Search:
A \ B \ C \ D \ E \ F \ G \ H \ I \ J \ K \ L \ M \ N \ O \ P \ R \ S \ T \ U \ V \ W \Z

A Woman Named Smith by Marie Conway Oemler

M >> Marie Conway Oemler >> A Woman Named Smith

Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18


Note: Project Gutenberg also has an HTML version of this
file which includes the original illustrations.
See 15591-h.htm or 15591-h.zip:
(http://www.gutenberg.net/dirs/1/5/5/9/15591/15591-h/15591-h.htm)
or
(http://www.gutenberg.net/dirs/1/5/5/9/15591/15591-h.zip)





A WOMAN NAMED SMITH

by

MARIE CONWAY OEMLER

Author of _Slippy McGee_, etc.

Grosset & Dunlap
Publishers New York

1919







[Frontispiece illustration: "Sophy," he said,
"I have found the lost key of Hynds House"]





To

ELIZABETH HEYWARD OEMLER

_Sometimes my Little Girl._


When you were yet an Awful Baby,
And bawled o' bed-time, I said "Maybe
It is not best to spank or scold her:
Suppose a fairy-tale were told her?"
And gave you then, to my undoing,
The wolf Red Riding-Hood pursuing;
Sang Mother Goose her artless rhyming;
Showed Jack the Magic Beanstalk climbing;
Three Little Pigs were so appealing,
You set up sympathetic squealing!
Then, Bitsybet, you had your mother--
_You bawled until I told another!_

The Awful Baby's gone. Here lately
You bear your little self sedately.
You've shed your rompers; you want dresses
Prinked out with frillies; fluff your tresses;
Delight your daddy, aunts, and mother;
And sisterly set straight your brother.
Your bib-and-tucker days abolished,
Your manners and your nails are polished.
One baby trait remains, thank glory!
You're still a glutton for a story.
Still, Bitsybet, you beg another:
So here's one for you from

YOUR MOTHER.




CONTENTS

CHAPTER

I THE SCARLET WITCH DEPARTS
II AND ARIEL MAKES MUSIC
III THE DEAR LITTLE GOD!
IV THE HYNDSES OF HYNDS HOUSE
V "THY NEIGHBOR AS THYSELF"
VI GLAMOURY
VII A BRIGHT PARTICULAR STAR
VIII PEACOCKS AND IVORY
IX THE JUDGMENT OF SPRING
X THE FOREST OF ARDEN
XI THE JINNEE INTERVENES
XII MAN PROPOSES
XIII FIRES OF YESTERDAY
XIV THE TALISMAN
XV THE HEART OF HYNDS HOUSE
XVI THE DEVILL HIS RAINBOW
XVII ON THE KNEES OF THE GODS
XVIII THE GREATEST GIFT
XIX DEEP WATERS
XX HARBOR




CHARACTERS


SOPHY: A woman named Smith.

ALICIA GAINES: Flower o' the Peach.

NICHOLAS JELNIK: Peacocks and Ivory.

DOCTOR RICHARD GEDDES: _Coeur-de-Lion._

THE AUTHOR: Himself.

THE SECRETARY: A Pleasant Person.

MISS EMMELINE PHELPS-PARSONS: of Boston, Massachusetts.

MISS MARTHA HOPKINS: "Clothed in White Samite."

JUDGE GATCHELL: The Law.

SCHMETZ AND RIEDRIECH: Workmen and Visionaries.

THE JINNEE: A Son of the Prophet.

SOPHRONISBA SCARLETT: "The Scarlett Witch."

THE HYNDSES OF HYNDS HOUSE.

PAYING GUESTS.

THE PEOPLE OF HYNDSVILLE, SOUTH CAROLINA.

MARY MAGDALEN; QUEEN-OF-SHEEBA; FERNOLIA: Important Persons.

BORIS: A Russian Wolfhound.

THE BLACK FAMILY: A Witch's Cat's Kittens.

BEAUTIFUL DOG: Last but not Least.





A WOMAN NAMED SMITH


CHAPTER I

THE SCARLETT WITCH DEPARTS


If it had been humanly possible for Great-Aunt Sophronisba Scarlett
to lug her place in Hyndsville, South Carolina, along with her into
the next world, plump it squarely in the middle of the Elysian
Fields, plaster it over with "No Trespassing" signs, and then settle
herself down to a blissful eternity of serving writs upon the angels
for flying over her fences without permission, and setting the saved
by the ears in general, she would have done so and felt that heaven
was almost as desirable a place as South Carolina. But as even she
couldn't impose her will upon the next world, and there was nobody
in this one she hated less than she did me--possibly because she had
never laid eyes on me--she willed me Hynds House and what was left
of the Hynds fortune; tying this string to her bequest: I must
occupy Hynds House within six months, and I couldn't rent it, or
attempt to sell it, without forfeiture of the entire estate.

I can fancy the ancient beldam sniggering sardonically the while she
figured to herself the chagrined astonishment, the helpless wrath,
of her watchfully waiting neighbors, when they should discover that
historic Hynds House, dating from the beginning of things
Carolinian, had passed into the unpedigreed hands of a woman named
Smith. I can fancy her balefully exact perception of the attitude so
radically conservative a community must needs assume toward such an
intruder as myself, foisted upon it, so to speak, by an enemy who
never failed to turn the trick.

Because I'm not a Hynds, at all. Great Aunt Sophronisba was my aunt
not by blood but by marriage; she having, when she was no longer
what is known as a spring chicken, met my Great-Uncle Johnny
Scarlett and scandalized all Hyndsville by marrying him out of hand.

I have heard that she was insanely in love with him, and I believe
it; nothing short of an over-mastering passion could have induced
one of the haughty Hyndses to marry a person with such family
connections as his. For my father, George Smith, was a ruddy
English ship-chandler who pitched upon Boston for a home, and lived
with his family in the rooms above his shop; and my grandmother
Smith dropped her "aitches" with the cheerful ease of one to the
manner born, bless her stout old Cockney heart! I can remember her
hearing me my spelling-lesson of a night, her spectacles far down on
her old button of a nose, her white curls bobbing from under her
cap.

"What! Carn't spell 'saloon'? Listen, then, Miss: There's a hess and
a hay and a hell and two hoes and a henn! Now, then, d 'ye spell
it!"

Not that Mrs. Johnny ever accepted us. It was borne in upon the
Smiths that undesirable in-laws are outlaws. This despite the fact
that my mother's pink-and-white English face was a gentler copy of
what her uncle's had been in his youth; and that when I came along,
some years after the dear old man's death, I was named Sophronisba
at Mrs. Johnny's urgent request.

After Great-Uncle Johnny died, as if the last tie which bound her to
ordinary humanity had snapped, his widow retired into a seclusion
from which she emerged only to sue somebody. She said the world was
being turned topsyturvy by people who were allowed to misbehave to
their betters, and who needed to be taught a lesson and their proper
place; and that so long as she retained her faculties, she would do
her duty in that respect, please God!

She did her duty so well in that respect that the Hynds fortune,
which even civil war and reconstruction hadn't been able altogether
to wreck, dwindled to a mere fifteen thousand dollars; and she
wasn't on speaking terms with anybody but Judge Gatchell, her
lawyer. She would have quarreled with him, too, had she dared.

To the minister, who bearded her for her soul's sake every now and
then, she spoke in words brief and curt:

"You here again? Wanted to see me, hey? Well, you've done it. Now
get out!"

And in the meantime the years passed and my own immediate family
passed with them; but still the gaunt old woman lived on in her
gaunt old house, becoming in time a myth to me, and to Hyndsville as
well; where they referred to her, succinctly, as "the Scarlet
Witch." I heard from her directly only once, and that was the year
she sent me a red flannel petticoat for a Christmas present. After
that, as if she'd done her worst, she ignored me altogether.

My mother had wanted me to be a school-teacher, in her eyes the acme
of respectability. But as it happens, there are two things I
wouldn't be: one's a school-teacher, the other a minister's wife.
If I had to marry the average minister, I should infallibly hate all
church-goers; if I had to teach the average school-child and wrestle
with the average school-board, I should end by burning joss-sticks
to Herod.

So I disappointed my mother by becoming a typist. After her death I
secured a foothold in a New York house--I'd always wanted to live in
New York--and went up, step by step, from what may be called a
rookie in the outside office, to private secretary to the Head. And
I'd been a business woman for all of seventeen years when Great-Aunt
Sophronisba Scarlett departed at the age of ninety-eight years and
eleven months, and willed that I should take up my life in the house
where she had dropped hers.

"Oh, Sophy!" cried Alicia Gaines, the one person in the world who
didn't call me Miss Smith. "Oh, Sophy, it's like a fairy-story come
true! Think of falling heir to an old, old, old lady's old, old, old
house, in South Carolina! I hope there's a big old door with a
fan-light, and a Greeky front with white pillars, and a big old
hall, and a big old garden--"

"And an old stove that smokes and old windows that rattle and an old
roof that leaks, and maybe big, big old rats that squeak o' nights,"
I said darkly. For the first rapture of the astonishing news was
beginning to wear thin, and doubt was appearing in spots.

"Sophy Smith! Why, if such a wonderful, beautiful, unexpected thing
had happened to _me_--" Alicia's blue eyes misted. I have known her
since the day she was born, next door to us in Boston, and she is
the only person I have ever seen who can cry and look pretty while
she's doing it; also, she can cry and laugh at the same time, being
Irish. Some foolish people, who have been deceived by Alicia
Gaines's baby stare and complexion, have said she hasn't sense
enough to get in out of a shower of rain. This is, of course, a
libel. But what's the odds, when every male being in sight would
rush to her aid with an umbrella?

After her mother's death I fell heir to Alicia, who, like me, was an
only child, and without relatives. Lately, I'd gotten her into our
filing-department. She didn't belong in a business office, she whose
proper background should have been an adoring husband and the latest
thing in pink-and-white babies.

"But somebody's got to think of stoves and roofs and rats and such,
or there'd be no living in any old house," I reminded her,
practically. "My dear girl, don't you realize that this thing isn't
all beer and skittles?"

Alicia wrinkled her white forehead.

"Consider me, a hardy late-summer plant forced to uproot and
transplant myself to a soil which may not in the least agree with
me. Why, this means changing all my fixed habits, to trot off to
live in an old house that is probably haunted by the cross-grained
ghost of a lady of ninety-nine!"

"If I were a ghost, you'd be the very last person on earth I'd want
to tackle, Sophy," remarked Alicia, dimpling. "And as for that new
soil, why, you'll bloom in it! You--well, Sophy dear, up to now you
have been root-bound; you've never had a chance to grow, much less
to blossom. Now you can do both."

I who was confidential secretary to the Head, looked at the girl who
was admittedly the worst file-clerk on record; and she looked back
at me, nodding her bright head with young wisdom.

"I hope," she said, wistfully, "that there'll be all sorts of lovely
things in your house, Sophy,--old mirrors, old books, old pictures,
old furniture, old china. Lord send you'll find an attic! All my
life I've day-dreamed of finding an attic that's been shut up and
forgotten for ages and ages, and discovering all sorts of lovely
things in all sorts of hiding-places. When I think my day-dream may
come true for you, Sophy, it almost reconciles me to the pain of
parting from you; though what on earth I'm to do without you,
goodness only knows!" She was sitting on my bed, kimonoed,
slippered, and braided. And now she looked at me with a suddenly
quivering chin.

"Alicia," said I, "ever since I discovered that there's no mistake
about that lawyer's letter--that Hynds House is unaccountably, but
undoubtedly mine and I've got to live in it if I want to keep it--it
has been borne in upon me that you are just about the worst
file-clerk on earth. You're a navy-blue failure in a business
office. Business isn't your _motif_. Now, will you resign the job
you fill execrably, and accept one you can fill beyond all
praise--come South with me, share half-and-half whatever comes, and
help make that old house a happy home for us both?"

"Don't joke." Her lips went white. "Please, please, Sophy dear,
don't joke like that! I--well, I just couldn't bear it."

"I never joke," I said indignantly. "You little goose, did you
imagine for one minute that I contemplated leaving you here by
yourself, any more than I contemplate going down there by myself, if
I can help it? Stop to think for a moment, Alicia. You have been
like a little sister to me, ever since you were born. And--I'm
alone, except for you--and not in my first youth--and not
beautiful--and not gifted."

At that she hurled herself off my bed and cried upon my shoulder,
with her slim arms around my neck. Those young arms were beginning
to make me feel wistful. If things had been different--if I had been
lovely like the Scarletts, instead of looking like the Smiths--there
might have been--

Well, I don't look like the Scarletts; so there wasn't. The best I
could do was to drop a kiss on Alicia's forehead, where the bright
young hair begins to break into curls.

And that is how, neither of us having the faintest notion of what
was in store for us, Alicia Gaines and I turned our backs upon New
York and set our faces toward Hynds House.




CHAPTER II

AND ARIEL MAKES MUSIC


We had wired Judge Gatchell when to expect us, but the venerable
negro hackman who was on the lookout for us explained that the judge
had a "misery in the laigs" which confined him to his room, and that
he advised us to go to the hotel for a while.

We couldn't, for wasn't our own house waiting for us? A minute later
we had bundled into the ancient hack and were bumping and splashing
through unpaved streets, getting wet, gray glimpses of old houses in
old gardens, and every now and then a pink crape-myrtle blushing in
the pouring rain. Hyndsville was, it seemed, one of those sprawling,
easy-going old Carolina towns that liked plenty of elbow-room and
wasn't particular about architectural order. Hynds House itself was
on the extreme edge of things.

The hack presently stopped before a high iron gate in a waist-high
brick wall with a spiked iron railing on top of it, the whole
overrun with weeds and creepers. Of Hynds House itself one couldn't
see anything but a stack of chimneys above a forest of trees.

The gate creaked and groaned on its rusty hinges; then we were
walking up a weedy, rain-soaked path where untrimmed branches
slapped viciously at our faces, and tough brambles, like snares and
gins, tried to catch our feet. On each side was a jungle. Of a
sudden the path turned, widened into a fairly cleared space; and
Hynds House was before us.

We had expected a fair-sized dwelling-house in its garden. And there
confronted us, glooming under the gray and threatening sky that
seemed the only proper and fitting canopy for it, what looked like a
pile reared in medieval Europe rather than a home in America. Its
stained brick walls, partly covered with ivy and lichens; its
smokeless chimneys; its barred doors; its many shuttered windows,
like blind eyes--all appeared deliberately to thrust aside human
habitancy.

_A residence for woman, child, and man,
A dwelling-place,--and yet no habitation;
A House,--but under some prodigious ban
Of Excommunication._

Yet there was nothing ruinous about it, for the Hyndses had sought
to build it as the old Egyptians sought to build their temples--to
last forever, to defy time and decay. It was not only meant to be a
place for Hyndses to be born and live and die in: it was a monument
to Family Pride, a brick-and-granite symbol of place and power.

The walls were of an immense thickness, the corners further
strengthened with great blocks of granite. The house had but two
stories, with an attic under its sloping roofs, but it gave an
effect of height as well as of solidity. Behind it was another brick
building, the lower part of which had been used for stables and
carriage house, and the upper portion as quarters for the house
slaves, in the old days. Another smaller building, slate-roofed and
ivy covered, was the spring-house, with a clear, cold little spring
still bubbling away as merrily in its granite basin, as if all the
Hyndses were not dead and gone. And there was a deep well, protected
by a round stone wall, with a cupola-like roof supported by four
slender pillars. And everything was dank and weedy and splotched
with mildew and with mold.

_O'er all there hung a shadow and a fear
A sense of mystery the spirit daunted
And said, as plain as whisper in the ear,
The place is Haunted!_

When we opened the great front door, above which was the fan-light
of Alicia's hope, just as the round front porch had the big pillars,
a damp and moldy air met us. The house had not been opened since
Sophronisba's funeral, and everything--stairs, settles, tables,
cabinets, pictures, the chairs backed inhospitably against the wall
as if to prevent anybody from sitting in them--was covered with a
shrouding pall of dust.

The hall was cross-shaped, the side passage running between the back
drawing-room and library on one side, and the dining-room and two
locked rooms on the other. It was a nice place, that side passage,
with a fireplace and settles; and beautiful windows opening upon the
tangled garden. All the down-stairs walls were paneled: precious
woods were not so hard to come by when Hynds House was built. It was
lovely, of course, but depressingly dark.

We got one of the big windows open, and let some stale damp air out
and some fresh damp air in. Then, having despatched our hackman for
certain necessities, Alicia and I turned and stared at each other,
another Alicia and Sophy staring back at us from a dim and dusty
mirror opposite. If, at that moment, I could have heard the familiar
buzzer at my elbow! If I could have heard the good everyday New York
"Miss Smith, attend to this, please"! God wot, if I had not
literally burned my bridges behind me--Oh, oh, I had!

"The garden around this house,"--Alicia spoke in a
whisper--"stretches to the end of the world and then laps over. It
hasn't been trimmed since Adam and Eve moved out. But those
crape-myrtle trees are quite the loveliest things left over from
Paradise, and I'm glad we came here to see them with our own eyes!
Brace up, Sophy! We'll feel heaps better when we've had something to
eat. Aren't you frightfully hungry, and doesn't a chill suspicion
strike you, somewhere around the wishbone, that if that Ancient
Mariner of a hackman doesn't get back soon we shall starve?"

At that moment, from somewhere--it seemed to us from up-stairs--a
sudden flood of sweetest sound poured goldenly through that sad,
dim, dusty house, as if a blithe spirit had slipped in unawares and
was bidding us welcome. For a few wonderful moments the exquisite
music filled the dark old place and banished gloom and neglect and
decay; then, with a pattering scamper, as of the bare, rosy feet of
a beloved and mischievous child making a rush for his crib, it went
as suddenly as it had come. There was nothing to break the silence
but the swishing downpour of the outside rain.

When I could speak: "It came from up-stairs! Somebody's playing a
violin up-stairs. I'm going up-stairs to find out who it is."

Alicia demurred: "It may be a real person, Sophy!--a real person
with a real violin. But I'd rather believe it's Ariel's self, come
out of those pink crape-myrtles. Don't go up-stairs, please, Sophy!"

"Nonsense!" said I. "Somebody's played a violin and I mean to know
who he is!"

And up-stairs I went, into a huge dark hall, with the cross-passage
cutting it, and closed doors everywhere. At the front end was a most
beautiful window, opening doorlike upon a tiny iron bird-cage of a
balcony, hung up Southern fashion under the roof of the pillared
front porch. At the rear a more ordinary door opened upon the broad
veranda that ran the full width of the house. Both door and window
were closed, and bolted on the inside, and the big, dark, dusty
rooms which I resolutely entered were quite empty, their fireplaces
boarded up, their windows close-shuttered. There was no sign
anywhere of violin or player. I went down-stairs just as wise as I
had gone up.

"I told you it was Ariel!" Alicia stood by the open window--our
windows are sunk into the walls, and cased with solid black walnut
as Impervious to decay as the granite itself--and leaned out to the
wet and dripping garden.

"Sophy," said she, in her high, sweet voice that carries like a
thrush's. "Sophy, the best thing about this world is, that the best
things in it aren't really _real_. This is one of its enchanted
places. Sycorax used to live in this house: that's what you feel
about it yet. But now she's gone, her spell is lifting, and Hynds
House is going to come alive and be young again!"

"At least," I grumbled, "admit that the dust inside and the rain
outside and the weeds and mud are real; and I'm really hungry!"

"Me too!" Alicia assented instantly and ungrammatically. "Oh, for a
square meal!" She thrust her charming head out far enough for the
rain to splatter on her bright hair and whip it into curls, and
bring a deeper shade of pink to her cheeks, and a deeper blue
to her eyes. "Ariel!" she fluted, "Spirit of the Violin, I'm
hungry--earthily, worm-of-the-dustly, unromantically hungry! Send us
something to eat."

"Why don't you rap on one of the tables," I suggested ironically,
"and call up your high spirits to do your bidding?"

"My high spirits won't be above making you a soothing cup of coffee
just as soon as that ancient African returns. In the meantime,
let's look around us."

People had forests to draw from when they built rooms like those in
Hynds House. There were eight of them on the first floor. On one
side the two drawing-rooms, the library, and behind that a room
evidently used for an office. We didn't know it then, of course, but
that library was treasure trove. Almost every book and pamphlet
covering the early American settlements, that is of any value at
all, is in Hynds House library; we have some pamphlets that even the
British Museum lacks.

The rooms had enough furniture to stock half a dozen antique-shops,
all of it in a shocking state, the brocades in tatters, the carvings
caked with dust. You couldn't see yourself in the tarnished mirrors,
the portraits were black with dirt, and most of the prints were
badly stained. Alicia swooped upon a pair of china dogs with mauve
eyes and black spots and sloppy red tongues, on a what-not in a
corner. She said she had been aching for a china dog ever since she
was born.

"Oh, Sophy!" cried she, dancing, "wasn't it heavenly of that old
soul to die and leave you two whole china dogs! I wouldn't want
sure-enough dogs that looked like these, but as china dogs they're
perfect! And cast your eyes about you, Sophy! Have you ever in all
your life seen a house that needed so much done to it as this house
does?

"'If seven maids with seven mops,
Swept it for half a year,
Do you suppose,' the Walrus said,
'That that would make it clear?'
'I doubt it,' said the Carpenter,
'And--'

"Sophy! I shall clean some of these windows myself. Did you know
that Queen Victoria, when she was a child, had the same virtuous
inclination? Well, she had, and you see how she turned out!"

"I don't believe it!"

"Don't be skeptical!--Look at that pink mustache-cup over there on
that little table! Who do you suppose had a mustache and drank out
of that cup? It couldn't have been Sophronisba herself? _I_
insist that it was a black-mustached Confederate with a red sash
around his waist. I adore Confederates! They're the most glamorous,
romantic figures in American history. I wish a black mustache went
along with the cup and the house; don't you? It would make things so
much more interesting!" And she began to sing, at the top of her
voice, in the sad and faded room that hadn't heard a singing voice
these many, many years:

"'Arrah, Missis McGraw,' the Captain said,
'Will ye make a sojer av your son Ted?
Wid a g-r-rand mus-tache, an' a three-cocked hat,
Wisha, Missis McGraw, wouldn't you like that!
_You like that--tooroo looroo loo!_
_Wisha, Missis McGraw, wouldn't you like that!_'"

If Great-Aunt Sophronisba's ghost, and the scandalized ghosts of all
the haughy Hyndses ever intended to walk, now was the accepted time!
And as if that graceless ballad were the signal for something to
happen, upon the hall window-shutter sounded three loud, imperative
knocks.

Alicia dashed down the hall.

"Sophy!" she called, breathlessly, "Sophy!"

Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18
Copyright (c) 2007. bestextbooks.com. All rights reserved.

President Obama teams up with one of Marvel's greatest heroes, reports Alison Flood
Articles published by guardian.co.uk Books

Murder One closing so did we commit this crime?

Barack Obama is teaming up with Spider-Man in a new comic from Marvel, which will see the future president exchanging a fist-bump with Peter Parker's alter ego.

The five-page story takes place in Washington DC on inauguration day, when one of Spidey's oldest enemies, the Chameleon, attempts to stop Obama's swearing-in ceremony. Fortunately, Peter Parker is covering the event as a photographer, and jumps in to save the day.

"Ya hear that, Chameleon? The president-elect here just appointed me ... secretary of shuttin' you up," Spider-Man says as he thwacks the Chameleon in the face. "I hope this doesn't ruin the inauguration for you," he tells Obama, as the Chameleon is led away by security officials. "Honestly, I'm more upset by the Chameleon's shockingly deficient understanding of the electoral process," Obama replies.

Spidey then cedes the limelight to Obama. "This is your day, after all, and I know it wouldn't look good to be seen palling around with me," he says, in a nod to Sarah Palin's comment that the then presidential candidate had been "palling around with terrorists".

The story, written by Zeb Wells and illustrated by Todd Nauck and Frank D'Armata, will appear as a bonus feature in Amazing Spider-Man 583, which goes on sale on 14 January.

"When we heard that president-elect Obama is a collector of Spider-Man comics, we knew that these two historic figures had to meet in our comics' Marvel Universe," said Marvel's editor-in-chief Joe Quesada. "A Spider-Man fan moving into the Oval Office is an event that must be commemorated in the pages of Amazing Spider-Man."

In October, graphic novel biographies of Obama and his then rival John McCain were published by IDW. April will see Michelle Obama appearing in the Female Force comic book series.

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds

Poetry Workshop creature features

For many years my local corner shop displayed a large sign in its window telling local residents to "use us or lose us!" It always looked a rather toothless threat to me. After all, if I didn't use them, what difference would it make to me if they weren't there? And surely a corner shop, one that had been there for years, would have enough customers to survive without recourse to such apocalyptic warning? But it didn't and was soon converted into flats.

This community shop was destroyed not so much by the pressures of the supermarkets or people's commuting patterns, but simply by customer apathy. It's something to think about as crime writers and readers across the world mourn the imminent passing of Maxim Jakubowski's celebrated Charing Cross Road bookshop in London, Murder One.

Apathy is a strange word to connect to a bookstore that thrives on passion. It's noticeable when you walk through the door, when you speak to the friendly, knowledgeable staff, when you look at the shelves and see the vast range of titles on offer. This isn't your regular kind of bookstore: the first time I visited spent a whole lunch break looking up and down, from floor to ceiling from table to table; it was an hour that changed my perception of both crime writing and of bookselling.

Murder One was – and for a few weeks will remain – a shop that took crime seriously. Not in the sense that it intellectualised it, or made unsubstantiated claims for its importance, but in the way that it treated crime writing with the respect it was due. With a genre that has so many off-shoots, branches and sub-genres, it took a shop of Murder One's calibre to show just how diverse, interesting and mentally stimulating crime could be – far more than the guilty pleasure I had, until then, considered it.

Thanks to judicious recommendations, enticing table displays and hours of foraging among the stacks, I discovered writers that I would never have picked up, let alone read. You could always get the latest blockbuster, but delve a little deeper and you'd find books that were not stocked anywhere else, novels that, like the perfect crime, were hidden from public view. The Martin Beck novels by Sjöwall & Wahlöö – probably my favourite sequence of novels in any genre – were introduced to me via Murder One, as were Kem Nunn, Sue Grafton, and Henning Mankell. It's also the staff of Murder One who piqued my interest in the inimitable Fred Vargas, and I can't thank them enough for the introduction.

Inclusive and without snobbery, Murder One amply demonstrated that the best bookshops are places not just of commerce, but of community; places that make feel you belong. It's the kind of store that bibliophiles dream about: well-stocked, well-staffed and shabby enough to lose days browsing within. It's just unfortunate that such shops don't have enough paying customers to keep them afloat, or that these customers visit all too infrequently – something of which I'm certainly guilty.

These kinds of shops are facing a long, bloody battle – and one which, without significant reinforcements, they are likely to lose. As we hear of the travesty of another brilliant independent going down, we'll mourn the loss, wring our hands and damn Amazon and the supermarkets and Waterstone's. Yet perhaps the most important detail we'll probably keep under wraps: the last time we actually spent any money there.

Murder One closing its doors for the final time is undoubtedly a .38 shell for independent bookshops, but whether it's body blow or a warning shot all depends upon us, the consumers. No one, no matter how iconic or established, can exist on fond memories alone: just ask Woolworths. Use these shops now, because it doesn't take a master sleuth to deduce what will happen if we don't.

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds