had some
power over him.

"Hyah, miss. Foh de lub ub heaben, put some ub dis yar on he eyes," said
Jenifer, who had appeared with a bottle, and was blubbering enough to
supply a whole whaling fleet. "De doctor he done give dis yar foh de
Aspic nerve." Which is a dish that Jenifer must have invented himself,
for it is not discoverable even on the fullest of menus.

Leonore knelt in front of Peter, and, drenching her fingers with the
wash, began rubbing it softly over his eyes. It has always been a
problem whether it was the remedy or the ends of those fingers which
took those lines of suffering out of Peter's face and made him sit
quietly in that chain Those having little faith in medicines, and much
faith in a woman's hands, will opine the latter. Doctors will not.

Sufficeth it to say, after ten minutes of this treatment, during which
Peter's face had slowly changed, first to a look of rest, and then to
one which denoted eagerness, doubt and anxiety, but not pain, that he
finally put out his hands and took Leonore's.

"You have come to me," he said, "Has he told you?"

"Who? What?" asked Leonore.

"You still think I could?" cried Peter. "Then why are you here?" He
opened his eyes wildly and would have risen, only Leonore was kneeling
in front of the chair still.

"Don't excite yourself, Peter," begged Leonore. "We'll not talk of that
now. Not till you are better."

"What are you here for?" cried Peter. "Why did you come--?"

"Oh, please, Peter, be quiet."

"Tell me, I will have it." Peter was exciting himself, more from
Leonore's look than by what she said.

"Oh, Peter. I made papa bring me--because--Oh! I wanted to ask you to do
something. For my sake!"

"What is it?"

"I wanted to ask you," sobbed Leonore, "to marry her. Then I shall
always think you were what I--I--have been loving, and not--" Leonore
laid her head down on his knee, and sobbed bitterly.

Peter raised Leonore in his arms, and laid the little head on his
shoulder.

"Dear one," he said, "do you love me?"

"Yes," sobbed Leonore.

"And do you think I love you?"

"Yes."

"Now look into your heart. Could you tell me a lie?"

"No."

"Nor can I you. I am not the father of that boy, and I never wronged his
mother."

"But you told--" sobbed Leonore.

"I lied to your mother, dear."

"For what?" Leonore had lifted her head, and there was a look of hope in
her eyes, as well as of doubt.

"Because it was better at that time than the truth. But Watts will tell
you that I lied."

"Papa?"

"Yes, Dot. Dear old Peter speaks the truth."

"But if you lied to her, why not to me?"

"I can't lie to you, Leonore. I am telling you the truth. Won't you
believe me?"

"I do," cried Leonore. "I know you speak the truth. It's in your face
and voice." And the next moment her arms were about Peter's neck, and
her lips were on his.

Just then some one in the "torchlight" shouted:

"What's the matter wid Stirling?"

And a thousand voices joyfully yelled;

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Audio slideshow: Robert Shaw discusses his production of Sylvia Plath's only play
Articles published by guardian.co.uk Books

Stephen King fan publishes Shining's Jack Torrance's novel
Three Women was first heard as a radio drama and then published as a poem. Robert Shaw explains his desire to stage the piece as it was intended

Video: Costa prize winners

A Stephen King fan has published an 80-page version of the book which novelist Jack Torrance obsessively writes during King's The Shining, where his descent into madness is revealed when his wife discovers that his work consists of just one phrase, endlessly repeated.

Torrance, played by Jack Nicholson in terrifying form in Stanley Kubrick's 1980 film, is a frustrated writer who goes with his wife and son to spend the winter in the isolated Overlook Hotel in an attempt to get the novel he has always wanted to write started. But the hotel's grisly past and unquiet ghosts have their way with him, and his wife Wendy eventually finds that the manuscript he has been working on actually only contains the phrase "All work and no play makes Jack a dull boy", typed over and over again.

Now New York artist Phil Buehler, who describes himself as "a big fan of Stanley Kubrick and Stephen King", has self-published a book credited to Torrance, repeating the phrase throughout but formatting each page differently, using the words to create different shapes from zigzags to spirals.

"The idea has probably been marinating for years, because I loved the movie and the Stephen King book," said Buehler. "I'd just finished my own obsessive art project [and] it was an idea I had over the Christmas holidays."

He said he decided to stick to type and formatting that could have been created on a typewriter, with the first ten pages duplicating shots of Torrance's work from the film. "I thought 'if he continues to get crazier, what would those pages look like?'" he said. "I hit writer's block about 60 pages in, and I had to get to 80 - that went on for about a week." His fiancée, who had neither read the book nor seen the film, became a little concerned about his actions. "I finally showed her the movie, and she realised I wasn't really losing it," said Buehler.

He's included a spoof review from the blog OverThinkingIt.com on the book's back jacket, which compares it to "the best of Beckett" in its "lack of forward momentum", and considers the struggles of the author, "heroically pitting himself against the Sisyphusean sentence". "It's that metatextual struggle of Man vs. Typewriter that gives this book its spellbinding power," the review says. "Some will dismiss it as simplistic; that's like dismissing a Pollack canvas as mere splatters of paint."

So far, Buehler says that around 1,000 people have viewed the book, for sale on Blurb.com for $8.95 in paperback, or $22.95 in hardback, and he's sold "a few" copies, with sales now starting to pick up steam. "A few people have asked me to sign it - they're looking it as a piece of art rather than a funny thing to give to a Kubrick fan," he said. "If you're not a Kubrick or King fan, you might not even get it."

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