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Martha By the Day by Julie M. Lippmann

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Martha had reached her own street, and was turning the corner, when she
stopped with a sensation as of a quick, fierce clutching at her heart.
Evidently there had been some sort of accident, for a great crowd was
gathered on the sidewalk, and beside the gutter-curbstone, just ahead of
her, stood waiting an ambulance. Her healthy, normal mind did not easily
jump at tragic conclusions. She did not, as a general thing, fear the
worst, did not even accept it when it came, but now, somehow, a close
association of ideas suggested Claire in an instant, and before ever she
had stirred a step, she saw in her mind's eye the delicate little form
she loved, lying injured, maybe mangled, stretched out upon the asphalt,
in the midst of the curious throng.

She hurried, hurried faster than any of the others who were also
hurrying, and pushed her way on through the press to the very edge of
the crowd. A crying woman caught wildly at her arm, as she stood for a
second struggling to advance.

"It's a child!--A little girl--run over by an automobile! O God help
the poor mother!" the stranger sobbed hysterically.

Martha freed herself from the clinging fingers and pressed forward. "A
child--Miss Claire's such a little thing, no wonder they think she's a
child," she murmured. "True for you, my good woman, God help the poor
mother!"

"You know her?"

"I know Miss Claire."

For some reason the crowd made way, and let her through to the very
heart of it, and there--sure enough, there was Claire, but Claire crying
and kneeling over an outstretched little form, lying unconscious on the
pavement.

"Why, it's--my Francie!" said Martha quietly.




CHAPTER X


Through all the days of suspense and doubt, Claire swung like a faithful
little pendulum between home, the Shermans, and the hospital.

Then, as hope strengthened, she was the bearer of gifts, flowers, fruit,
toys from Mr. Ronald and his sister, which Martha acknowledged in her
own characteristic fashion.

"Tell'm the Slawson fam'ly is bound to be _in it._ It seems it's the
whole style for ladies to go under a operation, an' as I ain't eggsackly
got the time, Francie, she's keepin' up the tone for us. If you wanter
folla the fashions these days, you got to gather your skirts about you,
tight as they are, an' run. But what's a little inconvenience, compared
with knowin' you're cuttin' a dash!

"Tell'm I thank'm, an' tell Lor'--Mister Ronald, it's good of'm to be
tryin' to get damages for Francie out o' the auta that run her down, an'
if there was somethin' comin' to us to pay the doctors an' suchlike,
it'd be welcome. But, somehow, I always was shy o' monkeyin' with the
law. It's like to catch a body in such queer places, where you'd least
expect. Before a fella knows it, he's _up_ for liable, or breaches o'
promise, an' his private letters to the bosom of his fam'ly (which
nowadays they're mostly ruffles), his letters to the bosom of his fam'ly
is read out loud in court, an' then printed in the papers next mornin',
an' everybody's laughin' at'm, because he called his wife 'My darlin'
Tootsie,' which she never been accustomed to answer to anythin' but the
name o' Sarah. An' it's up to him to pay the costs, when ten to one it's
the other party's to blame. I guess p'raps we better leave good enough
alone. If we begin to get the l'yers after us, no tellin' where we'll
end. Who knows but they might find the accident injured the auto, 'stead
o' Francie. If we work hard, an' they give us time, me an' Sammy can,
maybe, make out to pay the doctors. But add to that, to have to buy a
brand-new machine for the fella that run over Francie--that'd be sorter
discouragin'."

She paused, and Claire began to pull on her gloves.

"By the way," said Martha, "how's things down to the Shermans'? Seems
like a hunderd years since I was there. The las' time I laid eyes on
Eliza, she was in excellent spirits--I seen the bottle. I wonder if
she's still--very still, takin' a sly nip on the side, as she calls it,
which means a sly nip off the sideboard. You can take it from me, if she
don't let up, before she knows it she'll be a teetotal wrack."

"I haven't had the pleasure of meeting Eliza," observed Claire, smiling.

"Why, of course, you haven't, which it wouldn't be a pleasure, anyhow.
But what I reely want to know is, how you makin' out with Radcliffe? I
been so took up with Francie all this while, I clean forgot to ask
before. Is he behavin' all right? Does he mind what you say? Does he do
his lessons good?"

Claire's brows drew together in a troubled little frown, as she labored
over the clasp of her glove.

"O, Radcliffe," she let fall carelessly. "Radcliffe's an unruly little
Hessian, of course, but I suppose all boys are mischievous at times."

Martha pondered. "Well, not all boys are mischievous in just the same
way, thank God! This trouble o' Francie's has threw me all out in more
ways than one. If everything had 'a' went as I'd expected, I'd been
workin' at the Shermans' straight along these days, an' you wouldn't 'a'
had a mite o' trouble with the little fella. Him an' I understands each
other perfeckly, an' with me a loomin' up on the landscape, he kinder
sees the sense o' walkin' a chalk-line, not kickin' up his heels too
frisky. I'd calculated on being there, to sorter back you up, till you'd
got uster the place, an' made 'em understand you mean business."

Claire laughed, a quick, sharp little laugh.

"O, I think I'm gradually making them understand I mean business," she
said. "And I'm sure it is better, since I have to be there at all, that
I should be there without you, independent of any help. I couldn't make
Radcliffe respect my authority, if I depended on some one else to
enforce it. It's just one of those cases where one has to fight one's
own battle alone."

"Then it _is_ a battle?" Martha inquired quietly.

"O, it's a battle, 'all right,'" laughed Claire mirthlessly, and before
Mrs. Slawson could probe her further, she managed to make her escape.

She did not wish to burden Martha with her vexations. Martha had
troubles of her own. Moreover, those that were most worrisome to Claire,
Martha, in the very nature of things, would not understand.

Claire's first few weeks at the Shermans' had been uneventful enough.
Radcliffe had found amusement in the novelty of the situation, had
deigned to play school with her, and permitted her to "make believe" she
was "the teacher." He was willing to "pretend" to be her "scholar," just
as he would have been willing to pretend to be the horse, if he and
another boy had been playing, and the other boy had chosen to be driver
for a while. But turn about is fair play, and when the days passed, and
Claire showed no sign of relinquishing her claim, he grew restless,
mutinous, and she had all she could do to keep him in order.

Gradually it began to dawn upon him that this very little person, kind
and companionable as she seemed, suffered under the delusion that he was
going to obey her--that, somehow, she was going to constrain him to obey
her. Of course, this was the sheerest nonsense. How could she make him
do anything he didn't want to do, since his mother had told her, in his
presence, that he was to be governed by love alone, and, fortunately,
her lack of superior size and strength forbade her _love_ from
expressing itself as, he shudderingly remembered, Martha's had done on
one occasion. No, plainly he had the advantage of Miss Lang, but until
she clearly understood it, there were apt to be annoyances. So, without
taking the trouble to make the punishment fit the crime, he casually
locked her in the sitting-room closet one morning. She had stepped
inside to hang up her hat and coat as usual, and it was quite easy,
swiftly, noiselessly, to close the door upon her, and turn the key.

He paused a moment, choking back his nervous laughter, waiting to hear
her bang on the panel, and clamor to be let out. But when she made no
outcry, when, beyond one or two futile turnings of the knob, there was
no further attempt on her part to free herself, he stole upstairs to
the schoolroom, and made merry over his clever exploit.

For a full minute after she found herself in darkness, Claire did not
realize she was a prisoner. The door had swung to after her, she
thought, that was all. But, when she turned the knob, and still it did
not open, she began to suspect the truth. Her first impulse was to call
out, but her better judgment told her it would be better to wait with
what dignity she might until Radcliffe tired of his trick, or some one
else came and released her. Radcliffe would tire the more quickly, she
reasoned, if she did not raise a disturbance. When he saw she was not to
be teased, he would come and let her out. She stood with her hot cheek
pressed against the cool wood of the closet-door, waiting for him to
come. And listening for his steps, she heard other steps--other steps
which approached, and entered the sitting-room. She heard the voices of
Mrs. Sherman and Mr. Ronald in earnest conversation.

"If I thought such a thing were possible I'd send her away to-morrow,"
Mrs. Sherman was saying in a high-pitched, excited voice.

"Why such delay? Why not to-day?" inquired Mr. Ronald ironically.

"But, of course," continued his sister, ignoring his interruption, "I
know there's nothing to be really afraid of."

"Well, then, if you know there's nothing to be afraid of, what _are_ you
afraid of?"

"I'm not really afraid. I'm just talking things over. You see, she's so
uncommonly pretty, and--men are men, and you're no exception."

"I hope not. I don't want to be an exception."

"Don't you think she's uncommonly pretty?"

"No, I don't think I should call her--_pretty_," said Mr. Ronald with an
emphasis his sister might well have challenged, if she had not been so
preoccupied with her own thoughts that she missed its point.

"Well, _I_ do. I think she's quite pretty enough to excuse, I mean,
_explain_ your having a passing fancy for her."

"I haven't a passing fancy for her."

"Well, I'm much relieved to hear you say so, for even if it were only a
passing fancy, I'd feel I ought to send her away. You never can tell how
such things will develop."

"You certainly can't."

"And you may rest assured mother and I don't want you to ruin your life
by throwing yourself away on a penniless, unknown little governess, when
you might have your choice from among the best-born, wealthiest girls
in town."

"Miss Lang is as well-born as any one we know."

"We have only her word for it."

"No, her nurse, an old family servant, Martha Slawson, corroborates
her--if you require corroboration."

"Don't you? Would you be satisfied to pick some one off the street, as
it were, and take her into your house and give her your innocent child
to train?"

"My innocent children being so extremely vague, I am not concerning
myself as to their education. But I certainly accept Miss Lang's word,
and I accept Martha's."

"You're easily satisfied. Positively, Frank, I believe you _have_ a
fancy for the girl, in spite of what you say. And for all our sakes, for
mother's and mine and yours and--yes--even hers, it will be best for me
to tell her to go."

"I rather like the way you rank us. Mother and you first--then I come,
and last--_even_ the poor little girl!"

"Well, you may laugh if you want to, but when a child like Radcliffe
notices that you're not indifferent to her, there must be some truth in
it. He confided to me last night, 'Uncle Frank likes Miss Lang a lot. I
guess she's his best girl! Isn't she his best girl?' I told him
_certainly not_. But I lay awake most of the night, worrying about it."

Mr. Ronald had evidently had enough of the interview. Claire could hear
his firm steps, as he strode across the floor to the door.

"I advise you to quit worrying, Catherine," he said. "It doesn't pay.
Moreover, I assure you I've no _passing fancy_ (I quote your words) for
Miss Lang. I hope you won't be so foolish as to dismiss her on my
account. She's an excellent teacher, a good disciplinarian. It would be
difficult to find another as capable as she, one who, at the same time,
would put up with Radcliffe's waywardness, and your--_our_--(I'll put it
picturesquely, after the manner of Martha) our indiosincrazies. Take my
advice. Don't part with Miss Lang. She's the right person in the right
place. Good-morning!"

"Frank, Frank! Don't leave me like that. I know I've terribly annoyed
you. I can't bear to feel you're provoked with me, and yet I'm only
acting for your good. Please kiss me good-by. I'm going away. I won't
see you for two whole days. I'm going to Tuxedo this morning to stay
over night with Amy Pelham. There's a man she's terribly interested in,
and she wants me to meet him, and tell her what I think of him. He's
been attentive to her for ever so long, and yet he doesn't--his name is
Mr. Robert--" Her words frayed off in the distance, as she hurriedly
followed her brother out into the hall and downstairs.

How long Claire stood huddled against the closet-door she never knew.
The first thing of which she was clearly conscious was the feel of a key
stealthily moved in the lock beneath her hand. Then the sounds of
footsteps lightly tiptoeing away. Mechanically she turned the knob, the
door yielded, and she staggered blindly out from the darkness into the
sunlit room. It was deserted.

If Mrs. Sherman had been there, Claire would have given way at once,
letting her sense of outraged pride escape her in a torrent of tears, a
storm of indignant protest. Happily, there being no one to cry to, she
had time to gather herself together before going up to face Radcliffe.
When she entered the schoolroom, he pretended to be studiously busied
with his books, and so did not notice that she was rather a long time
closing the door after her, and that she also had business with the lock
of the door opposite. He really only looked up when she stationed
herself behind her desk, and summoned him to recite.

"I do' want to!" announced Radcliffe resolutely.

"Very well," said Claire, "then we'll sit here until you do."

Radcliffe grinned. It seemed to him things were all going his way, this
clear, sunny morning. He began to whistle, in a breathy undertone.

Claire made no protest. She simply sat and waited.

Radcliffe took up his pencil, and began scrawling pictures over both
sides of his slate, exulting in the squeaking sounds he produced. Still
_the teacher_ did not interfere. But when, tired of his scratching, he
concluded the time had arrived for his grand demonstration, his crowning
declaration of independence, he rose, carelessly shoved his books aside,
strode to the door, intending masterfully to leave the room,
and--discovered he was securely locked and bolted in. In a flash he was
across the room, tearing at the lock of the second door with frantic
fingers. That, too, had been made fast. He turned upon Claire like a
little fiend, his eyes flashing, his hands clenched.

"You--you--you two-cent Willie!" he screamed.

Claire pretended not to see or hear. In reality she was acutely
conscious of every move he made, for, small as he was, his pent-in rage
gave him a strength she might well fear to put to the test. It was the
tug of war. The question was, who would be conqueror?

Through the short hours of the winter forenoon, hours that seemed as
interminable to Claire as they did to Radcliffe, the battle raged. There
was no sign of capitulation on either side.

In the course of the morning, and during one of Radcliffe's fiercest
outbreaks, Claire took up the telephone instrument and quietly
instructed Shaw to bring no luncheon-trays to the schoolroom at
mid-day.

"Two glasses of hot milk will be all we need," she said, whereupon
Radcliffe leaped upon her, trying to wrest the transmitter from her
hand, beating her with his hard little fists.

"I won't drink milk! I won't! I won't!" he shouted madly. "An' I'll
_kill_ you, if you won't let me have my lunch, you--you--you
_mizzer'ble_ two-cent Willie!"

As the day drew on, his white face grew flushed, her fevered one white,
and both were haggard and lined from the struggle. Then, at about three
o'clock, Mr. Ronald telephoned up to say he wished Radcliffe to go for a
drive with him.

Claire replied it was impossible.

"Why?" came back to her over the wire.

"Because he needs punishment, and I am going to see that he gets it."

"And if I interfere?"

"I resign at once. Even as it is--"

"Do you think you are strong enough--strong enough _physically_, to
fight to the finish?"

"I am strong enough for anything."

"I believe you. But if you should find him one too many for you, I shall
be close at hand, and at a word from you I will come to the rescue."

"No fear of my needing help. Good-by!"

She hung up the receiver with a click of finality.

Outside, the sky grew gray and threatening. Inside, the evening shadows
began to gather. First they thickened in the corners of the room; then
spread and spread until the whole place turned vague and dusky.

The first violence of his rage was spent, but Radcliffe, sullen and
unconquered still, kept up the conflict in silent rebellion. He had not
drunk his milk, so neither had Claire hers. The two glasses stood
untouched upon her desk, where she had placed them at noon. It was so
still in the room Claire would have thought the boy had fallen asleep,
worn out with his struggles, but for the quick, catching breaths that,
like soundless sobs, escaped him every now and then. It had been dark a
long, long time when, suddenly, a shaft of light from a just lit window
opposite, struck over across to them, reflecting into the shadow, and
making visible Radcliffe's little figure cowering back in the shelter
of a huge leather armchair. He looked so pitifully small and appealing,
that Claire longed to gather him up in her arms, but she forebore and
sat still and waited.

Then, at last, just as the clock of a nearby church most solemnly boomed
forth eight reverberating strokes, a chastened little figure slid out of
the great chair, and groped its way slowly, painfully along until it
reached Claire's side.

"I will--be--good!" Radcliffe whispered chokingly, so low she had to
bend her head to hear.

Claire laid her arms about him and he clung to her neck, trembling.




CHAPTER XI


It was almost ten o'clock when Claire left the house. She waited to see
Radcliffe properly fed, and put to bed, before she went. She covered him
up, and tucked him in as, in all his life, he had never been covered up,
and tucked in, before. Then, dinnerless and faint, she slipped out into
the bleak night.

She was too exhausted to feel triumphant over her conquest. The only
sensations she realized were a dead weariness that hung on her spirit
and body like a palpable weight, and, far down in her heart, something
that smouldered and burned like a live ember, ready to burst forth and
blaze at a touch.

She had walked but a block or two when, through her numbness, crept a
dim little shadow of dread. At first it was nothing more than an inner
suggestion to hasten her steps, but gradually it became a conscious
impulse to outstrip something or some one behind her--some one or
something whose footfalls, resounding faintly through the deserted
street, kept such accurate pace with her own, that they sounded like
their echo.

It was not until she had quickened her steps, and found that the
other's steps had quickened, too, not until she had slowed down to
almost a saunter, only to discover that the one behind was lagging also,
that she acknowledged to herself she was being followed.

Then, from out the far reaches of her memory, came the words of Aunt
Amelia's formula: "Sir, you are no gentleman. If you were a gentleman--"
But straightway followed Martha's trenchant criticism.

"Believe _me_, that's rot! It might go all right on the stage, for a
girl to stop, an' let off some elercution while the villain still
pursued her, but here in New York City it wouldn't work. Not on your
life it wouldn't. Villains ain't pausin' these busy days, in their mad
careers, for no recitation-stunts, I don't care how genteel you get 'em
off. If they're on the job, you got to step lively, an' not linger
'round for no sweet farewells. Now, you got your little temper with you,
all right, all right! If you also got a umbrella, why, just you make a
_com_bine o' the two an'--aim for the bull's eye, though his nose will
do just as good, specially if it's the bleedin' v'riety. No! P'licemen
ain't what I'd reckmend, for bein' called to the resquer. In the first
place, they ain't ap' to be there. An', besides, they wouldn't know what
to do if they was. P'licemen is funny that way.

"They mean well, but they get upset if anythin' 's doin' on their beat.
They like things quiet. An' they don't like to _run in_ their friends,
an' so, by the time you think you made 'em understand what you're
drivin' at, _the villain_ has got away, an' you're like to be hauled up
before the magistrate for disturbin' the peace, which, bein' so shy an'
bashful before high officials, p'licemen don't like to blow in at court
without somethin' to show for the way they been workin'."

It all flashed across Claire's mind in an instant, like a picture thrown
across a screen. Then, without pausing to consider what she meant to do,
she halted, turned, and--was face to face with Francis Ronald.

Before he could speak, she flashed upon him two angry eyes.

"What do you mean by following me?"

"It is late--too late for you to be out in the streets alone," he
answered quietly.

Claire laughed. "You forget I'm not a society girl. I'm a girl who works
for her living. I can't carry a chaperon about with me wherever I go. I
must take care of myself, and--I know how to do it. I'm not afraid."

"I believe you."

"Then--good-night!"

"I intend to see you home."

"I don't need you."

"Nevertheless, I intend to see you home."

"I don't--_want_ you."

"Notwithstanding which--"

He hailed a passing motor-taxi, gave the chauffeur Martha's street and
number, after he had succeeded in extracting them from Claire, and then,
in spite of protests, helped her in.

For a long time she sat beside him in silence, trying to quell in
herself a weak inclination to shed tears, because--because he had
compelled her to do something against her will.

He did not attempt any conversation, and when, at last, she spoke, it
was of her own accord.

"I've decided to resign my position."

"Is it permitted me to know why?"

"I can't stay."

"That is no explanation."

"I don't feel I can manage Radcliffe."

"Pardon me, you know you can. You have proved it. He is your bond-slave,
from this day forward, for better for worse, for richer for poorer."

Claire laughed, a sharp, cutting little laugh that was like a keen knife
turned on herself.

"O, it would have to be for poorer--'all right, all right,' as Martha
says," she cried scornfully. "But it has been too hard--to-day. I can't
endure any more."

"You won't have to. Radcliffe is conquered, so far as you are concerned.
'Twill be plain sailing, after this."

"I'd rather do something else. I'd like something different."

"I did not think you were a quitter."

"I'm not."

"O, yes, you are, if you give up before the game is done. No good sport
does that."

"I've no ambition to be a good sport."

"Perhaps not. But you _are_ a good sport. A thorough good sport. _And
you won't give up till you've seen this thing through_."

"Is that a prediction, or a--command? It sounds like a command."

"It is whatever will hold you to the business you've undertaken. I want
you to conquer the rest, as you've conquered Radcliffe."

"The rest?"

"Yes."

"What do you mean by the rest?"

"I mean circumstances. I mean obstacles. I mean, my mother--my sister."

"I don't--understand."

"Perhaps not."

"And suppose (forgive me if I seem rude), suppose I don't consider _the
rest_ worth conquering? Why should I? What one has to strive so for--"

"Is worth the most. One has to strive for everything in this world,
everything that is really worth while. One has to strive to get it, one
has to strive to keep it."

"Well, I don't think I care very much to-night, if I never get anything
ever again in all my life to come."

"Poor little tired girl!"

Claire's chin went up with a jerk. "I don't need your pity, I won't have
it. I am a stranger to you and to your friends. I am--" The defiant chin
began to quiver.

"If you were not so tired," Francis Ronald said gravely, "I'd have this
thing out with you, here and now. I'd _make_ you tell me why you so
wilfully misunderstand. Why you seem to take pleasure in saying things
that are meant to hurt me, and must hurt you. As it is--"

Claire turned on him impetuously. "I don't ask you to make allowances
for me. If I do what displeases you, I give you perfect liberty to find
fault. I'm not too tired to listen. But as to your _making_ me do or say
anything I don't choose, why--"

He shook his head. "I'm afraid you are a hopeless proposition, at least
for the present. Perhaps, some time I may be able to make you
understand--Forgive me! I should say, perhaps, some time you may be
willing to understand."

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President Obama teams up with one of Marvel's greatest heroes, reports Alison Flood
Articles published by guardian.co.uk Books

Murder One closing so did we commit this crime?

Barack Obama is teaming up with Spider-Man in a new comic from Marvel, which will see the future president exchanging a fist-bump with Peter Parker's alter ego.

The five-page story takes place in Washington DC on inauguration day, when one of Spidey's oldest enemies, the Chameleon, attempts to stop Obama's swearing-in ceremony. Fortunately, Peter Parker is covering the event as a photographer, and jumps in to save the day.

"Ya hear that, Chameleon? The president-elect here just appointed me ... secretary of shuttin' you up," Spider-Man says as he thwacks the Chameleon in the face. "I hope this doesn't ruin the inauguration for you," he tells Obama, as the Chameleon is led away by security officials. "Honestly, I'm more upset by the Chameleon's shockingly deficient understanding of the electoral process," Obama replies.

Spidey then cedes the limelight to Obama. "This is your day, after all, and I know it wouldn't look good to be seen palling around with me," he says, in a nod to Sarah Palin's comment that the then presidential candidate had been "palling around with terrorists".

The story, written by Zeb Wells and illustrated by Todd Nauck and Frank D'Armata, will appear as a bonus feature in Amazing Spider-Man 583, which goes on sale on 14 January.

"When we heard that president-elect Obama is a collector of Spider-Man comics, we knew that these two historic figures had to meet in our comics' Marvel Universe," said Marvel's editor-in-chief Joe Quesada. "A Spider-Man fan moving into the Oval Office is an event that must be commemorated in the pages of Amazing Spider-Man."

In October, graphic novel biographies of Obama and his then rival John McCain were published by IDW. April will see Michelle Obama appearing in the Female Force comic book series.

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds

Poetry Workshop creature features

For many years my local corner shop displayed a large sign in its window telling local residents to "use us or lose us!" It always looked a rather toothless threat to me. After all, if I didn't use them, what difference would it make to me if they weren't there? And surely a corner shop, one that had been there for years, would have enough customers to survive without recourse to such apocalyptic warning? But it didn't and was soon converted into flats.

This community shop was destroyed not so much by the pressures of the supermarkets or people's commuting patterns, but simply by customer apathy. It's something to think about as crime writers and readers across the world mourn the imminent passing of Maxim Jakubowski's celebrated Charing Cross Road bookshop in London, Murder One.

Apathy is a strange word to connect to a bookstore that thrives on passion. It's noticeable when you walk through the door, when you speak to the friendly, knowledgeable staff, when you look at the shelves and see the vast range of titles on offer. This isn't your regular kind of bookstore: the first time I visited spent a whole lunch break looking up and down, from floor to ceiling from table to table; it was an hour that changed my perception of both crime writing and of bookselling.

Murder One was – and for a few weeks will remain – a shop that took crime seriously. Not in the sense that it intellectualised it, or made unsubstantiated claims for its importance, but in the way that it treated crime writing with the respect it was due. With a genre that has so many off-shoots, branches and sub-genres, it took a shop of Murder One's calibre to show just how diverse, interesting and mentally stimulating crime could be – far more than the guilty pleasure I had, until then, considered it.

Thanks to judicious recommendations, enticing table displays and hours of foraging among the stacks, I discovered writers that I would never have picked up, let alone read. You could always get the latest blockbuster, but delve a little deeper and you'd find books that were not stocked anywhere else, novels that, like the perfect crime, were hidden from public view. The Martin Beck novels by Sjöwall & Wahlöö – probably my favourite sequence of novels in any genre – were introduced to me via Murder One, as were Kem Nunn, Sue Grafton, and Henning Mankell. It's also the staff of Murder One who piqued my interest in the inimitable Fred Vargas, and I can't thank them enough for the introduction.

Inclusive and without snobbery, Murder One amply demonstrated that the best bookshops are places not just of commerce, but of community; places that make feel you belong. It's the kind of store that bibliophiles dream about: well-stocked, well-staffed and shabby enough to lose days browsing within. It's just unfortunate that such shops don't have enough paying customers to keep them afloat, or that these customers visit all too infrequently – something of which I'm certainly guilty.

These kinds of shops are facing a long, bloody battle – and one which, without significant reinforcements, they are likely to lose. As we hear of the travesty of another brilliant independent going down, we'll mourn the loss, wring our hands and damn Amazon and the supermarkets and Waterstone's. Yet perhaps the most important detail we'll probably keep under wraps: the last time we actually spent any money there.

Murder One closing its doors for the final time is undoubtedly a .38 shell for independent bookshops, but whether it's body blow or a warning shot all depends upon us, the consumers. No one, no matter how iconic or established, can exist on fond memories alone: just ask Woolworths. Use these shops now, because it doesn't take a master sleuth to deduce what will happen if we don't.

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